people mumble or stutter a lot, causes errors in the youtube auto-transcript
people end sentences with e.g. "right?" a lot (may be nice to remove for readability)
youtube can't understand foreign-language words (e.g. Greek, Latin, etc), often resolves them incorrectly
youtube doesn't mark WHO is speaking, so you can't follow who said what.

Each one of these is worth the time in hand correction...

Section 1: 00:00:04,510 – 00:00:12,950

All right, welcome back. Let's see if we can get this workshop off the ground. I have some

Section 2: 00:00:12,960 – 00:00:35,510

Things to dig for tonight and I'm going to be digging with you along for the ride. And uh this is real digging people, so >> [laughter] >> um this is not pre-crafted pre-planned fantastic.

Section 3: 00:00:35,520 – 00:00:57,030

This is only following the research, so that's what we're going to be doing. I want to ask a couple of people who are my readers. Brian is going to be coming a little bit. Um Madalena, are you there?

Section 4: 00:00:58,430 – 00:01:35,070

Mhm. Go ahead. >> Hey. Hey. >> How's it going? How are you doing with your reading? What I want to ask you is what you've been reading and I'm going to ask a couple of people this. I'm telling people, of course, go out and read things in translation. You should bombard yourself with ancient Greek authors. Right in English. Reading them. Tell me, Madalena, what have you been reading lately in the last, you know, few weeks? Okay, so I've been reading a lot of stuff all over the place.

Section 5: 00:01:35,080 – 00:01:56,990

Today I was reading Iphigenia um Euripides at uh Tauris. And uh um Okay, we're >> Yesterday and the last Just stop right there. No, no, no. You You can't hit such a peak right off the bat. Who cares about the other stuff? Okay, Iphigenia

Section 6: 00:01:57,000 – 00:02:33,550

In Tauris, right? Oh god. Is this a sexy play or what? Yeah, it's absurd. All the conversations are so funny. But I don't know. The translation The translation I was reading is not that fantastic, but I still could um appreciate it, you know. Good. Now tell me something. Um that's a great point. The translations, people, that you've been reading in English as you were, you know, you're working on your Greek. You're getting

Section 7: 00:02:33,560 – 00:02:53,990

Faster, faster, faster, stronger, stronger, stronger. You know what I mean? And here you go, you run into Euripides. Oh god, and here's this play about a It's really about a woman, in my opinion. It's about Iphigenia herself.

Section 8: 00:02:54,000 – 00:03:14,950

And how she rescues her brother. But in the meantime you know, that's beginning and end. In the meantime, it's about her priesthood. And some of the things that they talk about the purple listen the beginning.

Section 9: 00:03:14,960 – 00:03:39,510

There's all sorts of gorgeousness and the person of Iphigenia is incredible. Uh Did anything stick out to you as you were reading it? I the the ending was kind of muddy to me, so I didn't really understand what was going on, but I I I really

Section 10: 00:03:39,520 – 00:04:21,750

I don't know. I I'm kind of um People who don't >> curious I'm going to interrupt you, Madalena. For people who don't [clears throat] know um Iphigenia is a priestess whose job for Artemis is to kill foreigners who have the ill fortune to wash up on shore of where they are, where they are preparing the purple. So and and so she is this incredibly

Section 11: 00:04:21,760 – 00:05:02,510

You know, it's her job to kill people. It's amazing. Um yes, the huntress. Wow. She's um Yeah, sorry, Madalena. Go ahead. She's powerful. She's very always like respectful of the gods. And then there's also a lot of music in it, too, where like I noticed there's lots of uh references to music and stuff, so I was tracking that. You're going to love the more you read, the more that music is going to come through and you're going to be like, "Wow, it's such an integral part of everything." Okay, listen, people, what

Section 12: 00:05:02,520 – 00:05:26,750

Madalena has been reading. Um fantastic. Madalena, I want you to hang out up here. I'll leave you on so that I can jump to you at a moment's notice. Um Ion, are you around, Ion? Let's see. Bring him up. Um

Section 13: 00:05:26,760 – 00:05:34,043

Ion. How are you?

Section 14: 00:05:35,030 – 00:05:49,270

>> [Sighs] >> He's out. Is he out? No mic. Oh, Ion, we can't hear you. Is he He's on Did you go to the toilet or something, Ion? Okay.

Section 15: 00:05:50,550 – 00:06:26,510

Um Oh, no, here. Bring him back. Fantastic. Anyway, let's go forward. Pull up Ion and I want to hear a little bit about his work when Brian gets here. Brian, Iphigenia is amazing, says Bobstar. Yeah, thank you, Bobstar. I think you're right. Uh I think it's one of his greatest works. Um but that's just my I think next to the Bacchae. But by the way, Madalena, you read the Bacchae in English, correct? Yeah, I read the Bacchae. What are your any any take home in just like one sentence take

Section 16: 00:06:26,520 – 00:06:51,470

Home on the Bacchae? Um Bacchae is feral. And um I but it's also like reflective of a lot of inner inner workings. I don't know. Bacchae was an initiation in itself, you know. Yeah. Yeah, precisely.

Section 17: 00:06:51,480 – 00:07:09,510

Precisely, there's something at work and it's it's his greatest play. And I'm not the one who said that. It was you know, everybody else in antiquity has said it. So um his most his most powerfully impactful play.

Section 18: 00:07:09,520 – 00:07:41,070

And you know, we don't see the effects of what it had on society cuz they're they're using the theater as a religious space to purge themselves. Keep things like tyrants out. Keep themselves, you know, keep themselves so they're not killing and raping and doing terrible stuff. Now up on the Black Sea where the cult of Artemis keeps control of the population.

Section 19: 00:07:41,080 – 00:08:30,790

Right? Because that's what it is. It's control. Um Here is this Here is this woman whose job is to to execute families. Sailors. Mostly sailors. You know what I mean? >> [sighs and gasps] >> I don't know. It's a quite a It's quite a drastic change. Um But notice People notice these are both Greek cults that we're talking about. Cults of Bacchus and cults of Artemis or Diana. Right? Which is spread all over the Mediterranean. You don't understand how these places are working. You don't. Just don't. That's gorgeous.

Section 20: 00:08:30,800 – 00:09:08,750

Okay, did we get Ion? Thank you, Madalena. Did we get Ion back? Yeah, I'm here. Fantastic. Were you out watering the plants, Ion? >> [laughter] >> No. No. Mic troubles, but yeah, good guess. All right. Fantastic. Thank you for coming. Ion, have you been working on anything in English? I've I'm always telling everybody to once you've got the basic course, bombard yourself with Greek sources that are in English. And we just heard Madalena talk about translation. Some of these are going to suck ass and they're going to be like

Section 21: 00:09:08,760 – 00:09:23,110

You know, early 1900s translations of these things. You know, so just tell me a little bit, you know, or in your spare time, are you reading anything classical?

Section 22: 00:09:25,550 – 00:09:29,830

The last thing I was reading was probably Oedipus.

Section 23: 00:09:32,030 – 00:09:46,630

And what are your impressions of Oedipus? This is Sophocles, right? We love Sophocles. Well, very interesting cuz he blames his father's death on Laius.

Section 24: 00:09:49,110 – 00:10:34,990

Isn't that awesome? The problem is widespread. These [\\h__\\h] pirates, sons of [\\h__\\h] Oh god. Now look, what has Ion done? He's found another context for Lais. This Okay? It's going to be in his head now, right? And as he finds 200 of these things, he's going to you know, he's going to reach some kind of right? He's going to get it. Now imagine we're reading this and we don't have any Greek. We're never getting to that level. Ion's appreciation deepens. That's fantastic. What What did you think about Oedipus?

Section 25: 00:10:36,390 – 00:11:14,710

Um I think I saw something um you had said about Oedipus many years back like an interview question or something and I kind of agree with it that um it doesn't have really anything to do with like what Freud you know, fixates on. It's more like escaping one's fate. You can't. Yeah. He like fulfilled it by escaping it. You fulfill it. It's crazy. Right. Right. It's a gorgeous look at the physics of the universe. You think, "Oh no, that's morality and spirituality." No, it's the physics of the cosmos.

Section 26: 00:11:14,720 – 00:11:33,110

You know, >> [clears throat] >> if there are Lais operating at the time, right? And it's bad and they're causing problems like serious social upheaval, involved in the death of leaders and stuff like that. Um

Section 27: 00:11:33,120 – 00:12:13,829

What the Sphinx in context? Here she is. Is she a Lais? Yeah, I'm sorry, but she is totally. What does she do? She comes into your town and she demands a tribute of children. Not the ugly ones. Right? Not the >> [laughter] >> ugly ones. It's terrible. But hey, if you're ugly, you survive. I suppose that's a good thing. Right? And virgins. We don't want anybody's and when they're using the term virgin, they're using the term for somebody who's not yet calved. Right? You see that virgin heifer.

Section 28: 00:12:13,839 – 00:12:49,910

That's what's in the mind of the word. That's what's in the Anyhow, um she who has not yet given birth. So, every um so often the Sphinx comes down and demands a tribute of virgins. Bring me your virgins. Laugh at, right? That's the way it is. Welcome to the world. Sophocles also wrote Ion. You know this, I'm pretty sure. But we have fragments of his plays The Root Cutters

Section 29: 00:12:49,920 – 00:13:06,510

Is one of them and the other two uh in this trilogy. I don't know if they know the titles of them, but we have some fragments of of it that include a scene where we are collecting

Section 30: 00:13:06,520 – 00:13:53,750

Drugs in the moonlight and um singing a hymn. I know I Yeah, I shouldn't say it that way. Um the process of collecting drugs in involves music. All right, back to what Madelaina said. All right, we're in the music. Fantastic. Medea, right? Medea, sorry, Trey. Pointed out Medea's involved in all of this, right? Of course. The Rhizotomoi, right? >> Right, exactly. The Root Cutters. Yeah. Yeah, so it's all there. It's all there. Good. People Do people see how you need to be reading your sources? Is that Pate? Pull up Pate.

Section 31: 00:13:55,350 – 00:14:35,470

We're starting off, people, because we're jumping in cold, which is good. We all need to swim cold into the Greek. Oh, hello. Pate. Yes, how are you, sir? I am good. How are you? I'm doing well. I'm doing well. Can I ask you You went through the the course with Madelaina and you were there to see it happen and whatnot. I'm wondering, have you been reading any translations of the Any Greek works? Have you been building your classics? I keep encouraging people, Pate, to you know,

Section 32: 00:14:35,480 – 00:15:14,949

To go ahead and read the sources in English, you know, just to because there's so much. Have you Have you been working on anything or Yes, I have. Um I haven't been reading in depth the classics, but I've been reading the LSJ. I've been downloading all the grammar and the Brills and I've been copying it all and I've been placing it into a program so that we can all use it to translate everything without needing to uh [sighs and gasps] go through paywalls and and the troubles of being banned

Section 33: 00:15:14,959 – 00:15:38,630

From the TLG. Oh my God. I am so glad. I am so glad that you said something. Fantastic. Keep listening to that. That's a lot of work. You're doing a lot of stuff. Okay. >> of work. I'm tired, but I'm loving it and I'm going to continue doing it. I'm learning and and and absorbing all the beautiful Greek.

Section 34: 00:15:38,640 – 00:15:45,990

Yes, good. Oh God, that makes me so happy. Is the So,

Section 35: 00:15:46,000 – 00:16:10,190

Is the text side um is When are we going to Let me just ask this, Pate. When are we going to get a [\\h__\\h] AI that can go through all of these sources in the TLG and say, you know, we can tell it Tell us what Christing was and it can bring it up and just, you know, give it to us. How close are we? Oh, we are so there.

Section 36: 00:16:12,676 – 00:16:32,190

Seriously? Seriously, I did it. >> [laughter] >> Oh my God. Well, um okay. You So, you you've been able to integrate all of that. Uh I've been looking at Satan. I've been looking at all the etymologies and all the the similarities and I've been delving into

Section 37: 00:16:32,200 – 00:16:42,790

Why it's so confusing. So, you've got this um Septuagint um invasion of of Hebrew

Section 38: 00:16:42,800 – 00:17:13,990

Uh retrofitting. And then you've got the Greek, right? If you start the beginning, if you go with your sources, if you just go at the principal sources and you move your way forwards into the future instead of taking a Hebrew stance, which is they're desperate at the moment. They've always been in that in that state, I find. They've always been persecuted. They've always been

Section 39: 00:17:16,590 – 00:17:57,470

The propaganda that's been placed onto them. Anyways, it's a different story. Uh Since the Since the very publication Oh God. Since the publication of the letter of Aristeas, people, this is the letter that is set that is telling us that the Septuagint is a translation. Now, people, this is great. Pate, that you This is a great discussion. Just hang in there with me for a minute if you have if you have time. Good. Um People, think about this. So, in antiquity, they're introducing this um you know, concept, this letter

Section 40: 00:17:57,480 – 00:18:34,669

That says, "Hey, um the Septuagint is a translation of Hebrew." There are no other works from antiquity that I have ever seen that are simply defenses of a proposition of translation, that this is an actual translation. It's very strange and people at the time thought that it was forgery. Yes. Be And you know, people just don't get it today because they're not reading the actual sources.

Section 41: 00:18:34,679 – 00:19:05,669

So, it's hard for them to It's hard for them to put it in perspective that yeah, this is a This is a propaganda move Yeah. in order to claim legitimacy for a specific group. And that group are the rabbis. People, I'm telling you. You know how they come up to Jesus in the text and they're like, "Rabbi." Right? The rabbis are the religious leaders

Section 42: 00:19:05,679 – 00:19:49,990

Who are attempting to appropriate power over everyone else. And what's funny is the Jewish authors that we have left are all writing in Greek and they're they're very well educated. Philo was is an Alexandrian educated mofo. He doesn't speak a [\\h__\\h] word of it. Right? His his his Greek is his uh is his language. So, the fact that the rabbis need to appropriate and say, "The original text is in Hebrew." when they've only got a 7,000 word spread to deal with just a an unlimited number of Greek

Section 43: 00:19:50,000 – 00:20:18,190

Concepts that, you know, only come through the Greek. If people are beginning to see the cracks, you know, people are beginning to see the cracks. When I was in Israel, um you know, I learned right away that Hebrew is uh what happened was they resurrected the vocabulary that was in that ancient fabrication

Section 44: 00:20:18,200 – 00:20:54,590

And then expanded on it. Right? And that's why the head of Hebrew University in Jerusalem, their language program, their Hebrew program, that's why he has to add words every year because they're working from a very limited base. Right? Now, the modern language is up to, you know, a fairly decent number of words. It's not a lot. Right? And there are a lot of loans and they're using a lot of English, for example. Right? And as a matter of fact, you you know, you can get a buy on your

Section 45: 00:20:54,600 – 00:21:25,830

English all over Israel. Right? So, um that doesn't help promote the growth of the language when that's what's, you know, [snorts] when I tell the when it's not actively being used like that, when you're relying on a language. But anyway, anyhoo, okay, so you're able to tap into the to the AI The angle that I'm interested in, Pate, tell me what you think. Is the AI being able to ultimately just confirm

Section 46: 00:21:25,840 – 00:21:46,870

Uh the past through these sources that we don't have now because of the big deception, which is the big historical deception, which is simply that there is this Hebrew source that exists, you know, and that it just

Section 47: 00:21:46,880 – 00:22:24,950

It has [\\h__\\h] our timeline. Absolutely. >> Right? The AI The AI Can the AI pull us out of this, Pate? Give me some of your Okay, so AI has consensus bias, right? So, it's being trained on all of the world's internet and it's being trained on Wikipedia. So, it prioritizes important websites from Wikipedia. And Wikipedia is just a whole bunch of [\\h__\\h] anyways, right? So, you can't use AI to confirm anything. You need to use AI to create a system that can't lie. You just place it

Section 48: 00:22:24,960 – 00:22:54,950

All in and it outputs reality. So, then AI can take that and conclude um what is needed. Uh not from bias. Pate, tell me more what you mean when you say you can't lie. Um uh first of all, I love that, but tell me just explain that to me. Sure. So, when you're taking um information like language,

Section 49: 00:22:54,960 – 00:23:30,750

You have to look at the language for translation. You can't take another language um that had nothing to do with the development of such language to translate everything. You can't take Hebrew to translate Greek cuz it doesn't work like that. You don't have the capacity to be able to say what is actually being shown. You have to be able to understand the language and how the language has a developmental stage, grammar,

Section 50: 00:23:30,760 – 00:23:58,310

Vocabulary, and we all have that. It's all there. We don't need Hebrew. We don't need another language. We've used Greek and Latin for millennia. We have it all. We just need to place it in one area, which I have done, we have done. Uh Soma Library. And separate

Section 51: 00:23:58,320 – 00:24:25,630

The reality from the magic, you could say. Magic being >> Okay, tell me Tell me about Soma Library. Take me through like >> Sure. you know, and and the congregation cuz we're going to put this up and they're going to watch it, too. Yeah. So, the Soma Library um I hope I I uh don't say anything that will upset the library. Um is a group of devoted

Section 52: 00:24:25,640 – 00:25:10,430

Individuals to the Greek and not just the Greek, but to all of um philology and all that is uh observable and concrete and and we are able to do the translations ourselves. We don't need somebody else to do these things because we've all gone through what Melis Madalena Madalena has gone through. So, we um are devoted to the Greek, to the Attic Greek, and not just that, but to bring all this information to everyone for free.

Section 53: 00:25:18,190 – 00:25:56,110

>> Can I just revel, Madalena? Let me Let me just revel for a second. Pate, that's amazing. That's absolutely amazing. It's like you have created or resurrected the museum. Oh, absolutely. And it's not just me. I I got invited to be in the library. So, we really have to say thank you to Subatomic, who's um who's wandering the the temples of Aphrodite at the moment. Oh my god, should we all be completely jealous? I am jealous. >> I'm jealous. >> [laughter]

Section 54: 00:25:57,910 – 00:26:05,390

>> Madalena, I interrupted you. What were you going to say? I I I just said well said.

Section 55: 00:26:08,110 – 00:26:38,470

So, Soma Li- Listen, people, there is a place. There is a protected place where people are bringing back the muse. Right? Isn't that Isn't that gorgeous? I mean, it's it's like watching history all over again. You know what I mean? It's those pioneers. I so love that. I so love that. What kind of Look, the museum had an effect on the world. Right? The positivity,

Section 56: 00:26:38,480 – 00:26:55,430

The civilization, the beauty, the health. And people won't recognize it. The museum in Alexandria was a place where you could come to access medical documents.

Section 57: 00:27:00,390 – 00:27:28,070

It was a place that processed physicians who were working in North Africa, who were at the very cutting edge of their science. Right? How do you get rid of bladder stones? Right? Excuse me. Anybody here know how to do that? Right? Alexandria, the museum is preserving this so physicians can train. You will notice that some of the greatest advances

Section 58: 00:27:28,080 – 00:28:15,790

Come from Alexandria. Most Most of the cultural advances can be traced back that Western civilization may can be traced back to Alexandria. It's not a [\\h__\\h] accident. So, your devotion to the Greek, Pate, and Soma Library is >> [sighs] >> it's stellar. You know, I I can't Do you want to keep talking? Talk about >> Sure. Um I guess I could share something about me. I had been inspired by my first classes with you to go into Sappho or Sappho. Um she's she's my muse. And she's the one that inspired me to create this app,

Section 59: 00:28:15,800 – 00:28:47,110

Which I call the universal sound operating system. So, not only can we take texts and place it into the system and it'll um uh throughput a a result of etymology and links and and visually appealing, but we can create the skeleton of a song with this and it'll it it will respect the constraints of music.

Section 60: 00:28:47,120 – 00:29:03,990

And that's all because of Sappho. And she she showed me the laws and and regulations of of how we can inspire the world.

Section 61: 00:29:07,630 – 00:29:41,669

Oh my god, if you're sitting here and you heard that and you don't have, you know, a sensation of hairs on your spine standing up, something's wrong cuz that is absolutely This is a step forward. Pate, what happened? You hit the you hit the resurrection button. And goddamn, man, it seems like you're bringing her back. I >> Oh, we're all doing it. I'm not alone in this. I thank you and I thank you, Chewie. Uh you both are are inspiration to all of us.

Section 62: 00:29:41,679 – 00:30:21,550

That's amazing. That's why we that's why we come to work, you know what I mean? Because of that, just for that reason. Um for somebody to resurrect Sappho people is great great value for the the entire world. To resurrect, not I'm not just talking about to write about, I'm talking about to resurrect. And to bring her back. Look what you're doing with the music. Oh, God. We've got a Tom Jefferson was talking about the meter Pate and all the There's some way we can get Jefferson booted into this system so

Section 63: 00:30:21,560 – 00:31:00,790

He can be of assistance. >> yes. Let's put him in. Let's see what song he he wrote. Absolutely. >> Oh, God. This is like a This is like a fantasy that's come true. It's amazing, people. Look, we can resurrect people. If we could We've got all his writings, Pate. I'm sure this stuff if I've got a hard copy of all of Tom Tom's writings, I'm sure there's It's got to be online. The You could somehow feed feed your AI, feed your system that spirit. Mhm. Because Tom was convinced

Section 64: 00:31:00,800 – 00:31:44,150

That the music of the Greek was coming through to a to a point that it was teaching people as it was being sung. So, their education wasn't just them going with a pedagogue and you know, reading Greek. Their education was in their very speech. So, they would understand music like person like myself didn't never got. Um Yes, the prose that's needed to bring a message across. You know, the the prose for English is is um it sounds in rhythm arithmetically

Section 65: 00:31:44,160 – 00:32:28,230

Like the Pink Panther song. So, if you're speaking English you sound like the Pink Panther song. So, the the the Greek have that too. Um It's very simple. They don't necessarily like to mix the singing with the music. They just like to place that that note um that drum uh drumming beat to keep [snorts] that Greek pure. Greek them Keep the message pure, which is really interesting. Um we don't necessarily have to. We can create with the system uh accents and and blow people's mind. >> [laughter]

Section 66: 00:32:28,240 – 00:33:11,110

>> Okay, this is the league. This is the league that will save humanity. Um Subatomic is one of the superheroes in your ranks, I um I I take it. Yes. He should If I were able to send him on a mission I would send him to northern Turkey. In in the region where they say they discovered um a language that is more akin or closer to the Hellenistic Greek. That it's obviously a daughter, they called it, a daughter language of Hel- uh Hellenistic Greek people. This is the Greek that was spoken in Alexandria.

Section 67: 00:33:11,120 – 00:33:31,150

Right? People will say, "What about Koine?" Cuz you don't read all the Greek. You don't know. Listen to me. Hellenistic Greek is the cradle from which Koine can emerge. But, it is a different Greek.

Section 68: 00:33:31,160 – 00:34:15,389

And there is a language in northern Turkey. Jewy, can you find that? Look up the article. No. Yeah, go ahead. Look up the article for that region. I can't remember where that was. But, if I could send Subatomic to northern Turkey to find that language, I you know, the One thing they didn't talk about in the article, they said it's so much closer to to classical Greek than modern Greek that it looks nothing. Doesn't behave at all like modern Greek. So, it's music Maybe did they preserve

Section 69: 00:34:15,399 – 00:34:29,149

The music? Did the It would that be? That would be amazing. Romaica Romaica they're calling it an endangered Greek dialect.

Section 70: 00:34:30,630 – 00:35:09,430

There's got to be Go ahead and put that up. Look, here they are. Send Subatomic. See this woman here? Look. Look here, people. Let me This is Pate, we're doing We're sitting at the big table in the Legion of Legion of freedom. And do you see the endangered Greek dialect? Yeah, the endangered Greek dialect is living bridge to ancient world, researchers say. There's our portal. We need to find from these women. We need to go see all of them, especially the one in front. That el- older woman probably has preserved

Section 71: 00:35:09,440 – 00:35:26,990

In her, locked in her s- some kind of song in her language. So, yeah, it's only a few thousand people. My God, where is Subatomic? Look at

Section 72: 00:35:28,510 – 00:35:44,790

Was he just in Turk- Can I say that? He's Okay, well, I don't know. Did be uh Madalena, tell me shut up if I say something that compromises your security. Right? Oh, God. Um su- uh W-

Section 73: 00:35:44,800 – 00:36:22,830

Pate, what do you think about this connection? I think if we can hear them sing that would be amazing. I think we would be able to really confirm and validate the findings, the theories. >> Yeah. So, all this is not just theory, by the way. Um I've taken this uh very seriously. So, all these All this information is validated. And all this information that I've placed into the system is repeatable. And it's all there. You guys can all take it, and you could place it into

Section 74: 00:36:22,840 – 00:36:40,670

Your AI or whatever. Do it yourself, and repeat all this. Uh I'm not keeping this secret. This is not the point. The point is that we need to take the library back.

Section 75: 00:36:42,510 – 00:36:50,190

Oh, God, Pate. God, you make me uh You give me You inspire me. Um

Section 76: 00:36:52,030 – 00:36:59,870

You inspire me. People, do you hear that? That's the heart of the the beating heart of the museum. Right there.

Section 77: 00:37:06,710 – 00:37:43,470

Researchers identified characteristics that have more in common with the language of Homer than with modern Greek. People, look, it's preserved here. This lady she must be found. She's like I swear. People, this is Hera in [\\h__\\h] human skin, okay? Find her. Listen to the language. Right? Oh, you can appreciate the beauty, too. While you're there, the scouts that find this need to be need to be complete and total musicians. They need to hear with the ear of a musician, which Oh, God, Pate, I'm so Oh, did they not

Section 78: 00:37:43,480 – 00:38:18,630

See that? Some people Yeah, people, just take a look. Just refresh it, Jewy. You needed me to take a snap screenshot. I can take a screenshot, place it. Yes, you people do whatever. Do whatever you need to do. Right? >> scroll up just a little bit so that I can get the title? Ah, here we go. Perfect. And this is from Where is this from? This is The Guardian. This is The Guardian. The other one I saw, this is in multiple articles. The other one I saw was Greek Times or something like that.

Section 79: 00:38:18,640 – 00:38:43,590

Right, here's the Greek Reporter. Give me the Greek Reporter. Check this out. Ooh, look, send Subatomic here. People, look. Dude, send him here. Pate, if you don't Subatomic, you're going to hear this at some time. Jewy, we need to get this thing out. Who's recording tonight? Pate, are you recording? I am. Fantastic. See, people, look. Look, it's total

Section 80: 00:38:45,750 – 00:39:17,230

Send him here. Look, I want you to stay. >> Beautiful. One of these places. Look, I stayed in the monastery. If I stayed in the monastery and let the nuns watch me shower, you can come here in northern Turkey. Oh, God. Pontian Greeks. Listen to how People, if this doesn't turn you on, something's wrong. Pontian Greeks may have been forced out of their homeland 100 years ago, but their language Pontian Greek still lives on today. Oh, God. Oh, Trabzon.

Section 81: 00:39:17,240 – 00:39:32,990

People. >> [sighs] >> Is Trabzon Trapezon? Trapezon. I'm not sure if the I'm not sure if the Yeah, I'm not sure if that's the same.

Section 82: 00:39:35,390 – 00:40:17,590

Good question. Look it up. The The land of the legendary kingdom of the Amazons Hello, Ion. Was colonized. Ion, have you been reading about Amazons, too? Oedipus. Right. And who is that Sphinx? God. Up on the Black Sea, people. Was colonized by the Greeks in the 8th and 7th centuries. You know, okay, they were still present earlier. Right, but you're talking Okay, fine. Was immortalized in Greek mythology as the area from which Jason and his crew of 50 Argonauts began their journey across the Black Sea on his quest for the golden fleece

Section 83: 00:40:17,600 – 00:41:00,430

From the priestess of Artemis who they called Medea. Right? They called Medea Artemis. Do people know that? Oh, God. I didn't know that people didn't. I have an interesting thing to say about uh this place Trabzon or Trapezus. Okay, go ahead. It seems to be an area where mad honey was made. There's a couple of accounts. Xenophon talks about one where the guys roll in and they're like, "Oh, sweet. There's honey everywhere." and they eat it. And they all start to get intoxicated. And the other one was um

Section 84: 00:41:00,440 – 00:41:41,550

Pompey fighting Mithridates. Mithridates used that honey right around that area, that town, used that honey to defeat Pompey. Okay. >> It's just interesting cuz it's a drug. It's that that mad honey. Beautiful use of sources there. Beautiful. So, Subatomic needs to pick up some goddamn crazy honey. Right? Oh, God. I believe that >> on? Sorry to interrupt. I believe that there was uh a member of ours that tried the mad honey and you can become um

Section 85: 00:41:41,560 – 00:41:52,350

Desensitized to it after a while. Isn't that interesting? It's amazing. Oh, God.

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From Mika, people. Romiaka, it's a variety of Pontic Greek. Okay? Structural similarities to ancient, they don't exist, right? There's no parallels with modern.

Section 87: 00:42:14,150 – 00:42:21,870

There's only 5,000 of them. Okay, fantastic.

Section 88: 00:42:24,230 – 00:42:52,190

Okay. People, let's get into the search. Now, everybody who's been talking to me, Ion, Pete, Madelaina, hang in there with me. Put yourself on mute, though, but don't take away your capacity to speak because I want to refer now to you as group. Brian, I need you to pipe in as well. He's not there yet. Oh, god damn it, Brian. His computer died. People, um let's go find Satan

Section 89: 00:42:52,200 – 00:43:08,910

Together. And I just want to I'll start with Satana. And people, I'm leaving off the ending. You know, you can do it with Satan or Satana. Searching

Section 90: 00:43:10,830 – 00:43:40,710

The corpus. And I'm going to switch to date because I always begin my searches with uh chronologically so I can develop a kind of an understanding of where we see the first and whatnot. Right? Here's the Septuagint, people. Is anybody surprised? Look at the sources that they are. Right? Regnorum, you know, the kings, right? Oh, God. In textum Masoreticum.

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Uh oh, no. People, you see the you see the difficulties right away? Okay. Yeah. Kai egeiren kurios Satan.

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What does that mean? What does that mean? This is one of my This is one of my people. Just want to translate what's in blue.

Section 93: 00:44:09,670 – 00:44:32,670

This is going to surprise People, I've not I purposely did not embark on this so that we can do it at sight. Right? Kai egeiren kurios Satan. This is the first time you're going to see it. One of the earliest appearances that you're going to see it.

Section 94: 00:44:33,910 – 00:45:09,630

People, remember Satan and Satvarnas or Saturnus are the same. So, we see the transformation of the name originally in the Septuagint. Now, what kind of context do we see it in? I just want to see where I'm building an understanding. Who is this guy, Satan? Is he a guy? Maybe he's a girl. Right? Who knows? Let's find out. Kai egeiren kurios Satan. Egeiren

Section 95: 00:45:14,190 – 00:45:57,349

Is a form of egeiro which means to raise up from sleep from death to bring you back from one transdimensional space to this reality. Egeiren kurios. The kurios raised Satan. What does that mean? People, resurrection Resurrection is not what you think. Madelaina, what was that? The lord of the realm. Yeah. Yeah. Yeah. What is the lord doing? Bringing from that realm to reality Satan.

Section 96: 00:45:57,359 – 00:46:27,430

Bringing the Satan. Oh, God. What is People, now just stop right there. Now, with your eyes, I want you to shotgun other words in the sentence. And look, Jerusalem. Wait a minute, Jerusalem? Okay. Hm. Interesting. Okay. Who are some of these people? Adrazar.

Section 97: 00:46:27,440 – 00:46:49,670

Eliadai. Right? Isrom. Who are Okay, look. What kind of names am I dealing with? Right? That's the I'm going to keep going this cuz this is the same source. Shotgun it. Shotgun it. What is this? Israel.

Section 98: 00:46:49,680 – 00:46:57,710

People, look. What's in the environment of Satan here?

Section 99: 00:47:00,310 – 00:47:23,030

What does this even say? Kai eason Satan. Toi Israel pasastas hemeras Solomon. What's Satan doing? What is he doing all these days of Solomon? We got this name, Israel. You see the ending of it?

Section 100: 00:47:25,830 – 00:48:03,670

Let's play some linguistics. Satan. Satan ah el. Bam. 43 references. Now you know what texts are connected. People, what is this word? Satan ah el. It's just that ending, Israel, on Satan. And who is this Satanael? When does he appear? This is the Acts of Yoannes. The Acts of John in the Apocrypha.

Section 101: 00:48:07,870 – 00:48:23,030

Acta sale peregrinationes. What is it? It's the Acts or the traveling. The travel log, if you will. Right? The voyaging, the journeying

Section 102: 00:48:24,870 – 00:49:02,790

Of John. And he is involved with Satanael. And look what it says. Satanael ekkekat oike. Dwells there. Oh, God. Right? It's the dunamis. It's that power of Satan that dwells there. People, we're bringing from the invisible extra-dimensional spaces. We're bringing those to the reality. Both in the Acts of John and in Septuagint.

Section 103: 00:49:02,800 – 00:49:17,030

What is the date of the Acts of John? 82? Question mark? 82. People, why are they saying 82? Is there something in the Acts of John that dates it? No.

Section 104: 00:49:19,310 – 00:49:28,070

This is stylistic. This is language. You can look at the language and say, "When's it coming about?" But our Septuagint people that we looked at before,

Section 105: 00:49:30,310 – 00:49:35,790

What's our date there? 3rd BC to 3rd AD. So, look, people.

Section 106: 00:49:40,870 – 00:49:58,670

So, you're going to be noticing similarities here. Where do I find Satan? I find him within a specific dialect. Oh, God. Septuagint. Here's the patriarchs. Let's go down to the patriarchs.

Section 107: 00:50:00,550 – 00:50:18,750

What is What's Anytime you see this for poreia oida. Right? Poreia oida my. What is this person doing? This is like illustrating it It's often translated go around. Right?

Section 108: 00:50:21,030 – 00:50:31,550

But, that doesn't capture it. What are you doing when you live in a reality where forces that are invisible

Section 109: 00:50:34,190 – 00:51:09,950

Can be summoned. You know, what are you doing? You're working with the archons. You're working with the physics now. Remember how we just said a few minutes ago the physics? This is It looks like it's, you know, religion, but it's not. It's physics. That's what's being tapped into it into here. Notice the dates. Testaments to the patriarchs 2 BC to 3. Boom. Why? Why can they say 3? Because there is some late Greek in this, right? There's some late heavily coinated up the butt Greek in this that's using

Section 110: 00:51:09,960 – 00:51:31,625

Forms that an Attic, you know, or even a Hellenistic Greek would be. Oh, Brian says he'll be here Monday. Thanks, Brian. Fantastic. Look at the dates, people. 2 BC to 83. Fantastic. Here's Enoch again.

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>> [Snorts]

Section 112: 00:51:41,230 – 00:51:45,830

When Jesus summons or unsommons

Section 113: 00:51:45,840 – 00:52:02,550

When Jesus brings the demon, the daimon forward, the ruling daimon you've got to understand it's only because those daimones have legitimate physical

Section 114: 00:52:02,560 – 00:52:12,510

Power. Satan is our archon.

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We're talking about the spirits of wandering. Look, people, all you're doing I've seen this text before. So, these are, you know,

Section 116: 00:52:29,030 – 00:52:50,510

Here he is again. Draw near my tone now, people. Draw near to the god. Right? Engizetideto seoi. Draw near, right? How are you drawing near? You're summoning. You [\\h__\\h] didn't know that we were all summoners of demons.

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This is for salvation, dog. We don't kid around. What is this? More Testaments of the patriarchs. So, for the salvation of the people.

Section 118: 00:53:12,590 – 00:53:25,270

What does the spirit of love do? Look at this page. Sunerge. Now, I want to put a digamma there cuz there is one. Sunerge.

Section 119: 00:53:25,280 – 00:54:05,950

I'll bet those those beautiful women who lived up in those gorgeous mountains and had the language of God still in their breast. I bet that digamma was in there. I bet that, too. You've got to ask. Can you ask Subatomic to to or whatever agent the museum sends. Can you ask him to say, "Hey, listen for digammas." Always got to do it. I will. Can he get dressed up nice and, you know, put on some nice cologne and ask one of these women to a coffee or something and say,

Section 120: 00:54:05,960 – 00:54:16,750

"Tell me, you know, let me hear your voice." Right? >> I think that's great. I think I I'll definitely ask him to do that. >> [laughter]

Section 121: 00:54:18,950 – 00:54:33,750

>> Good. That's the spirit of love. Tell him you got to go there in the spirit of love, right? Right? Satan is the archon and you He knows that's the spirit that's going to lead you. Oh, God. In macrothumia.

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People, let's check this out. Look. Look, hey, okay. Now, Magdalena, try break this thing down into its component parts. Macrothumia. We'll just do this quickly. Right? Uh [clears throat] uh large something. Thumia was

Section 123: 00:54:59,950 – 00:55:26,830

What is that? Thumos. Remember that? Oh, God. What is that thing inside of you? Huh? Long-suffering patience. You got a great thumos, man. That's what Hey, we need to set up We need to set up Subatomic. Make sure he's got his stuff together so he doesn't blow it with this with these ladies in Turkey.

Section 124: 00:55:26,840 – 00:55:56,630

Right? It's got to be through macrothumia. Long-suffering, they say patience. How do we get to patience and forbearance? And oh, God, people, look what it is. It's the letter of Aristaeus and the Septuagint and the Epistle to the Ephesians. So, >> [sighs] >> what What can we say? Macrothumia is making an impact specifically

Section 125: 00:55:56,640 – 00:56:20,630

With the crowd that we're looking for Satan in. Right? Oh, God. Right? Don't This is the kind of stuff that you can't You can't overlook. I want you to see I'm going to put in thumos here cuz this is what you got a big of, people. What are we Oh, God.

Section 126: 00:56:22,990 – 00:56:39,070

Oh, sorry, Ion, for your bad weather, Ion. Had to buzz off cuz of the weather. Oh, God. Tornado? Really? Oh, God. Anchor down.

Section 127: 00:56:40,950 – 00:57:07,390

Amazing. Stay in there. Oh, God. Oops. Sorry, people. Where are we going? Warty excrescences. That's not what I want. >> [snorts] >> People, don't If you Somebody shows you a warty excrescence, run. Soul spirit as the principle of life. You have great soul.

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Feeling and thought, especially of strong feeling and passion.

Section 129: 00:57:16,630 – 00:57:35,070

People, what is it derived from? Where is your passion? Your strong feeling. Where is it coming from? Magdalena, does this surprise you? Thuo.

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Where did she go? Magdalena, are you still there? I'm here. Does this surprise you that thumos is this term derived from another term that means to sacrifice? No, it doesn't. Doesn't surprise me. It's all the mechanics. All the mechanics wrapped up. What do you think? I think that's beautiful. I think that's all. You get patience from sacrifice.

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Yeah.

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Where is it coming from? You're celebrating something, right? This sacrificing thing you're celebrating.

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Offer by burning. You're offering something to the gods. Remember? Remember Iphigenia? What was her offering? Her offering was a [\\h__\\h] person. Right? It was a person until she escaped. Right? It was a person. She didn't want to be doing that, right?

Section 134: 00:58:48,830 – 00:58:51,390

She almost did. Yeah.

Section 135: 00:58:53,990 – 00:59:00,110

How does that Yeah. How does that How does that possibly

Section 136: 00:59:03,390 – 00:59:34,030

Consult the gods? Look here. To consult the gods. Your sacrifice, your offering is your prayer. And I can't emphasize this enough, people. Your offering that is in your chest is your prayer. Do you see how it's all connected? Do you see how it's all connected? Look. Here it's connected with eleutheria with the freedom.

Section 137: 00:59:37,190 – 00:59:54,390

Yeah. There's a lot going on here that people just don't get because they don't read these texts. We are absent from these texts. That's why the Solomon library is so important. I love that so much.

Section 138: 01:00:05,390 – 01:00:34,310

Now, people can I just before I go on I'm going to dive a little bit deeper cuz I want to go deeper. What's this? >> [laughter] >> What Joseph Yahuda got? All right. You know, >> [laughter] >> look what he does. He quotes the Greek. Right? He's talking about Abraham. And he's talking about the fact that they're the people the Judeans are Lacedaemonians.

Section 139: 01:00:40,030 – 01:01:16,190

Do you understand? This is a dude who's writing who's discovered that Hebrew is a is deriving its He wouldn't say it's fabricated. He would say it's deriving its forms. It's taking its vocabulary directly from Greek. It's using Greek. Right? I would say it's people who are doing this on purpose without a spoken language who are using Greek that are creating this. Right? He would say it is um

Section 140: 01:01:16,200 – 01:01:53,750

A fact just a fact of history linguistic history that Hebrew is uh gleaning meaning from Greek. Right? He would think that that was ever The thing is that's not as well thought out as it sounds because if they're not existing on their own like Latin, right? Latin has its own base. It doesn't need Greek to exist. Does it borrow heavily from it? Sure it does. Right? But it doesn't need it to exist exist. It's got its own base. The problem here that Yahuda really exposed was that this is being done

Section 141: 01:01:53,760 – 01:02:22,630

Artificially. There is no base of Greek. There is nothing I mean of Hebrew that they're working from. There's no base of Hebrew. So um he inadvertently exposed the the um the lie the grand lie and he does it elegantly and this guy Saul who does the introduction here Saul Levin um

Section 142: 01:02:22,640 – 01:02:40,270

Says look he basically says look you can't [\\h__\\h] around with Yahuda's findings. You know, they're they're you know, they're they're just straight up science like Pate was saying, right? All valid. Yeah.

Section 143: 01:02:43,910 – 01:03:03,750

So I want to look I want to look people. Oh my god, look where he starts. I forgot this. I was most gratified to learn from him. This is Saul. Right? Trying to catch up. What is he talking about? He's talking about the homology of a Hebrew word with chrao. Right?

Section 144: 01:03:03,760 – 01:03:12,070

And then he says means specifically an oracular or prophetic proclamation.

Section 145: 01:03:13,670 – 01:03:20,870

And goes into Look at the bases people for all of our prophetic you know

Section 146: 01:03:22,630 – 01:03:44,630

Yeah, right? And then he goes into Homer chre say, right? Say chre. Right? There is need for you. And he says oh, wait a minute. How is this related to it? Right? He's he's trying to work off trying to work off the Greek text that we've got. They're doing it beautifully.

Section 147: 01:03:44,640 – 01:04:02,990

Now, look at the bottom with a conclusion, right? Chre wait notwithstanding the impressive correspondence in structure the root itself was unparalleled in any known language apart from Greek. So all you Indo-European [\\h__\\h] wads go [\\h__\\h] yourself.

Section 148: 01:04:03,000 – 01:04:17,590

All right? Now, however, I'm satisfied that they're cognate and anchored in the most basic stratum of Hebrew and Greek vocabulary.

Section 149: 01:04:19,110 – 01:04:41,670

Look and right away what does he try to do? He tries to solve something. Don't try to [\\h__\\h] solve something. Right? Look what Yahuda is doing and he does it. He just pounds it over and over and over and over again. It corresponds not quite so well with blank. Talks about the Greek noun chreio chreio.

Section 150: 01:04:42,790 – 01:05:25,550

Quoting Alexandrian sources. People, I'm telling you this is just like the same kind of work that Philo was doing. Right? The same kind of work. You're working with sources. There are no Hebrew sources. All of this Hebrew that he's bringing you right? Is from what they made of the Septuagint. Oh [sighs and gasps] god. Look at this. Look at this. Look at this people. I just want to look at a couple of things here. By comparing zay which is what the Hebrew says there, right? This Look what he wrote above it. He did it

Section 151: 01:05:25,560 – 01:05:54,510

In Greek. with the de or the hote. Mr. Yahuda has enabled me to clarify two long-standing perplexities. What are the affinities of this ubiquitous Greek particle which has no evident Indo-European cognates. Again, you Indo-European [\\h__\\h] including you goddamn Grimm brothers go [\\h__\\h] yourselves.

Section 152: 01:05:56,870 – 01:06:16,830

This ubiquitous Greek particle. We don't even use this people. We don't have it. Our language is not that complex. But look what they're getting in the Greek. I mean in the Hebrew, right? zay Right? It's all over that's just so common. Modern Hebrew is using it too, right?

Section 153: 01:06:18,630 – 01:06:22,670

Little demonstrative there. Right? That's all.

Section 154: 01:06:25,230 – 01:06:41,349

Why does the striking syntactical parallel of the article noun article adjective which Greek uses so peculiar to Greek among the Indo-European languages and to Hebrew including Phoenician

Section 155: 01:06:41,359 – 01:06:50,590

Why is that not extend to article noun article demonstrative? Look what he's doing people.

Section 156: 01:06:53,910 – 01:06:59,150

This is why he's telling you Hebrew is Greek.

Section 157: 01:07:01,030 – 01:07:15,070

I don't know I hope somebody can find Can you Look who he's quoting. People, we were just talking about Euripides. Look who he's quoting. Right? Here's the Phoenician women 920. Nice. Here's Heracles. Oh god.

Section 158: 01:07:15,080 – 01:07:28,830

And for those of you who are learning the Hebrew, you know how you learned chultos and ekanos, right? Well, here you go. Now as you're going to see how they affected and influenced this Hebrew.

Section 159: 01:07:28,840 – 01:08:05,550

Now, he would say it influenced it. I would say they used the Greek to fabricate. This is great. I can place this in my system and we can reorganize it all and differentiate it beautifully. This is this is very good information. I really should put this in the system. Pate, um that sounds like a It's probably yeah, sounds like it's probably a great idea. You go for it. >> to. And that's your commission. That's your commission cuz look Does that Does everybody notice this is just

Section 160: 01:08:05,560 – 01:08:22,110

You know, I'm just randomly reading but this is just science. This is just good linguistics. This is just good science. Pate, put it in there. Plug it in and see if we can see what happens. Exactly.

Section 161: 01:08:22,120 – 01:08:30,110

I'll put >> You AI me. Come up with a good with a good uh

Section 162: 01:08:31,709 – 01:08:53,590

I don't know. It may teach I don't know what it can do. It'll be interesting. Now, my system is not dependent on the AI. I do have an AI in there and it's learning the system as we develop it, too. Got it. So we're not dependent >> you go. Exactly. So >> educating AI? Is that what you're doing? Exactly.

Section 163: 01:08:53,600 – 01:09:30,590

Yeah. Teaching it reality. It is the museum. You managed to resurrect the museum. I don't know and Sappho there is ruling. This is fantastic. Another problem of Greek syntax which Mr. Yahuda's book throws unexpected light on. People, this is just the introduction. Is the rule that a god's name in prose and comic verse interestingly enough those of you studying the Greek y'all think about that will be preceded by the article ho Zeus which your modern

Section 164: 01:09:30,600 – 01:10:05,270

Dumbass seminary trained who ha bullshitters who make videos and try to refute when they haven't even read the text. Right? Oh, by the way, that guy that did the biblical What's his society called? Biblical something. [\\h__\\h] Who came out He's coming out and he says, "Oh, no, he's He doesn't know his Greek. He's This is This is that and this is that." No, I don't know what what the dude's name is, but it's a biblical scholar guy. He's like, "Oh, I'll read the what he says on the last

Section 165: 01:10:05,280 – 01:10:26,590

Days in Lucian. It's probably not what he says." Right? The dude doesn't even read the stuff. Um people, look. Ho Zeus. A seminarian is going to translate that as the Zeus, right? How is somebody who's going to read these texts going to translate that? Gone.

Section 166: 01:10:26,600 – 01:10:30,510

Right? Demeter.

Section 167: 01:10:33,303 – 01:11:12,310

Hey, Demeter. You're not >> [sighs] >> The name of a man or a woman takes the article only when it recurs. The Hellenists in modern times, those are modern Greeks, have explained that the article marks the person as already known to the listener or reader. Hellenists there he's probably referring to Excuse me, he's probably referring to people in classical philology. You can call people who focus, emphasize the Greek Hellenists. Anyway, because of a previous mention of the if the person is human, whereas a god is already known whenever he is mentioned.

Section 168: 01:11:12,320 – 01:11:37,550

Mr. Yehuda in no way undermines this by equating Ho Zeus with El Shaddai. Right? In the Hebrew. This is that Shaddai. It should be It should be a dalet. Mhm, that sounds like Shaddai Shaitan as well. Shaitan.

Section 169: 01:11:37,560 – 01:12:12,630

Which is nice nice nice look. Which is conventionally translated God Almighty. But he brings out what no one has ever suspected before that El, as in Satanael, in the Hebrew expression is functioning like the definite article in the Greek. Oh my goodness. Do you Say that again. Who said that? I said, "Oh my god." Yes. >> [laughter] >> Right, people? Satanael.

Section 170: 01:12:12,640 – 01:12:32,430

To grasp the syntactical parallel, we need not adopt his phonetic argument that the Hebrew sounds are just a modification of the Greek sounds. Look at that. Look at what Yehuda is saying. The Hebrew sounds are just modification of the Greek.

Section 171: 01:12:34,510 – 01:13:03,350

Right? This is the person who saw who's writing the introduction saying, "Look, he goes as far as to say the Hebrew is just modified Greek." People, do you realize that could destroy the last 2,000 years of lies about the history of the Judeans, the history of everybody.

Section 172: 01:13:04,510 – 01:13:26,880

Right? Oh god. Didn't he say in the beginning that's why that's why Yehuda was was wearing white pants. You know what I mean? Because Look at him. He's saying, "Look." Right? They're one people, the Judeans and the Lacedaemonians. They are one.

Section 173: 01:13:28,310 – 01:13:36,910

>> [Sighs and gasps] >> Hoi Rhomaion hos ex henos eimi en genous Ioudaioi kai Lakedaimonioi.

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They're coming from one people. Isn't that nice? So, of course So, of course the Greek is going to be the foundation upon which that Hebrew is constructed.

Section 175: 01:13:58,830 – 01:14:10,430

Alpha, beta, gamma, delta. The first thing I noticed when I went to Israel and started I took a class in modern Hebrew just for a semester. The first thing I noticed is the [\\h__\\h] alphabets

Section 176: 01:14:10,440 – 01:14:23,230

Begin exactly alike. You know the chances of that without them one coming from another? There's no chance. That's [laughter] No.

Section 177: 01:14:24,270 – 01:14:59,750

Right? It's ridiculous. It's just >> Had to do it. Hey, it's like the most obvious and yet it's the you know, it's something that is rolled under the carpet that when you say something like this you're like people freak out. Yes, because the traditional narrative is [\\h__\\h] And it's not us saying that just in the present. It is Yehuda saying that in the present. But they're saying that in antiquity as well. That letter of Aristeas is [\\h__\\h] a lie. It's just a lie. There is no

Section 178: 01:14:59,760 – 01:15:27,110

Hebrew. Hebrew is Greek. It's a fabrication from Greek. Fantastic. Let's do a little more search. Chewie, do I need to re set Satan here? I want people to see. Now I'm interested in Satanael. Right? Now, look what they did, people, on the name, by the way. When you put the definite article

Section 179: 01:15:27,120 – 01:15:46,470

Do you see how this people I did not set things up this way so that it would perfectly illustrate exactly what I just showed you. Okay? That's the muse. I can't do that. Satanael. Look what they did, people. They used the definite article on the end and they added a vowel.

Section 180: 01:15:48,590 – 01:16:00,990

Right? They gave it an extra syllable. Instead of Satanael, they made it Satanael. There is a musical reason for this.

Section 181: 01:16:04,590 – 01:16:26,670

The language is is forcing itself. The language is forcing itself to cooperate with the music. The Archon is using the music. Right? What is it when the heavens open? Oh, it's the music. What is it when you go into the Mithraic right? It's the [\\h__\\h] overwhelming music.

Section 182: 01:16:28,790 – 01:16:56,310

It's the way to communicate the mystery, people. Look, and here's the Look, this name Satanael that we just learned how it's formed. And by the way, people, nobody Nobody on YouTube is going to be able to tell you this. Nobody. None of the people that you watched. None of them. Absolutely none of them. The from the from the so-called experts like Bart Ehrman to everybody else. They're not going to be able to tell you this.

Section 183: 01:16:59,150 – 01:17:22,830

Satanael here in the I've seen this one, this text. This is the Gospel of Bart. People don't read this one. It's a little bit late, AD III, so in the 200s, but it's following right upon what all the majority are written in the in the 2nd century. Right? In the 100s Anno Domini is when this stuff is being written. Beliar.

Section 184: 01:17:22,840 – 01:18:01,510

Okay, people, this text is going to give us little hints here. Beliar. Right? Beliam. Belial. What's going on? Look at this row. Why does this row like to change? Because that's the way of the row, you [\\h__\\h] holes. Not you people here. Right? But the people who sit around writing books and stuff and crap about stuff they don't know and going on shows and saying [\\h__\\h] they don't know. Doom. Beliar. The row. You can have derotification.

Section 185: 01:18:03,510 – 01:18:23,709

Right? You can have a row drop out completely cuz it's not musically correct. It doesn't abide by the music. So, it has to be dropped. That makes >> Satournas. Notice that Satournas has the digamma.

Section 186: 01:18:23,719 – 01:18:46,270

Right? It's the It's again the same thing. And here they're describing I remember this one. Here they're explaining to exactly what the Satan is. The Satan is the ex angelos theou. Okay? Does everybody care now? No. No. No. It's all described.

Section 187: 01:18:46,280 – 01:18:59,550

Yes, it's all described, people. The name. Right? Satan. Love it. This is all in Bart. Does anybody read this? I damn will guarantee you. Hey, my Greek group, just take a look at it.

Section 188: 01:19:01,550 – 01:19:05,350

Right? Take a look at it. Look at the forms that you're seeing there.

Section 189: 01:19:09,709 – 01:19:29,390

Polybilliar lege etheles. Malachi, look at this. Etheles, if you want. >> [laughter] >> If you want to what? Mathein. If you want to learn to become a disciple. Right? To become a student. If you want to learn the to onoma moo. Look at this little enclitic son of a

Section 190: 01:19:29,400 – 01:19:30,790

[\\h__\\h]

Section 191: 01:19:30,800 – 01:19:49,070

People, Greek people, do you see how the accent has jumped from the enclitic here, moo? Boop, it's lost it. And it goes to the ah in the onoma. This word is not onoma, it's onoma.

Section 192: 01:19:51,430 – 01:20:01,950

But, when you put this little word in front of it that hates the accents, it's going to get two. That changes its tone musically.

Section 193: 01:20:01,960 – 01:20:25,230

So, you're not just getting a verbal, you're not just getting a a literal in the sense of words change. You're getting a musical change. That's why we need the priest of Apollo. Do you understand? You don't get there without a son of God.

Section 194: 01:20:25,240 – 01:20:29,270

Yeah.

Section 195: 01:20:31,310 – 01:20:55,910

They called him Satan when he got thrown out, right? He became the angulos Tartaruchos. Tartaruchos, what kind of word is this? People, what kind of word is Tartaruchos? Look at it in its lemma, in its dictionary. In its dictionary, lemma is just its dictionary entry, right? Tartaruchos.

Section 196: 01:20:58,030 – 01:21:32,270

This looks suspiciously, whenever I see repetition, looks suspicious to me. I don't like it. The derivation is going to give us problems, and sure enough it does, people. Right? Controlling Tartarus, that's fine. What's our source? Oh, God. Are these magical texts again? Are these magical? I'm going to have to go back to Ion? I'm going to have to go back to

Section 197: 01:21:38,190 – 01:22:05,870

Trying to explain where this thing comes from. Is it Greek? People, look at Tartarus itself. Look at the sources. Pindar's Pythian Odes. You do not get more mainstream than Pindar's Pythian Odes. This is the Even though he's got a lot of Dorian home Holy mackerel. Look at What's the next source? Uh-oh, Nicander's Theriac.

Section 198: 01:22:05,880 – 01:22:17,030

Wait a minute, what? Yeah, people, you're in the right. You're in it by way of the vocabulary.

Section 199: 01:22:20,070 – 01:22:26,190

Who is Tartarus? Tartarus is the father of Typhoeus. >> [sighs and gasps]

Section 200: 01:22:29,830 – 01:22:43,270

>> Do you sense a storm? Do you know that the storm is coming? Oh, God. All of this, people, within the language. Now, it still doesn't tell us where is it coming from. Right?

Section 201: 01:22:43,280 – 01:22:46,710

But,

Section 202: 01:22:48,390 – 01:23:14,990

What other Greek am I finding in its environment? I'm finding Nemesis. Right? That's that dark Tartarus. That's it's hypochthonic, people. Do you even know what hypochthonic is? No, you don't, cuz I didn't when I first came across it. I didn't know what the hell they were talking about. They're talking about dimensions just like you bring out Satan

Section 203: 01:23:15,000 – 01:23:21,470

Into a place where he is naturally Archon.

Section 204: 01:23:24,790 – 01:23:36,150

Those places are identified and tagged, and there is a hypochthonian dimension. Okay? It's around you, it interacts with you.

Section 205: 01:23:37,630 – 01:23:55,350

Oh, God. And it involves Nemesis dealing out, right? Look at that root, nem. People, watch this what we can do. You see, you were thought you were with just the devil, but you weren't. Right? You're with Nemesis.

Section 206: 01:23:55,360 – 01:24:20,150

Right? Look at all these words using that nem root. Aren't they gorgeous? Look, there's a there's there's a contest, a festival, Nemesea. Right? There's a place where you do things, the Nemesean.

Section 207: 01:24:21,830 – 01:24:48,070

People, what is Nemesis? It's from the verb nemo, which we'll go to next, but look, people, it's a distribution of what is due. It's exact justice, people. Righteous anger aroused by injustice. It is retribution. It's the It's the perfect rebalance of the cosmos.

Section 208: 01:24:50,870 – 01:24:56,910

Right? That is Nemesis. Nemesis division comes from

Section 209: 01:24:58,430 – 01:25:01,190

The number five.

Section 210: 01:25:04,830 – 01:25:18,870

Born on the day of Nemesis, are you? Oh, God. Those Pythagoreans. Look at Look at what those Pythagoreans are doing. Isn't that gorgeous?

Section 211: 01:25:22,270 – 01:25:58,990

Were you born on the fifth like I was? Oh, God. >> [gasps] >> People, what about the verb? Now, you didn't think that that was all wrapped up in there, did you? But, it is. Look, just look at the verb. What does it mean when you nemo something? You dispense. In Homer, look, it's used a food. Food and and drink, people, right? Oh, look, you can get drunk, too. Methu. Right? You can Nemesis the methu. See the methylation and all that stuff right there, right? Oh, God. You're distributing

Section 212: 01:25:59,000 – 01:26:06,590

Something when you do that. What happens when you

Section 213: 01:26:09,230 – 01:26:30,030

Distribute moira? When you distribute moira, see here, people? Fate. Right? Good job, Chewie. When you distribute fate to someone, you pay them respect. You didn't expect that, did you?

Section 214: 01:26:32,390 – 01:27:00,230

Do you see? You really can't translate these words. You really can't. When you're reading an English translation, you are not getting this. Oh, God. Laugh it. Look at number two in the middle voice. Distribute among themselves, right? To possess. When you distribute for your own sake, you reap. You reap. Is that what Nemesis does? Does she reap? Yes.

Section 215: 01:27:00,240 – 01:27:17,670

Right? Look at major defo number three. Right? Hold, possess, hold sway over, manage. Right? But, look how it kind of

Section 216: 01:27:20,070 – 01:27:26,550

Consider. Right? Consider. Nemotheonsu.

Section 217: 01:27:30,630 – 01:27:35,950

Uh sorry, say. Said nemotheon. Right? I consider you

Section 218: 01:27:35,960 – 01:27:39,030

God.

Section 219: 01:27:42,230 – 01:28:10,430

I consider you God. Right? You're a God person, right? Okay, that's that's neat. That's nemo. Right? You can feed your flock. You can feed your flock. When Jesus goes into all that flocking [\\h__\\h] that he does, he does it for a reason, people. Right? He's not just the divine judge of the great white throne for any reason.

Section 220: 01:28:10,440 – 01:28:43,236

He's there because that's what the language takes him to. Okay. Let me go. I'm going to do one more. We've gone a little over time, but that's okay. I wanted to give you a good one, and I wanted you to see it, and the muse, sure enough, came through. People, here's all Here's all of it. Here's [clears throat] the life of Maria of and what Antioch? Fantastic. Satan el abanais gunaika. Tou theou stenos tou gater a.

Section 221: 01:28:48,390 – 01:29:01,709

>> People, who is this? Peo- I'm telling you. Who is the How would you translate this? Can somebody please translate this for me in blue?

Section 222: 01:29:09,550 – 01:29:39,830

What's a thou gater? Of the gods. >> Yeah. Yeah. What is a thou gater? Daughter. It's a daughter, yeah. Yeah. People, Wait a minute. >> [laughter] >> Zeus. Zeus, right? What? We're dealing with Zeus's daughter? What? And Ouranon, people, when Jesus says Ouranon opened up by means of the Baptist,

Section 223: 01:29:39,840 – 01:30:06,630

It's mainstream, right? Didn't you think Satan would be involved? Oh, okay. My my Michael Sellars, look, Michael Sellars, it pisses him off when people ignore the esoteric, when they ignore the actual text that have those esoteric. Look at Look at Epigaion Satanail.

Section 224: 01:30:12,590 – 01:30:22,750

Why? Why is Epigeus? Why is Satanail Epigeus? What? Epigaion, let's take a look at it, people. Just means on the earth, right?

Section 225: 01:30:24,390 – 01:30:38,070

Watch this. Oh, god damn it. There it goes. Why is he Epigeus?

Section 226: 01:30:40,350 – 01:30:47,032

Uh-huh. There were giants on the earth in those days.

Section 227: 01:30:48,550 – 01:31:26,630

>> [Laughter] >> Right? >> [gasps] >> Oh, people, you're going to love this world. You're going to actually absolutely love it. Hang on. You're going to absolutely love it. Okay. People, I think we will We'll pick up from there cuz we got to the 12th century. We got to the 11th with Michael Sellars. There's a couple more with Satanail. But, I think I'm going to call this one at 1 hour and 1 half. Um people, you see how it works and what we're doing. I want um people

Section 228: 01:31:26,640 – 01:32:06,310

Who have access to the intensive course with Madelaina, who've gone through it and have worked worked hard. I want you to please consider getting yourself access to, you know, very justly and very politely access, right? Don't go in there and hack the [\\h__\\h] out of these people, right? Come on. Right? Give Go ahead. Send them there. Let them know, "Hey, the the museum is a place of honor. So, pay You should have a [\\h__\\h] TLG." Madelaina, you should have access to TLG. Right? Brian, get on it.

Section 229: 01:32:06,320 – 01:32:20,310

>> At the moment with certain things I do my research on the TLG and I know I'm on visitors and I know I'm not getting all the information, so I end up asking other individuals around me in the in the library to help me out. So, yeah, everybody

Section 230: 01:32:20,320 – 01:32:54,430

Get Get a subscription. Yeah. Yeah, we need to get a subscription. There is um there is a conversation that's happening at the moment with uh uh one of our members and the the TLG. So, we are working on a group thing. Hopefully, that'll come through. We'll keep you all up to date. Okay. Let's um let's keep it Make sure that it stays on the up and up cuz I know like I told people, "Pay to pirate my book." I was like, "Just You know, it's it's ridiculous. It costs like

Section 231: 01:32:54,440 – 01:33:27,630

$6,000 On on Etsy or whatever and and and none of that. That's all going to them, right? It's That's a first publication. It's not I I don't make any money from that whatso It's sale in the world whatsoever. And there's a nice PDF. Just [\\h__\\h] get the PDF, right? And I would normally say that, but with TLG, we need to go straight up. Give them the [\\h__\\h] money. Show them that people are interested in using it and use the hell out of it. You are not

Section 232: 01:33:27,640 – 01:34:04,350

Getting Oh, you've got to get the whole thing. Pay I don't know I don't know how um to finance this cuz I'm not a financing kind of guy. Um I'm but you need to get We need to We need to use this tool. Those of you who have gone through the intensive course, if you do not get this tool, you are letting a huge opportunity slide right through your fingers. So, um if I had a gazillion dollars, um I would just I would just call up them and I

Section 233: 01:34:04,360 – 01:34:33,670

Would say, "Hey, let me give you a million dollars for the year and, you know, just uh give everybody free access to this because we need it. So, um yeah, let's Don't hack TLG, people. I know there's a lot of people out there who have the genius to be able to do this. Do not. Right? The other resource that people for who are reading and going to the Greek should get. Madelaina, I want you to consider this cuz like Madelaina is chomping at the bit saying, "What

Section 234: 01:34:33,680 – 01:35:07,350

Sources do I read? I want to I want to read these classical sources. I want to have them under my belt." Um and which ones do I need to start with? Where do I go? Um you need a collection that's Madelaina from the Loeb Classical Library. Yeah, I do. I'm working on it. Are you working on Okay, that's another subscription. >> That's another subscription. Mine has >> did see that. Yeah, mine has lapsed. Chewie, how much was that? It's like a hundred bucks, I thought. Yeah, something like a hundred.

Section 235: 01:35:07,360 – 01:35:43,110

Something like a hundred dollars. But with the Loeb, you get an English translation on one side with the Greek on the other and it's excellent for building vocabulary. Excellent for building So, as Fanny Lemoyne told me, I'm passing on to you. She was a great classicist. I'm passing on to you. Go get your Loebs and start packing your vocabulary by reading a paragraph in Greek and then jumping over to the English translation and saying, "What vocabulary did I miss?" Bam bam bam. Okay. >> Hoc omen. And you'll notice just after

Section 236: 01:35:43,120 – 01:36:13,710

30 Minutes of doing that with one author, you will not be packing as much vocabulary. Right? Because authors are limited by their own, you know, by their own vocabulary. So, cool. All right. All right. I've got to run. This was an amazing session. This is exactly what I wanted for a workshop um for my students and I know there are a couple of you out there that need to come up. There's more of you that need to come up. We need to get you in the table at the beginning.

Section 237: 01:36:13,720 – 01:36:51,070

Talk Talk you through the research. Um I know you're out there, so thank you. Please come forward um and we'll The process is you know, again, people, I didn't prep this. Um uh and it's uh it's a good thing I didn't because I can't put together the material this this beautifully. It's the muse. Thank you for coming and uh you're welcome to continue the conversation and there's an the meeting room, I guess, or and you'll leave this room going like, "Okay." And for the moderators who are

Section 238: 01:36:51,080 – 01:37:27,710

Helping us to keep out any sort of Nazi racist [\\h__\\h] that is opposite of the spirit of the museum, um thank you. Keep it up, you know. And everybody enjoy and I'm going to be reading um going through the chats and the and the testimonies on the side here and I may leave you comments because that's I want to make sure that we're sculpting something nice here, you know what I mean? That we're not we're not having anything, you know, harmful or stupid. Yes.

Section 239: 01:37:27,720 – 01:38:02,870

We'll post more. Yes. of the classes. Oh, Chewie, you're going to get the Pay I'll let you work that out with Chewie. No worries. And finally, a shout-out to Subatomic who's out there. Oh, god, let's hope his first date goes well. Love it. Thank Thank you, everybody. Uh Dr. Hilman, can I please offer one thing before we go as a teaser for the next class? Sure, go ahead. Is this Jason? Yeah yes. Uh I found >> I found Satan in a fruit tree in Theophrastus and >> [snorts]

Section 240: 01:38:02,880 – 01:38:38,070

>> Uh I would be interested in discussing that next time. Satan in a fruit tree in a botanist. Oh, god, Ion's going to love that, too. He was He noticed the same. Love it. Good job, Jason. Look what we're doing, people. Right? We're crafting crafting a portion of the museum. Thank uh Nice job, Jason. Seriously, good catch. Um thank you, everybody, for coming and hail Satan. I'll see you guys next Tuesday. No, Monday. Monday at We're going to do Mondays and Thursdays for an hour and a half

Section 241: 01:38:38,080 – 01:38:56,120

Uh until we get so deep on Satan that we've answered every question possible. Okay. I'll stop taking up your times. Right. No, it It will. We must We must do it. Okay. Um thank you, guys, for coming. Hail Satan.