‎/Transcript - 20250222-Monists Dont Dance
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Transcript: 20250222-Monists Don't Dance

Watch on YouTube  |  Readable transcript  |  Language: en
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187 timestamped sections using the same paragraph analysis.
Section 1: 00:00:00,760 – 00:00:02,070
00:00:00,760 → 00:00:02,070 time to
Section 2: 00:00:02,080 – 00:00:13,669
00:00:02,080 → 00:00:13,669 [Music]
Section 3: 00:00:13,679 – 00:01:11,910
00:00:13,679 → 00:00:17,189 dance let the light shine
00:00:17,199 → 00:00:21,310 in do a
00:00:21,320 → 00:00:24,029 h the
00:00:24,039 → 00:00:27,669 medicine let the light shine
00:00:27,679 → 00:00:32,510 in it's show time knock knock his Johnny
00:00:32,520 → 00:00:36,310 radical transparency truth beer ghost in
00:00:36,320 → 00:00:39,709 the machine better was dead switch pour
00:00:39,719 → 00:00:44,110 of poisons produces the snake the CHS to
00:00:44,120 → 00:00:47,990 Harmony lady come forth and walk Vibes
00:00:48,000 → 00:00:52,229 of the cosmos the satire of it
00:00:52,239 → 00:00:55,910 all picking you with smok the plumes
00:00:55,920 → 00:00:57,709 rattlesnake Dr
00:00:57,719 → 00:01:00,670 Doom support your local w
00:01:00,680 → 00:01:04,390 es I'm cutting the rugs hitting the
00:01:04,400 → 00:01:08,149 switches singing songs for the sers hell
00:01:08,159 → 00:01:11,910 Satan [\h__\h] the haters sing The Muse one
Section 4: 00:01:11,920 – 00:01:30,260
00:01:11,920 → 00:01:15,789 1212 just a little bit of do evil love
00:01:15,799 → 00:01:18,550 Something Wicked This Way Comes evil
00:01:18,560 → 00:01:21,950 love Wicked is as wicked does we SP like
00:01:21,960 → 00:01:26,390 in the C light it up let the light shine
00:01:26,400 → 00:01:30,260 in going do a ha set in
Section 5: 00:01:30,270 – 00:01:31,830
00:01:30,270 → 00:01:31,830 [Music]
Section 6: 00:01:31,840 – 00:02:14,990
00:01:31,840 → 00:01:33,630 the
00:01:33,640 → 00:01:37,310 medicine let the light shine
00:01:37,320 → 00:01:42,270 in welcome back to Lady Babylon it's so
00:01:42,280 → 00:01:45,670 good to have you here
00:01:45,680 → 00:01:51,429 tonight oh this gorgeous gorgeous sa oh
00:01:51,439 → 00:01:53,630 I love it oh it's
00:01:53,640 → 00:01:56,630 so I can feel it I can feel it tonight
00:01:56,640 → 00:01:59,590 it's look people we've got to dance
00:01:59,600 → 00:02:02,630 we've got to dance tonight and just as
00:02:02,640 → 00:02:04,149 we're getting warmed up here and the
00:02:04,159 → 00:02:06,190 ship is going place that I'm going to
00:02:06,200 → 00:02:08,949 take you I'll let you know in just a
00:02:08,959 → 00:02:10,550 second but I just want you to know this
00:02:10,560 → 00:02:14,990 has been a very humbling experience as I
Section 7: 00:02:15,000 – 00:02:50,630
00:02:15,000 → 00:02:20,390 delve into the music trying to
00:02:20,400 → 00:02:23,070 comprehend remember people this stuff
00:02:23,080 → 00:02:26,350 was lost in the fifth century
00:02:26,360 → 00:02:28,750 right they tried to figure it out in the
00:02:28,760 → 00:02:30,470 Renaissance
00:02:30,480 → 00:02:31,830 you know but they could only do what
00:02:31,840 → 00:02:34,430 they could only do with the garbage
00:02:34,440 → 00:02:37,630 languages that they had left over from
00:02:37,640 → 00:02:39,949 the great great Enlightenment the
00:02:39,959 → 00:02:41,430 linguistic
00:02:41,440 → 00:02:44,869 Enlightenment oh god mother GRE you're
00:02:44,879 → 00:02:47,710 so sexy I'm going to show you
00:02:47,720 → 00:02:50,630 tonight the Muse
Section 8: 00:02:50,640 – 00:03:32,470
00:02:50,640 → 00:02:54,149 TPA do you understand me who is she who
00:02:54,159 → 00:02:57,149 is she oh she's the Muse of the lovely
00:02:57,159 → 00:03:01,949 dance baby right when she Dan is I get
00:03:01,959 → 00:03:07,070 happy do you understand oh God
00:03:07,080 → 00:03:11,670 right why am I doing this people because
00:03:11,680 → 00:03:15,949 in delving deep into the music sources
00:03:15,959 → 00:03:18,710 and just sitting there trying to
00:03:18,720 → 00:03:20,990 understand just a basic percentage of
00:03:21,000 → 00:03:23,350 what's going on with the terminology and
00:03:23,360 → 00:03:28,229 oh God these words in Greek oh God it's
00:03:28,239 → 00:03:30,429 oh I can't just I read this music stuff
00:03:30,439 → 00:03:32,470 and it just turns me on people it just
Section 9: 00:03:32,480 – 00:03:44,110
00:03:32,480 → 00:03:34,350 turns me on I I don't know how else to
00:03:34,360 → 00:03:36,070 describe it you know what I mean it's
00:03:36,080 → 00:03:38,390 like the brain it's like the brain I
00:03:38,400 → 00:03:41,990 leave my body and boom I'm in the cosmic
00:03:42,000 → 00:03:44,110 num
Section 10: 00:03:44,120 – 00:04:11,309
00:03:44,120 → 00:03:47,149 nom we've gotta go a little easy on the
00:03:47,159 → 00:03:52,030 whip oh God it's gorgeous so anyway I
00:03:52,040 → 00:03:57,429 was reading and I found that the
00:03:57,439 → 00:04:01,869 music from the composer
00:04:01,879 → 00:04:06,309 the from those liar players those
00:04:06,319 → 00:04:11,309 guitars those pre electric
Section 11: 00:04:11,319 – 00:04:43,909
00:04:11,319 → 00:04:13,949 guitars do you realize what a gift is in
00:04:13,959 → 00:04:16,789 the world do you realize what a gift is
00:04:16,799 → 00:04:20,789 in the world the strings of God are here
00:04:20,799 → 00:04:23,870 oh are they really talking like this
00:04:23,880 → 00:04:26,270 yeah no I'm I wouldn't make any of this
00:04:26,280 → 00:04:28,469 out people right it's just taking it all
00:04:28,479 → 00:04:30,270 right out of their writings
00:04:30,280 → 00:04:32,070 remember all the libraries are Greek
00:04:32,080 → 00:04:34,230 some sometimes wake up and ask yourself
00:04:34,240 → 00:04:36,909 why are all the real libraries Greek I'm
00:04:36,919 → 00:04:40,110 not talking stor rooms of Palace crap
00:04:40,120 → 00:04:43,909 I'm talking libraries baby I'm talking
Section 12: 00:04:43,919 – 00:05:37,070
00:04:43,919 → 00:04:47,110 libraries where the language can go to
00:04:47,120 → 00:04:49,230 be fostered and
00:04:49,240 → 00:04:52,909 develop do you understand that language
00:04:52,919 → 00:04:54,629 is the one that's going to bring us the
00:04:54,639 → 00:04:57,469 calculus do you
00:04:57,479 → 00:05:02,310 understand I don't I don't but I see the
00:05:02,320 → 00:05:04,550 beauty and I'm attracted you know what I
00:05:04,560 → 00:05:08,670 mean TPA what are the three
00:05:08,680 → 00:05:11,430 elements what are the three
00:05:11,440 → 00:05:16,870 elements that compose the
00:05:16,880 → 00:05:20,189 being the
00:05:20,199 → 00:05:22,830 music the
00:05:22,840 → 00:05:24,870 lyrics and the
00:05:24,880 → 00:05:29,950 dance the dancing is part of the entire
00:05:29,960 → 00:05:32,629 process of mystery initiation you're
00:05:32,639 → 00:05:35,469 going to see a person tonight right like
00:05:35,479 → 00:05:37,070 let people let me just tell you people
Section 13: 00:05:37,080 – 00:05:47,790
00:05:37,080 → 00:05:38,870 are talking about mystery religions and
00:05:38,880 → 00:05:42,189 hoo-ha right you got all these all these
00:05:42,199 → 00:05:43,790 YouTube channels and all these people
00:05:43,800 → 00:05:47,790 talking about
Section 14: 00:05:47,800 – 00:06:35,710
00:05:47,800 → 00:05:50,830 Mysteries yeah the possible relations
00:05:50,840 → 00:05:54,270 between Christianity and the
00:05:54,280 → 00:05:56,469 Mysteries they're all Mysteries because
00:05:56,479 → 00:05:58,590 we see it so stupidly through the crap
00:05:58,600 → 00:06:01,390 fairy tale cross that we're looking at
00:06:01,400 → 00:06:04,230 right guess what I brought you an author
00:06:04,240 → 00:06:06,350 tonight I brought you somebody who's
00:06:06,360 → 00:06:08,909 going to tell you
00:06:08,919 → 00:06:12,469 hey wake up and
00:06:12,479 → 00:06:16,309 realize you don't have chorus you don't
00:06:16,319 → 00:06:17,749 have
00:06:17,759 → 00:06:20,950 mystery wait a minute what yes I thought
00:06:20,960 → 00:06:24,909 it was the music and the drugs people
00:06:24,919 → 00:06:28,909 tonight we're looking at the final
00:06:28,919 → 00:06:30,950 component of the
00:06:30,960 → 00:06:35,710 Triad that creates the mystery itself oh
Section 15: 00:06:35,720 – 00:07:00,670
00:06:35,720 → 00:06:38,309 God this is pure magic people it's pure
00:06:38,319 → 00:06:41,309 magic it's music right but the only way
00:06:41,319 → 00:06:45,150 for me to describe it is
00:06:45,160 → 00:06:48,589 Magic and for those who are listening
00:06:48,599 → 00:06:50,110 who wield the
00:06:50,120 → 00:06:56,430 power yeah for those who know that
00:06:56,440 → 00:07:00,670 walk oh God what an honor
Section 16: 00:07:00,680 – 00:07:22,909
00:07:00,680 → 00:07:04,869 what an honor to carry the NAA of
00:07:04,879 → 00:07:09,070 Zeus what an honor oh let's do it dance
00:07:09,080 → 00:07:13,150 for me salame oh thanks for who what
00:07:13,160 → 00:07:16,550 that was yeah fantastic guy very nice
00:07:16,560 → 00:07:19,710 nice little uh you know interjection of
00:07:19,720 → 00:07:22,909 some reality there
Section 17: 00:07:22,919 – 00:08:01,670
00:07:22,919 → 00:07:26,950 salame right very good now where are we
00:07:26,960 → 00:07:29,550 going where are we going I want to take
00:07:29,560 → 00:07:32,670 take you to some imagery to start today
00:07:32,680 → 00:07:35,790 as we get off the ship and we're back
00:07:35,800 → 00:07:39,550 we're going into that chorus of the
00:07:39,560 → 00:07:42,950 mystery we have the drugs do you
00:07:42,960 → 00:07:45,830 understand we have the drugs we have the
00:07:45,840 → 00:07:50,149 we have the um process of entering into
00:07:50,159 → 00:07:51,909 the mystery we have the beginning of
00:07:51,919 → 00:07:54,749 initiation we have the place that we go
00:07:54,759 → 00:07:57,670 upon initiation we have things to do and
00:07:57,680 → 00:08:01,670 people to see now we're going to have
Section 18: 00:08:01,680 – 00:08:26,710
00:08:01,680 → 00:08:03,070 that
00:08:03,080 → 00:08:06,070 chorus because it turns out the chorus
00:08:06,080 → 00:08:09,390 is your ship dude the chorus is your
00:08:09,400 → 00:08:13,350 ship you don't get there without it what
00:08:13,360 → 00:08:16,350 oh oh
00:08:16,360 → 00:08:20,469 God what is this effeminate
00:08:20,479 → 00:08:23,790 stuff says one of the interlocutors in
00:08:23,800 → 00:08:26,710 our Creek Source
Section 19: 00:08:26,720 – 00:08:54,470
00:08:26,720 → 00:08:33,190 tonight yeah Lucian right on the
00:08:33,200 → 00:08:35,430 dance do you
00:08:35,440 → 00:08:37,589 understand oh
00:08:37,599 → 00:08:41,350 God people wait for a minute wait for a
00:08:41,360 → 00:08:45,550 minute when I was um
00:08:45,560 → 00:08:50,430 back a while ago I heard a famous
00:08:50,440 → 00:08:54,470 receiver from a football team
Section 20: 00:08:54,480 – 00:09:14,590
00:08:54,480 → 00:08:56,470 professional they were interviewing him
00:08:56,480 → 00:08:59,590 they said dude how do you do it
00:08:59,600 → 00:09:00,590 and he
00:09:00,600 → 00:09:02,230 said
00:09:02,240 → 00:09:04,829 ballet and at the time that was
00:09:04,839 → 00:09:07,550 something that was laughable it was
00:09:07,560 → 00:09:09,870 laughable we were living in a society
00:09:09,880 → 00:09:11,389 where
00:09:11,399 → 00:09:14,590 this incredible football
Section 21: 00:09:14,600 – 00:09:38,470
00:09:14,600 → 00:09:18,389 players saying the ballet is what he
00:09:18,399 → 00:09:22,430 need yes yes my friend you'll find the
00:09:22,440 → 00:09:25,790 fiercest of the fierce in
00:09:25,800 → 00:09:28,910 Antiquity were dancers and they weren't
00:09:28,920 → 00:09:31,550 just dancers they were dancers taught by
00:09:31,560 → 00:09:32,630 the
00:09:32,640 → 00:09:38,470 ladies oh God oh God right oh it's
Section 22: 00:09:38,480 – 00:10:18,389
00:09:38,480 → 00:09:40,350 gorgeous what you're about to see it's
00:09:40,360 → 00:09:42,829 absolutely
00:09:42,839 → 00:09:46,190 gorgeous why is it the Spartan
00:09:46,200 → 00:09:48,069 women have
00:09:48,079 → 00:09:50,910 command over their
00:09:50,920 → 00:09:55,949 mates yeah it's yeah right the Athenians
00:09:55,959 → 00:09:58,190 walking around scratching their heads
00:09:58,200 → 00:10:00,430 right watch the music people watch the
00:10:00,440 → 00:10:01,829 chorus tonight we're going to look at
00:10:01,839 → 00:10:05,350 the chorus why do you want to be in a
00:10:05,360 → 00:10:09,030 chorus I I I I brought the magic to you
00:10:09,040 → 00:10:11,350 I introduced you to it and now I'm going
00:10:11,360 → 00:10:14,870 to show you the process of focusing it
00:10:14,880 → 00:10:18,389 oh God this is lovely people G love it
Section 23: 00:10:18,399 – 00:10:36,110
00:10:18,399 → 00:10:20,269 images I need to give you two images to
00:10:20,279 → 00:10:22,269 start with Chewy hit me with the first
00:10:22,279 → 00:10:24,470 one and then I'm going to warn everybody
00:10:24,480 → 00:10:26,470 I'm gonna warn everybody tonight right
00:10:26,480 → 00:10:30,030 this is good stuff hit it
00:10:30,040 → 00:10:36,110 yeah there bang okay people I know look
Section 24: 00:10:36,120 – 00:11:11,750
00:10:36,120 → 00:10:39,310 in the very middle at the floating look
00:10:39,320 → 00:10:43,430 at the floating K there isn't nice isn't
00:10:43,440 → 00:10:47,590 that nice you've got a larger than your
00:10:47,600 → 00:10:50,710 typical liar with the early kis with the
00:10:50,720 → 00:10:53,269 turtle shell you've got this larger with
00:10:53,279 → 00:10:56,150 sounding box and you've got the two arms
00:10:56,160 → 00:10:58,990 does everybody see it you see the part
00:10:59,000 → 00:11:01,030 that looks black in the middle it's
00:11:01,040 → 00:11:03,470 empty that's the opening for the
00:11:03,480 → 00:11:06,949 sounding box right they the two eyes
00:11:06,959 → 00:11:08,949 that are on either side of the strings
00:11:08,959 → 00:11:11,750 right do you see those that's additional
Section 25: 00:11:11,760 – 00:11:42,470
00:11:11,760 → 00:11:13,190 that's
00:11:13,200 → 00:11:16,750 additional um for the sounding uh I
00:11:16,760 → 00:11:18,870 don't know you musicians figure it out
00:11:18,880 → 00:11:20,829 right look they've got the they've got
00:11:20,839 → 00:11:22,350 the rhythm going by the way look at the
00:11:22,360 → 00:11:25,230 one on the left I told you there were
00:11:25,240 → 00:11:27,629 rock and roll stars who ruled the world
00:11:27,639 → 00:11:30,069 in antiquity right here's a couple of
00:11:30,079 → 00:11:33,550 them right here right I swear the one on
00:11:33,560 → 00:11:35,629 the left looks a little bit like old boy
00:11:35,639 → 00:11:37,150 doesn't it
00:11:37,160 → 00:11:39,550 ites when I looked at I was like oh
00:11:39,560 → 00:11:42,470 that's him I know that guy he's Celtic
Section 26: 00:11:42,480 – 00:12:34,520
00:11:42,480 → 00:11:45,550 right that dude's over there messing
00:11:45,560 → 00:11:48,509 around with those Shaman ladies that's
00:11:48,519 → 00:11:53,590 what he's doing playing his guitar with
00:11:53,600 → 00:11:56,190 the ladies just like orus why do you
00:11:56,200 → 00:12:00,990 think orus sucked up to Media
00:12:01,000 → 00:12:03,829 we're going to learn the chorus now
00:12:03,839 → 00:12:05,710 these guys are sitting down but we're
00:12:05,720 → 00:12:07,910 going to learn the dance give me the
00:12:07,920 → 00:12:10,030 next image this is where it's coming
00:12:10,040 → 00:12:12,949 from people number two this is where
00:12:12,959 → 00:12:15,750 it's coming from look at this Beauty
00:12:15,760 → 00:12:18,550 look at this beauty oh God she's gonna
00:12:18,560 → 00:12:21,550 teach us everything she's gonna teach us
00:12:21,560 → 00:12:25,550 everything who is this right more
00:12:25,560 → 00:12:27,750 importantly what is she
00:12:27,760 → 00:12:31,870 doing what is she you doing
00:12:31,880 → 00:12:34,520 people think about this for a
Section 27: 00:12:34,530 – 00:12:37,069
00:12:34,530 → 00:12:37,069 [Music]
Section 28: 00:12:37,079 – 00:13:21,389
00:12:37,079 → 00:12:41,629 minute in Antiquity they made a little
00:12:41,639 → 00:12:45,750 joke said why is it all the
00:12:45,760 → 00:12:49,629 tragedies have a majority of women
00:12:49,639 → 00:12:51,310 things are always about
00:12:51,320 → 00:12:55,110 women why is that it's a little iron
00:12:55,120 → 00:12:57,949 irony it's a little joke it's not
00:12:57,959 → 00:13:00,910 because the women were slaves look at
00:13:00,920 → 00:13:03,550 her does she look like a slave to you
00:13:03,560 → 00:13:05,389 you know what she's doing that craft
00:13:05,399 → 00:13:07,590 that she's got there that's a tech it's
00:13:07,600 → 00:13:12,310 a skill that takes education people it's
00:13:12,320 → 00:13:15,590 the basis of their educational system
00:13:15,600 → 00:13:19,150 imagine remember the three pillars of
00:13:19,160 → 00:13:21,389 ancient Greek education the language
Section 29: 00:13:21,399 – 00:13:29,230
00:13:21,399 → 00:13:24,389 that brought you
00:13:24,399 → 00:13:29,230 democracy they were music
Section 30: 00:13:29,240 – 00:14:00,670
00:13:29,240 → 00:13:31,910 mixed martial
00:13:31,920 → 00:13:35,310 arts and what was that third one what
00:13:35,320 → 00:13:39,670 was that third one the logos do you
00:13:39,680 → 00:13:43,310 understand education for these people
00:13:43,320 → 00:13:46,230 she's an educated woman sitting there
00:13:46,240 → 00:13:49,310 right do you understand open your eyes
00:13:49,320 → 00:13:51,509 to the reality that was before the
00:13:51,519 → 00:13:55,550 goddamn fairy tale of monism altered
00:13:55,560 → 00:14:00,670 your timeline
Section 31: 00:14:00,680 – 00:14:14,710
00:14:00,680 → 00:14:03,910 and all these Scholars you're useless
00:14:03,920 → 00:14:05,430 you're
00:14:05,440 → 00:14:07,829 useless all of this information you've
00:14:07,839 → 00:14:09,670 had sitting with
00:14:09,680 → 00:14:14,710 you useless I challenge you
Section 32: 00:14:14,720 – 00:14:42,470
00:14:14,720 → 00:14:18,590 classes you useless Bon
00:14:18,600 → 00:14:22,110 heads read the stuff read the stuff
00:14:22,120 → 00:14:25,470 that's there be lazy go to tlg at least
00:14:25,480 → 00:14:27,150 look up some sources and do some
00:14:27,160 → 00:14:30,949 browsing Bone Heads
00:14:30,959 → 00:14:32,310 I'm
00:14:32,320 → 00:14:35,949 sorry I'm sorry that was uh that was
00:14:35,959 → 00:14:38,389 uncalled for but
00:14:38,399 → 00:14:42,470 definitely
Section 33: 00:14:42,480 – 00:14:53,550
00:14:42,480 → 00:14:44,710 Pleasant give me the next one I won't
00:14:44,720 → 00:14:47,629 want to warn people tonight for is did I
00:14:47,639 → 00:14:48,910 put the warning there I think I put the
00:14:48,920 → 00:14:53,550 warning
Section 34: 00:14:53,560 – 00:15:08,590
00:14:53,560 → 00:14:56,230 there I yeah I can't see it it's too
00:14:56,240 → 00:14:57,870 small I'm GNA have to wait for it to
00:14:57,880 → 00:14:59,590 come up
00:14:59,600 → 00:15:01,230 people hopefully this is the warning
00:15:01,240 → 00:15:04,110 that you should be reading
00:15:04,120 → 00:15:08,590 tonight
Section 35: 00:15:08,600 – 00:15:43,550
00:15:08,600 → 00:15:12,710 yeah yeah no it's the warning just trust
00:15:12,720 → 00:15:18,110 me Chewy by the way you amazing fellow
00:15:18,120 → 00:15:21,310 listen to me take care that it isn't
00:15:21,320 → 00:15:24,550 impious to denounce a practice at once
00:15:24,560 → 00:15:26,470 Divine and
00:15:26,480 → 00:15:29,269 Mystic talking about the dance
00:15:29,279 → 00:15:32,749 cultivated by so many gods performed in
00:15:32,759 → 00:15:35,230 their honor and affording at once
00:15:35,240 → 00:15:38,269 amusement and profitable instruction in
00:15:38,279 → 00:15:43,550 such degree you mean dance is fit yes
Section 36: 00:15:43,560 – 00:16:13,829
00:15:43,560 → 00:15:46,350 you mean dance does something for your
00:15:46,360 → 00:15:48,309 brain
00:15:48,319 → 00:15:51,030 yes you mean the
00:15:51,040 → 00:15:54,550 Greeks took their music put it with
00:15:54,560 → 00:15:55,389 their
00:15:55,399 → 00:15:59,430 logo and danced out
00:15:59,440 → 00:16:02,749 the stage yes
00:16:02,759 → 00:16:06,309 yes yes some of them danced each other
00:16:06,319 → 00:16:08,949 to death look at these guys we're gonna
00:16:08,959 → 00:16:13,829 have some real beef tonight oh God
Section 37: 00:16:13,839 – 00:16:50,710
00:16:13,839 → 00:16:17,269 chewy right there the Earth no that's
00:16:17,279 → 00:16:19,550 okay live we worked on it who are we
00:16:19,560 → 00:16:22,470 going to talk about tonight people oh
00:16:22,480 → 00:16:25,110 God think about it for a minute what if
00:16:25,120 → 00:16:26,670 we just for a
00:16:26,680 → 00:16:29,949 second just pause what if we went out
00:16:29,959 → 00:16:31,150 and we took
00:16:31,160 → 00:16:34,509 all we took all the singers and we said
00:16:34,519 → 00:16:37,230 look singing is
00:16:37,240 → 00:16:40,309 sacred you can violate things you can
00:16:40,319 → 00:16:41,749 mess things
00:16:41,759 → 00:16:45,509 up so you got to be trained and you made
00:16:45,519 → 00:16:48,110 all the singers the entertainers
00:16:48,120 → 00:16:50,710 everywhere what if you put them all into
Section 38: 00:16:50,720 – 00:17:27,830
00:16:50,720 → 00:16:52,269 mixed martial
00:16:52,279 → 00:16:56,629 arts yeah and grammar and geometry and
00:16:56,639 → 00:16:59,230 you pound it into their head and you get
00:16:59,240 → 00:17:03,230 them into groups where they can
00:17:03,240 → 00:17:07,069 dance oh God that's
00:17:07,079 → 00:17:11,270 amazing that's amazing you see you
00:17:11,280 → 00:17:15,390 see you've got people who can Enlighten
00:17:15,400 → 00:17:17,029 you've got people who can Enlighten your
00:17:17,039 → 00:17:20,110 language can expand if you don't have
00:17:20,120 → 00:17:21,590 the
00:17:21,600 → 00:17:25,270 dance forget about the music forget
00:17:25,280 → 00:17:27,830 about
Section 39: 00:17:27,840 – 00:18:06,669
00:17:27,840 → 00:17:31,070 it you don't have bonic worship tonight
00:17:31,080 → 00:17:36,909 Source says without dance it is all
00:17:36,919 → 00:17:39,430 dance now you may not understand that
00:17:39,440 → 00:17:42,909 you may understand that so let's pull up
00:17:42,919 → 00:17:44,590 or you may you may be leagues ahead of
00:17:44,600 → 00:17:47,230 me right it doesn't matter it doesn't
00:17:47,240 → 00:17:49,390 matter we can
00:17:49,400 → 00:17:52,270 all we can all stand this people look
00:17:52,280 → 00:17:53,750 now I'm going to read you something and
00:17:53,760 → 00:17:55,390 this is one of those moments that I'm
00:17:55,400 → 00:17:58,909 going to ask everybody who likes Samaran
00:17:58,919 → 00:18:00,310 Cadian
00:18:00,320 → 00:18:03,669 ugaritic Egyptian yeah you too Egyptian
00:18:03,679 → 00:18:06,669 people you're going to have to step out
Section 40: 00:18:06,679 – 00:18:53,720
00:18:06,679 → 00:18:10,510 right because this is so offensively
00:18:10,520 → 00:18:12,950 intelligent that I don't know quite
00:18:12,960 → 00:18:17,110 honestly is a bog trotting English
00:18:17,120 → 00:18:21,230 speaker it's really hard to catch up
00:18:21,240 → 00:18:24,110 it's gorgeous though it's absolutely
00:18:24,120 → 00:18:28,909 gorgeous hey Korea Korea right that art
00:18:28,919 → 00:18:31,510 of the chorus right what is
00:18:31,520 → 00:18:35,310 that there is
00:18:35,320 → 00:18:40,549 Aon there is a chorus of the
00:18:40,559 → 00:18:45,549 Stars right there is an integration of
00:18:45,559 → 00:18:50,149 the wandering stars with those that do
00:18:50,159 → 00:18:52,310 not
00:18:52,320 → 00:18:53,720 move
Section 41: 00:18:53,730 – 00:18:55,310
00:18:53,730 → 00:18:55,310 [Music]
Section 42: 00:18:55,320 – 00:19:21,100
00:18:55,320 → 00:18:59,750 and there is a u
00:18:59,760 → 00:19:03,310 Mia that they produce
00:19:07,240 → 00:19:13,110 communion a well ordered
00:19:13,120 → 00:19:14,990 Harmony
00:19:15,000 → 00:19:17,350 this is the
00:19:17,360 → 00:19:20,029 type of the
00:19:20,039 → 00:19:21,100 first
Section 43: 00:19:21,110 – 00:19:22,549
00:19:21,110 → 00:19:22,549 [Music]
Section 44: 00:19:22,559 – 00:19:39,390
00:19:22,559 → 00:19:26,430 chorus the first chorus is
00:19:26,440 → 00:19:30,270 that which causes the
00:19:30,280 → 00:19:33,270 integration of The
00:19:33,280 → 00:19:39,390 Wanderers with those who do not
Section 45: 00:19:39,400 – 00:20:19,270
00:19:39,400 → 00:19:43,430 W okay now I'm GNA let that sit and seee
00:19:43,440 → 00:19:44,789 on your brain a little bit right you
00:19:44,799 → 00:19:47,190 know how all these people from YouTube
00:19:47,200 → 00:19:49,750 they bring you the answers right all the
00:19:49,760 → 00:19:51,470 professors all the authorities they
00:19:51,480 → 00:19:53,190 bring you the answers you know one one
00:19:53,200 → 00:19:55,070 day they're saying you don't need a PhD
00:19:55,080 → 00:19:57,110 another day they're saying here's a PhD
00:19:57,120 → 00:19:59,630 right they bring you the aners this one
00:19:59,640 → 00:20:01,510 I'm not going to bring you this is the
00:20:01,520 → 00:20:04,789 dance that you're watching there is a
00:20:04,799 → 00:20:07,669 dance of the
00:20:07,679 → 00:20:11,950 stars there is a dance of the
00:20:11,960 → 00:20:14,590 Stars this is the
00:20:14,600 → 00:20:17,190 integration of the
00:20:17,200 → 00:20:19,270 wandering with the
Section 46: 00:20:19,280 – 00:20:52,430
00:20:19,280 → 00:20:24,430 static oh God okay how's that for an
00:20:24,440 → 00:20:27,870 appetizer right you just got shoved down
00:20:27,880 → 00:20:30,909 your Gull some something that's going to
00:20:30,919 → 00:20:35,870 sit in your gut and transform your
00:20:35,880 → 00:20:38,350 metabolism it's going to change you baby
00:20:38,360 → 00:20:41,310 it's going to modulate you oh who wants
00:20:41,320 → 00:20:44,190 to be modulated satanic congregation let
00:20:44,200 → 00:20:46,430 me hear if you want to be modulated are
00:20:46,440 → 00:20:49,590 you ready people that's why you come you
00:20:49,600 → 00:20:52,430 dirty dirty intellectual
Section 47: 00:20:52,440 – 00:21:40,269
00:20:52,440 → 00:20:56,510 perverts that's why you come to me to be
00:20:56,520 → 00:20:58,909 modulated right but that's how we create
00:20:58,919 → 00:21:01,630 Harmony people right it's gorgeous are
00:21:01,640 → 00:21:04,510 we are we uh we're in free fall here so
00:21:04,520 → 00:21:06,590 just oh there you go che's got back come
00:21:06,600 → 00:21:08,710 man give me the next
00:21:08,720 → 00:21:12,310 one did you Skip One there no are you
00:21:12,320 → 00:21:14,630 sure that one we
00:21:14,640 → 00:21:16,710 covered yeah
00:21:16,720 → 00:21:19,950 fantastic fantastic beautiful there we
00:21:19,960 → 00:21:22,990 are there we are that's okay there we go
00:21:23,000 → 00:21:24,710 we'll go
00:21:24,720 → 00:21:27,110 back people I want you to look at the
00:21:27,120 → 00:21:31,510 very top line there is
00:21:31,520 → 00:21:35,310 a there is that
00:21:35,320 → 00:21:40,269 dance that art of dancing that is also
Section 48: 00:21:40,279 – 00:22:28,990
00:21:40,279 → 00:21:42,070 singing
00:21:42,080 → 00:21:45,510 those Wanderers that are being
00:21:45,520 → 00:21:49,269 integrated those are the seven do you
00:21:49,279 → 00:21:52,950 know when it says Jesus has the seven
00:21:52,960 → 00:21:57,909 stores do you understand no you don't
00:21:57,919 → 00:21:59,909 neither did I I because I didn't have
00:21:59,919 → 00:22:02,789 exposure to classical education I didn't
00:22:02,799 → 00:22:04,590 know what they were talking about this
00:22:04,600 → 00:22:06,950 is what we're looking to achieve people
00:22:06,960 → 00:22:08,190 between the
00:22:08,200 → 00:22:11,470 planets The Wanderers and remember Jude
00:22:11,480 → 00:22:13,549 tells us these
00:22:13,559 → 00:22:17,950 Wanderers they follow that way of Kora
00:22:17,960 → 00:22:21,630 do you understand that's good third
00:22:21,640 → 00:22:23,870 Century love it this is what we're
00:22:23,880 → 00:22:26,870 trying to achieve people tonight Su and
00:22:26,880 → 00:22:28,990 intertwining
Section 49: 00:22:29,000 – 00:23:05,630
00:22:29,000 → 00:22:32,430 right what am I what am I bringing here
00:22:32,440 → 00:22:36,990 what am I bringing here an
00:22:37,000 → 00:22:40,750 intertwining do you understand the seven
00:22:40,760 → 00:22:43,230 wanders wait don't leave it people
00:22:43,240 → 00:22:46,110 before chewy jumps off of here look at
00:22:46,120 → 00:22:48,230 number five at the bottom
00:22:48,240 → 00:22:50,630 grammatically this is the copula oh
00:22:50,640 → 00:22:52,710 that's nice see that's what that's what
00:22:52,720 → 00:22:55,549 turns me on there is that compulation
00:22:55,559 → 00:22:57,230 but I want you to notice what we're
00:22:57,240 → 00:22:59,830 trying to achieve look at number three
00:22:59,840 → 00:23:05,630 this Embraces a sexual
Section 50: 00:23:05,640 – 00:23:52,710
00:23:05,640 → 00:23:08,269 intercourse this Embraces a sexual
00:23:08,279 → 00:23:10,390 intercourse and
00:23:10,400 → 00:23:12,350 this
00:23:12,360 → 00:23:14,630 yeah this is
00:23:14,640 → 00:23:16,590 what the
00:23:16,600 → 00:23:18,710 harmony of the
00:23:18,720 → 00:23:20,909 Spheres is all
00:23:20,919 → 00:23:25,510 about okay oh God it's music people it's
00:23:25,520 → 00:23:28,549 pure music but now we're dancing we're
00:23:28,559 → 00:23:30,590 making a connection and what's the
00:23:30,600 → 00:23:32,710 kinetic movement give me the next one
00:23:32,720 → 00:23:34,310 what's the kinetic movement that we've
00:23:34,320 → 00:23:37,110 got in the dancing it is
00:23:37,120 → 00:23:41,789 sexuality it is
00:23:41,799 → 00:23:44,909 intercourse is it an accident absolutely
00:23:44,919 → 00:23:47,750 not and they will explain to you they
00:23:47,760 → 00:23:50,789 will explain to you oh they're going to
00:23:50,799 → 00:23:52,710 wonder why I'm doing that they're going
Section 51: 00:23:52,720 – 00:24:19,909
00:23:52,720 → 00:23:55,990 to explain to you why it is the way it
00:23:56,000 → 00:23:58,470 is it's not me I'm not Mak I'm just
00:23:58,480 → 00:24:00,870 giving you sources people this is
00:24:00,880 → 00:24:04,149 gorgeous cuz there's no human [\h__\h]
00:24:04,159 → 00:24:06,590 in it right what are you looking at
00:24:06,600 → 00:24:08,830 you're looking at that chorus you're
00:24:08,840 → 00:24:12,669 looking at that dance of the
00:24:12,679 → 00:24:16,470 Stars the dance of the Stars give me the
00:24:16,480 → 00:24:19,909 next
Section 52: 00:24:19,919 – 00:25:13,029
00:24:19,919 → 00:24:21,909 one
00:24:21,919 → 00:24:25,990 the
00:24:26,000 → 00:24:30,510 intercourse right of The
00:24:30,520 → 00:24:33,389 Wanderers with the
00:24:33,399 → 00:24:36,470 fixed all right fantastic give me the
00:24:36,480 → 00:24:40,510 next give me the next people watch this
00:24:40,520 → 00:24:43,029 gloriousness what are we looking for
00:24:43,039 → 00:24:45,590 tonight this is what we're looking for
00:24:45,600 → 00:24:46,950 coin
00:24:46,960 → 00:24:51,190 Andia that Fellowship now the the monest
00:24:51,200 → 00:24:52,909 will stand up and they will say
00:24:52,919 → 00:24:56,669 Fellowship yes oh God the Fellowship of
00:24:56,679 → 00:25:02,149 the Ring no not d you nerds stop it the
00:25:02,159 → 00:25:04,350 fellowship of Christianity and their
00:25:04,360 → 00:25:05,990 love
00:25:06,000 → 00:25:08,750 fests that the Romans are breaking up
00:25:08,760 → 00:25:10,990 because they turn off the lights and
00:25:11,000 → 00:25:13,029 everybody gets
Section 53: 00:25:13,039 – 00:25:37,830
00:25:13,039 → 00:25:18,430 naked why so you can be host Theo
00:25:18,440 → 00:25:21,389 [\h__\h] right and the Romans were like
00:25:21,399 → 00:25:24,070 stop it that's a mother and her son you
00:25:24,080 → 00:25:27,430 weirdos right okay see what happens with
00:25:27,440 → 00:25:30,870 the cult I'll bet you they have laws now
00:25:30,880 → 00:25:33,269 I'll bet you they do give me the next
00:25:33,279 → 00:25:35,510 one thank you for the
00:25:35,520 → 00:25:37,830 civilization oh
Section 54: 00:25:37,840 – 00:26:02,190
00:25:37,840 → 00:25:40,389 God thank you for the civilization now
00:25:40,399 → 00:25:41,789 people if you think I'm kidding about
00:25:41,799 → 00:25:44,269 Christian Fellowship being
00:25:44,279 → 00:25:47,669 sexual right The Joke is on You that you
00:25:47,679 → 00:25:50,710 think this was like people going today
00:25:50,720 → 00:25:52,710 and sitting in a church right if you
00:25:52,720 → 00:25:54,269 could lock the doors of the church turn
00:25:54,279 → 00:25:56,549 off the lights strip people naked and
00:25:56,559 → 00:25:59,630 say whatever you want go for it
00:25:59,640 → 00:26:02,190 right that's
Section 55: 00:26:02,200 – 00:26:42,190
00:26:02,200 → 00:26:08,070 coia and you tell me oh you
00:26:08,080 → 00:26:11,350 bastard how can you possibly say such a
00:26:11,360 → 00:26:14,590 thing about a blessed Church the sacred
00:26:14,600 → 00:26:17,029 bride of
00:26:17,039 → 00:26:19,549 Christ
00:26:19,559 → 00:26:23,269 people your communion under
00:26:23,279 → 00:26:28,590 a is your sexual intercourse in
00:26:28,600 → 00:26:33,590 numeral do it's so deep within the word
00:26:33,600 → 00:26:35,590 that do you know what this communion
00:26:35,600 → 00:26:38,630 this intercourse is it's
00:26:38,640 → 00:26:42,190 mathematically the number
Section 56: 00:26:42,200 – 00:27:28,970
00:26:42,200 → 00:26:45,310 two number two that's a Pythagorean
00:26:45,320 → 00:26:46,630 thing do you understand what the number
00:26:46,640 → 00:26:49,789 two is you have to if you're a monest
00:26:49,799 → 00:26:51,950 you can't have
00:26:51,960 → 00:26:56,630 sex right if you're not a
00:26:56,640 → 00:26:59,710 monest you're a
00:26:59,720 → 00:27:01,990 morality you can have
00:27:02,000 → 00:27:05,630 intercourse it's How the Universe works
00:27:05,640 → 00:27:08,070 baby the cosmos I don't mean the stars
00:27:08,080 → 00:27:11,070 and planets I mean the cosmos the
00:27:11,080 → 00:27:14,630 organization that drives those stars and
00:27:14,640 → 00:27:17,990 planets and every pervert on every
00:27:18,000 → 00:27:21,470 planet who's arrested in a public park
00:27:21,480 → 00:27:24,590 with a kid who was
00:27:24,600 → 00:27:28,970 naked except for a bandage on his peee
Section 57: 00:27:28,980 – 00:27:31,870
00:27:28,980 → 00:27:31,870 [Music]
Section 58: 00:27:31,880 – 00:27:51,350
00:27:31,880 → 00:27:35,789 right oh God how many other planets out
00:27:35,799 → 00:27:38,149 there do you know what I mean it's not
00:27:38,159 → 00:27:41,149 like dudes it's not
00:27:41,159 → 00:27:45,950 like this is you know the only place do
00:27:45,960 → 00:27:51,350 you understand God holy mackerel Jesus
Section 59: 00:27:51,360 – 00:28:30,950
00:27:51,360 → 00:27:54,149 is transdimensional
00:27:54,159 → 00:27:57,230 bra and every planet he shows up on is
00:27:57,240 → 00:28:00,389 every planet we got go round them up you
00:28:00,399 → 00:28:02,909 really mess things up give me the next
00:28:02,919 → 00:28:05,110 one for those of you who don't know the
00:28:05,120 → 00:28:08,950 reference that's Mark 1451 and
00:28:08,960 → 00:28:12,430 52 could you feel it I think I I think I
00:28:12,440 → 00:28:14,470 reached bottom on that
00:28:14,480 → 00:28:19,669 one people Bible shut up and read it
00:28:19,679 → 00:28:22,430 what does it say in the
00:28:22,440 → 00:28:27,110 Bible oh God it's so tiny I can't see it
00:28:27,120 → 00:28:29,830 Chey can you you we're waiting people
00:28:29,840 → 00:28:30,950 look at the devil in the back playing
Section 60: 00:28:30,960 – 00:29:10,310
00:28:30,960 → 00:28:34,110 his guitar that's awesome I love that I
00:28:34,120 → 00:28:38,630 love that so much R did people read Lord
00:28:38,640 → 00:28:40,669 Byron by the way people reading Lord
00:28:40,679 → 00:28:44,389 Byron my God man right I think they
00:28:44,399 → 00:28:47,710 wanted him to be king give me the why is
00:28:47,720 → 00:28:49,549 this Source not up are we are we just
00:28:49,559 → 00:28:53,190 free right should I rap or something oh
00:28:53,200 → 00:28:55,310 my God no
00:28:55,320 → 00:28:57,750 please I'm sorry people this is taking
00:28:57,760 → 00:28:59,549 way too long I I appreciate that you're
00:28:59,559 → 00:29:01,230 hanging in there let's see if anybody
00:29:01,240 → 00:29:04,149 leaves don't leave okay Hebrews
00:29:04,159 → 00:29:10,310 1316 he's doing it again Hebrews
Section 61: 00:29:10,320 – 00:29:21,310
00:29:10,320 → 00:29:14,750 1316 do you hear the two yotas there
00:29:14,760 → 00:29:18,230 baby there's your
00:29:18,240 → 00:29:21,310 fellowship
Section 62: 00:29:21,320 – 00:29:46,389
00:29:21,320 → 00:29:25,630 right don't not be mindful of it right
00:29:25,640 → 00:29:28,750 says the author of Hebrews for what why
00:29:28,760 → 00:29:30,549 why because what the
00:29:30,559 → 00:29:32,389 second what
00:29:32,399 → 00:29:35,110 happens
00:29:35,120 → 00:29:37,669 God he really
00:29:37,679 → 00:29:42,110 appreciates he finds um expression of
00:29:42,120 → 00:29:46,389 Joy expression of NE
Section 63: 00:29:46,399 – 00:30:32,230
00:29:46,399 → 00:29:48,110 necessary
00:29:48,120 → 00:29:51,549 goodness through what toy Alti through
00:29:51,559 → 00:29:52,470 sea
00:29:52,480 → 00:29:54,350 ice
00:29:54,360 → 00:29:59,750 through such thusa what are thusia
00:29:59,760 → 00:30:02,149 fumigations how do your prayers get
00:30:02,159 → 00:30:04,269 there through don't do anything through
00:30:04,279 → 00:30:06,430 the
00:30:06,440 → 00:30:08,990 fumigations okay this is not talking
00:30:09,000 → 00:30:10,909 about you sitting in
00:30:10,919 → 00:30:13,870 church with an ice cream
00:30:13,880 → 00:30:17,750 social it has nothing to do with
00:30:17,760 → 00:30:21,149 that you are in a situation in this
00:30:21,159 → 00:30:25,269 verse where you are burning fumigant to
00:30:25,279 → 00:30:32,230 get high and it involves
Section 64: 00:30:32,240 – 00:31:15,269
00:30:32,240 → 00:30:35,070 love oh my
00:30:35,080 → 00:30:37,389 god do you understand why there's a
00:30:37,399 → 00:30:40,110 cannon now do you understand why there's
00:30:41,440 → 00:30:44,549 cannon the cannon is to hide the reality
00:30:44,559 → 00:30:46,470 of what is behind all of our
00:30:46,480 → 00:30:49,990 evidence yeah people say there's sexual
00:30:50,000 → 00:30:53,430 stuff going on Christianity and look
00:30:53,440 → 00:30:56,909 look at the greater lesser letters of
00:30:56,919 → 00:30:59,710 Mary or whatever that freaking thing is
00:30:59,720 → 00:31:03,230 called right he's having sex with her
00:31:03,240 → 00:31:07,070 he's making her swallow his Seaman Jesus
00:31:07,080 → 00:31:10,669 did go look it up people they're saying
00:31:10,679 → 00:31:12,669 don't be like the of fites in their
00:31:12,679 → 00:31:15,269 sexual communion wait
Section 65: 00:31:15,279 – 00:31:51,870
00:31:15,279 → 00:31:20,350 what the Sean people it's body
00:31:20,360 → 00:31:23,950 fluid it comes in their eyes the seed
00:31:23,960 → 00:31:26,269 comes from both masculine and feminine
00:31:26,279 → 00:31:28,669 women produce seed too and you say wait
00:31:28,679 → 00:31:31,230 a minute I've never made seen a woman
00:31:31,240 → 00:31:34,750 produce seed well I'm sorry Mr been in a
00:31:34,760 → 00:31:35,909 corner
00:31:35,919 → 00:31:39,669 sometime but uh yeah it is quite quite a
00:31:39,679 → 00:31:43,629 blessed marvelous act the physical thing
00:31:43,639 → 00:31:46,350 is as a matter of fact let's call up
00:31:46,360 → 00:31:48,190 Homer what the hell does Homer think
00:31:48,200 → 00:31:50,190 about it give me the next one give me
00:31:50,200 → 00:31:51,870 the next one I think this is Homer it's
Section 66: 00:31:51,880 – 00:32:25,990
00:31:51,880 → 00:31:54,950 either perfect timing or terrible timing
00:31:54,960 → 00:31:58,029 give it to me
00:31:58,039 → 00:32:01,470 oh it's the translation of the Bible
00:32:01,480 → 00:32:04,110 look how they messed it up people look
00:32:04,120 → 00:32:05,590 how much of that comes across in the
00:32:05,600 → 00:32:07,629 English just browse those translation by
00:32:07,639 → 00:32:09,549 the way they're all cheats off each
00:32:09,559 → 00:32:12,029 other right with the earlier ones
00:32:12,039 → 00:32:13,190 they're all cheating off of that and
00:32:13,200 → 00:32:14,830 then there the new ones make a change
00:32:14,840 → 00:32:17,909 here there boom they'll all copy it down
00:32:17,919 → 00:32:20,830 the line why because these a-holes don't
00:32:20,840 → 00:32:23,549 actually read Greek look at how the
00:32:23,559 → 00:32:25,990 translations monkey monkey love each
Section 67: 00:32:26,000 – 00:33:06,029
00:32:26,000 → 00:32:30,149 other and do not forget to be good wait
00:32:30,159 → 00:32:32,710 what and to share with
00:32:32,720 → 00:32:38,149 others what you talking about share with
00:32:38,159 → 00:32:40,830 others for with such
00:32:40,840 → 00:32:43,909 sacrifices God's pleas oh I see it's all
00:32:43,919 → 00:32:45,509 metaphorical no it's not they just
00:32:45,519 → 00:32:47,029 didn't know how to translate it and
00:32:47,039 → 00:32:49,629 don't forget to do good and to share
00:32:49,639 → 00:32:52,669 with those in need right what Catholic
00:32:52,679 → 00:32:55,029 Mission wrote that do not neglect to do
00:32:55,039 → 00:32:56,950 good and to share with you such
00:32:56,960 → 00:32:59,430 sacrifices those aren't sacrifices
00:32:59,440 → 00:33:02,149 people do do you see how lost they are
00:33:02,159 → 00:33:03,310 with the
00:33:03,320 → 00:33:06,029 language right you've seen the rights
Section 68: 00:33:06,039 – 00:33:28,509
00:33:06,039 → 00:33:08,350 you've seen them we're focusing on them
00:33:08,360 → 00:33:10,350 dancing them out now tonight give me the
00:33:10,360 → 00:33:13,350 next one more I think we've got a
00:33:13,360 → 00:33:15,549 example people who's in charge here I
00:33:15,559 → 00:33:18,509 think this one tells us who's in charge
00:33:18,519 → 00:33:21,470 this is again in Lucian on the dance and
00:33:21,480 → 00:33:24,190 it tells you who the one this art is
00:33:24,200 → 00:33:25,830 dedicated to I want you to look at the
00:33:25,840 → 00:33:28,509 last word
Section 69: 00:33:28,519 – 00:34:05,830
00:33:28,519 → 00:33:32,470 right Aeros who is this AOS bring him up
00:33:32,480 → 00:33:35,789 get get those garbage translations on oh
00:33:35,799 → 00:33:38,470 it's not bring him up there's the glory
00:33:38,480 → 00:33:40,629 of AOS bring up Aeros though I want you
00:33:40,639 → 00:33:43,190 to get a an image of Aeros because this
00:33:43,200 → 00:33:47,029 is a very specific Aeros that Lucian is
00:33:47,039 → 00:33:48,629 talking about when he talks about the
00:33:48,639 → 00:33:49,750 history of
00:33:49,760 → 00:33:52,789 dance right these these very specific
00:33:52,799 → 00:33:55,789 people at very specific times developing
00:33:55,799 → 00:33:58,430 very specific types of dance
00:33:58,440 → 00:34:00,710 do you understand and how are they used
00:34:00,720 → 00:34:03,590 and Lucian is writing about that it's a
00:34:03,600 → 00:34:05,830 history of dance and we all owe Lucian
Section 70: 00:34:05,840 – 00:34:34,190
00:34:05,840 → 00:34:09,349 man if he were here I would give him
00:34:09,359 → 00:34:12,190 whatever he wanted because he's bringing
00:34:12,200 → 00:34:14,829 us these
00:34:14,839 → 00:34:17,869 images do you understand this is the
00:34:17,879 → 00:34:21,710 Aeros that you often times don't
00:34:21,720 → 00:34:25,950 see this is the most beautiful orphic
00:34:25,960 → 00:34:30,030 being the wing at
00:34:30,040 → 00:34:34,190 Angel yeah the winged
Section 71: 00:34:34,200 – 00:35:11,790
00:34:34,200 → 00:34:38,109 angel and what does he use he uses
00:34:38,119 → 00:34:41,629 poison what does he use that poison for
00:34:41,639 → 00:34:45,909 he uses that poison to drive you
00:34:45,919 → 00:34:51,109 insane oh God oh God if he weren't so
00:34:51,119 → 00:34:54,190 damn handsome you know what I mean you
00:34:54,200 → 00:34:55,430 know what I mean you know you're going
00:34:55,440 → 00:34:58,630 to end up in the right naked do you
00:34:58,640 → 00:35:01,270 understand now why is Eve ending up
00:35:01,280 → 00:35:04,310 naked do you get it right we've got
00:35:04,320 → 00:35:08,190 another example another Eve oh God give
00:35:08,200 → 00:35:11,790 me the next
Section 72: 00:35:11,800 – 00:36:02,430
00:35:11,800 → 00:35:13,510 one
00:35:13,520 → 00:35:18,829 the the bridge for us is taking us from
00:35:18,839 → 00:35:23,349 a necessity for a movement in dance to a
00:35:23,359 → 00:35:27,230 very specific movement the movement of
00:35:27,240 → 00:35:29,710 human
00:35:29,720 → 00:35:33,190 intercourse what they thought human
00:35:33,200 → 00:35:36,870 intercourse has a
00:35:36,880 → 00:35:40,630 rhythm once again I'm sorry those of you
00:35:40,640 → 00:35:41,589 who are
00:35:41,599 → 00:35:45,270 unsatisfied I know Pastor John right
00:35:45,280 → 00:35:48,230 nobody taught him nobody taught him
00:35:48,240 → 00:35:50,390 right you should have but oh I don't
00:35:50,400 → 00:35:53,870 know you were ashamed to you know I
00:35:53,880 → 00:35:54,829 don't
00:35:54,839 → 00:35:57,150 know personally I think it's something
00:35:57,160 → 00:35:59,589 that they should learn on their own
00:35:59,599 → 00:36:02,430 right before they get everything going
Section 73: 00:36:02,440 – 00:36:44,510
00:36:02,440 → 00:36:04,190 what is the history of the
00:36:04,200 → 00:36:07,750 dance here we see that it first starts
00:36:07,760 → 00:36:11,710 their own historians o dance said it
00:36:11,720 → 00:36:16,309 first starts with reaya the goddess
00:36:16,319 → 00:36:19,950 rehea okay and what are they doing it's
00:36:21,280 → 00:36:25,190 art she's the one who perpetuated that
00:36:25,200 → 00:36:29,190 art in friia in
00:36:29,200 → 00:36:31,670 Fria right it literally says you know
00:36:31,680 → 00:36:35,190 she indulged in it right do you
00:36:35,200 → 00:36:39,349 understand this is the worship of a
00:36:39,359 → 00:36:42,190 Divinity the Divinity of what what is
00:36:42,200 → 00:36:44,510 her name
Section 74: 00:36:44,520 – 00:36:48,589
00:36:44,520 → 00:36:48,589 flow the cosmic
Section 75: 00:36:48,599 – 00:37:32,550
00:36:48,599 → 00:36:51,670 flow okay that
00:36:51,680 → 00:36:55,270 invisibility that is behind the movement
00:36:55,280 → 00:36:58,710 of the scene
00:36:58,720 → 00:37:01,950 oh God she starts it in
00:37:01,960 → 00:37:05,230 Fria Fria it says I'm not making that up
00:37:05,240 → 00:37:06,270 that's what it
00:37:06,280 → 00:37:09,430 says okay fantastic you want to know
00:37:09,440 → 00:37:11,910 where the origins of these Mysteries are
00:37:11,920 → 00:37:15,670 let's just follow the
00:37:15,680 → 00:37:18,670 dancers she is who is she by the way
00:37:18,680 → 00:37:21,109 she's the nurse what you need to know is
00:37:21,119 → 00:37:23,910 she's the nurse of
00:37:23,920 → 00:37:28,470 bacus okay the nurse of imagine that for
00:37:28,480 → 00:37:30,510 a minute you know bakas you've been
00:37:30,520 → 00:37:32,550 looking at his rights now satanic
Section 76: 00:37:32,560 – 00:38:16,030
00:37:32,560 → 00:37:34,710 congregation for a long
00:37:34,720 → 00:37:38,950 time imagine the one who
00:37:38,960 → 00:37:41,710 nourishes
00:37:41,720 → 00:37:44,710 him that is the
00:37:44,720 → 00:37:48,390 flow of the
00:37:48,400 → 00:37:52,630 cosmos and they picked it up in friia
00:37:52,640 → 00:37:55,790 they received it in friia it's
00:37:55,800 → 00:37:58,550 considered to be a form of of
00:37:58,560 → 00:38:01,870 possession the dance enables The
00:38:01,880 → 00:38:04,670 Possession and I know that every rock
00:38:04,680 → 00:38:07,309 star in the planet is probably sitting
00:38:07,319 → 00:38:08,390 back
00:38:08,400 → 00:38:11,710 laughing right oh look he's found a way
00:38:11,720 → 00:38:14,150 to describe what we
Section 77: 00:38:16,040 – 00:39:02,109
00:38:16,040 → 00:38:19,829 no they found a way to do what you're
00:38:19,839 → 00:38:23,950 now doing and I'm seeing your reflection
00:38:25,319 → 00:38:30,109 them right oh oh God isn't that awesome
00:38:30,119 → 00:38:31,990 there's something gorgeous about this
00:38:32,000 → 00:38:34,630 that just transcends it just transcends
00:38:34,640 → 00:38:37,589 you know what I mean oh my God give me
00:38:37,599 → 00:38:40,390 the next one give me the next one here
00:38:40,400 → 00:38:46,309 watch this
00:38:46,319 → 00:38:50,589 boom yeah and by the way for people for
00:38:50,599 → 00:38:53,750 people please for the True Believers in
00:38:53,760 → 00:38:57,270 the Blessed orange King of the universe
00:38:57,280 → 00:38:59,270 which would you please stop worrying
00:38:59,280 → 00:39:02,109 about my state I have no mental
Section 78: 00:39:02,119 – 00:39:28,310
00:39:02,119 → 00:39:06,430 derangement right it is your faith that
00:39:06,440 → 00:39:10,790 makes you want to create
00:39:10,800 → 00:39:14,750 heresy I'm sorry you're being dragged
00:39:14,760 → 00:39:16,950 along like you are by the
00:39:16,960 → 00:39:20,349 Liars but that's what happens when you
00:39:20,359 → 00:39:24,990 are attracted to the lies fantastic here
00:39:25,000 → 00:39:28,310 we go what does she do she ordered those
Section 79: 00:39:28,320 – 00:39:29,550
00:39:28,320 → 00:39:29,550 [Music]
Section 80: 00:39:29,560 – 00:40:10,950
00:39:29,560 → 00:39:31,630 ktis in
00:39:31,640 → 00:39:36,510 crate she ordered them to do a specific
00:39:36,520 → 00:39:39,910 dance to do a specific next to do a
00:39:39,920 → 00:39:41,910 specific dance wait a minute we have
00:39:41,920 → 00:39:44,829 Warrior dancers here somehow we bridged
00:39:44,839 → 00:39:47,670 we went to Magic we went in dance to
00:39:47,680 → 00:39:50,670 Magic and to
00:39:50,680 → 00:39:54,190 military what I don't understand what's
00:39:54,200 → 00:39:55,829 going on there's must be something more
00:39:55,839 → 00:39:57,910 to this dance than I'm thinking there
00:39:57,920 → 00:40:01,150 must be something more next one please
00:40:01,160 → 00:40:04,589 next one oh it is it's
00:40:04,599 → 00:40:07,470 just there must be something more to
00:40:07,480 → 00:40:09,030 this dance well there is there's an
00:40:09,040 → 00:40:10,950 entire history and it starts here he
Section 81: 00:40:10,960 – 00:40:53,390
00:40:10,960 → 00:40:14,430 says the the lonians the Spartans right
00:40:14,440 → 00:40:17,109 are definitely the Odo the best of all
00:40:17,119 → 00:40:18,030 the
00:40:18,040 → 00:40:21,349 Greeks right and at least that's the
00:40:21,359 → 00:40:23,150 expression that they give us right and
00:40:23,160 → 00:40:25,109 he's been talking about their Warrior
00:40:25,119 → 00:40:27,510 activities right and he says look look
00:40:27,520 → 00:40:29,230 they learned the
00:40:29,240 → 00:40:33,790 dance a specific dance from caster and
00:40:33,800 → 00:40:39,630 pauses right and he tells us it was a
00:40:39,640 → 00:40:41,870 component of the
00:40:41,880 → 00:40:46,030 orchestra right of that dancing chorus
00:40:46,040 → 00:40:50,510 that is
00:40:50,520 → 00:40:53,390 singing
Section 82: 00:40:53,400 – 00:41:20,390
00:40:53,400 → 00:40:57,550 this wait what is going on we're talking
00:40:57,560 → 00:41:00,990 about soldiers yes right we're talking
00:41:01,000 → 00:41:03,870 about Warriors and how are these
00:41:03,880 → 00:41:05,069 Warriors
00:41:05,079 → 00:41:08,589 training right like our receiver they're
00:41:08,599 → 00:41:10,829 training with
00:41:10,839 → 00:41:13,069 dance this is not just something you can
00:41:13,079 → 00:41:15,390 do on the side this is
00:41:15,400 → 00:41:20,390 integrated into the solders training
Section 83: 00:41:20,400 – 00:41:32,430
00:41:20,400 → 00:41:21,950 right this is something it's a part
00:41:21,960 → 00:41:24,670 major part of what they do and I'm I'm
00:41:24,680 → 00:41:25,910 going to read it to you what they do
00:41:25,920 → 00:41:32,430 next one maybe the next one
Section 84: 00:41:32,440 – 00:41:52,710
00:41:32,440 → 00:41:35,589 oh you're going to see that they take
00:41:35,599 → 00:41:38,950 the the the Cadence and the Rhythm and
00:41:38,960 → 00:41:41,069 the dances that tell you where to put
00:41:41,079 → 00:41:44,150 your feet are the ones that they use
00:41:44,160 → 00:41:45,990 when they are
00:41:46,000 → 00:41:52,710 fighting you mean the Army dancing
Section 85: 00:41:52,720 – 00:41:58,950
00:41:52,720 → 00:41:58,950 combat remember remember
Section 86: 00:41:58,960 – 00:42:28,270
00:41:58,960 → 00:42:03,190 the joining of the combat physical
00:42:03,200 → 00:42:07,630 fighting mixed martial arts right with
00:42:07,640 → 00:42:08,829 general
00:42:08,839 → 00:42:10,950 education is what you need to keep in
00:42:10,960 → 00:42:13,790 mind here right match that with the
00:42:13,800 → 00:42:17,750 songs and what does this
00:42:17,760 → 00:42:21,910 say for this reason for this very
00:42:21,920 → 00:42:28,270 reason the Spartans they dominate
Section 87: 00:42:28,280 – 00:43:19,950
00:42:28,280 → 00:42:31,510 everyone right and they do
00:42:31,520 → 00:42:37,190 it with music and urmia in
00:42:37,200 → 00:42:42,470 battle music next music and
00:42:42,480 → 00:42:45,710 uthia did I give people a definition I
00:42:45,720 → 00:42:47,950 hope I did because I'm not quite sure
00:42:47,960 → 00:42:49,750 what uthy
00:42:49,760 → 00:42:52,829 is right people here's the I I hope
00:42:52,839 → 00:42:54,790 people love this because this is I think
00:42:54,800 → 00:42:57,390 this is where we get to climax I mean
00:42:57,400 → 00:42:59,309 you know come on man this is linguistic
00:42:59,319 → 00:43:01,549 climax all the way look at this
00:43:01,559 → 00:43:04,390 word right you will think of a musical
00:43:04,400 → 00:43:07,190 group right but don't because they just
00:43:07,200 → 00:43:09,790 took this
00:43:09,800 → 00:43:14,270 right rhythmical order or
00:43:14,280 → 00:43:18,190 movement the measured cadences of
00:43:18,200 → 00:43:19,950 language look how they look how they
Section 88: 00:43:19,960 – 00:43:44,230
00:43:19,960 → 00:43:21,470 Bridge
00:43:21,480 → 00:43:24,030 gymnastics and
00:43:24,040 → 00:43:27,309 language look what they do
00:43:27,319 → 00:43:28,950 they're creating it they're pulling a
00:43:28,960 → 00:43:30,750 concept out of
00:43:30,760 → 00:43:33,630 music harmony between the order now
00:43:33,640 → 00:43:34,990 here's one that I don't think that you
00:43:35,000 → 00:43:38,309 people and I when I say you I mean me
00:43:38,319 → 00:43:40,470 that we have look at number two Harmony
00:43:40,480 → 00:43:44,230 between the oror and his
Section 89: 00:43:44,240 – 00:44:06,790
00:43:44,240 → 00:43:48,349 hearers Harmony your rhythmia what kind
00:43:48,359 → 00:43:52,150 of is there something at a concert
00:43:52,160 → 00:43:54,829 somewhere do we have Youtube footage of
00:43:54,839 → 00:43:57,390 this is there something at this massive
00:43:57,400 → 00:44:01,950 concert somewhere where there is
00:44:01,960 → 00:44:06,790 urmia between the band and the people
Section 90: 00:44:06,800 – 00:44:51,750
00:44:06,800 → 00:44:08,270 and you would say of course because
00:44:08,280 → 00:44:11,390 you've witnessed those physics you've
00:44:11,400 → 00:44:12,870 seen that
00:44:12,880 → 00:44:14,430 happen
00:44:14,440 → 00:44:18,270 right the grace are just bringing
00:44:18,280 → 00:44:21,309 forward the concepts that are natural to
00:44:21,319 → 00:44:24,470 you that you
00:44:24,480 → 00:44:28,430 know and putting them into concrete
00:44:28,440 → 00:44:31,230 image form in these
00:44:31,240 → 00:44:34,990 words and that's how they're going
00:44:35,000 → 00:44:38,589 into battle that's why they're so
00:44:38,599 → 00:44:40,829 fearsome do you understand you thought
00:44:40,839 → 00:44:42,470 now you know everybody knows that
00:44:42,480 → 00:44:44,470 Spartans stop before the battle and what
00:44:44,480 → 00:44:46,390 do they do oh they stand around they
00:44:46,400 → 00:44:48,710 bang their chest no they're not like
00:44:48,720 → 00:44:51,750 those Cal barians and those people you
Section 91: 00:44:51,760 – 00:45:11,549
00:44:51,760 → 00:44:54,710 know what I mean this Germans right how
00:44:54,720 → 00:44:56,510 many libraries did you guys make in the
00:44:56,520 → 00:44:57,589 forest
00:44:57,599 → 00:45:03,750 in the Black Forest you didn't oh I'm
00:45:03,760 → 00:45:06,790 sorry didn't somebody find some
00:45:06,800 → 00:45:11,549 runes oh it's a library yeah right
Section 92: 00:45:11,559 – 00:45:31,910
00:45:11,559 → 00:45:14,870 um give me the give me that Source did I
00:45:14,880 → 00:45:17,549 finish that one it was a definite oh
00:45:17,559 → 00:45:19,549 yeah right the arhythmia um give me the
00:45:19,559 → 00:45:21,790 arhythmia back though I want to see the
00:45:21,800 → 00:45:23,230 yeah go ahead and get see it because I
00:45:23,240 → 00:45:24,790 think there was something hiding in
00:45:24,800 → 00:45:28,150 there look at number two Harmony between
00:45:28,160 → 00:45:29,790 the order that's one we look at number
00:45:29,800 → 00:45:31,910 three
Section 93: 00:45:31,920 – 00:46:03,750
00:45:31,920 → 00:45:35,069 gracefulness gracefulness and you say oh
00:45:35,079 → 00:45:37,549 well now I can kind of understand
00:45:37,559 → 00:45:39,230 relationship to
00:45:39,240 → 00:45:43,150 dance delicacy of touch you realize
00:45:43,160 → 00:45:46,910 you're in the world of
00:45:46,920 → 00:45:48,829 Aphrodite you're in the world of
00:45:48,839 → 00:45:52,470 Aphrodite Aphrodite is the music people
00:45:52,480 → 00:45:54,470 of that
00:45:54,480 → 00:45:57,109 intercourse right without her there is
00:45:57,119 → 00:45:58,470 know your
00:45:58,480 → 00:46:00,950 rhythmia how do I know that because
00:46:00,960 → 00:46:03,750 Cadmus always marries
Section 94: 00:46:03,760 – 00:46:32,790
00:46:03,760 → 00:46:07,950 harmonia do you understand oh God these
00:46:07,960 → 00:46:10,150 people their definitions give me the
00:46:10,160 → 00:46:12,109 next one let's look a little more Greek
00:46:12,119 → 00:46:14,430 it's getting a little more sexiness it's
00:46:14,440 → 00:46:16,309 it's pretty sexy and then I'm GNA throw
00:46:16,319 → 00:46:18,829 a curveball with some septu agent people
00:46:18,839 → 00:46:20,589 are gonna be like what I didn't know
00:46:20,599 → 00:46:21,870 that was there of course you didn't know
00:46:21,880 → 00:46:23,790 it was there because they took the septu
00:46:23,800 → 00:46:25,790 in a beautiful beautiful Greek that it
00:46:25,800 → 00:46:27,470 was written and they crack wrapped it up
00:46:27,480 → 00:46:30,510 with some crappy claim that this is a
00:46:30,520 → 00:46:32,790 translation of this here's the original
Section 95: 00:46:32,800 – 00:47:19,790
00:46:32,800 → 00:46:34,470 and the original was
00:46:34,480 → 00:46:38,670 crap right this says you could see
00:46:38,680 → 00:46:44,829 now the young boys the a thieves and
00:46:44,839 → 00:46:46,030 what are they
00:46:46,040 → 00:46:49,510 doing right they're
00:46:49,520 → 00:46:52,630 dancing right what are they learning
00:46:52,640 → 00:46:56,190 they learn just as much dance this says
00:46:56,200 → 00:46:59,470 as they do arts of
00:46:59,480 → 00:47:02,870 War just as much dance we have
00:47:02,880 → 00:47:06,549 dancers next we have dancers who are
00:47:06,559 → 00:47:10,549 creating your history people very oh
00:47:10,559 → 00:47:12,430 here's another one here's another it's
00:47:12,440 → 00:47:14,390 not just Spartan soldiers people let's
00:47:14,400 → 00:47:16,349 go on with the history very little is
00:47:16,359 → 00:47:19,790 known about the Spartan bare skin plays
Section 96: 00:47:19,800 – 00:48:16,470
00:47:19,800 → 00:47:22,790 bare skin plays now that's not b a r
00:47:22,800 → 00:47:25,990 skin it's b a e skin give me the next
00:47:26,000 → 00:47:28,270 one right
00:47:28,280 → 00:47:32,109 processional choruses of naked youths
00:47:32,119 → 00:47:34,069 this is what they call those processions
00:47:34,079 → 00:47:37,309 that we don't know much about you know
00:47:37,319 → 00:47:38,549 um the
00:47:38,559 → 00:47:41,390 G there they are I mentioned them last
00:47:41,400 → 00:47:43,510 time right
00:47:43,520 → 00:47:46,829 again this is the
00:47:46,839 → 00:47:50,990 dance this is the dance you do not have
00:47:51,000 → 00:47:53,950 mystery without dance what is Jesus
00:47:53,960 → 00:47:55,270 Christ
00:47:55,280 → 00:47:58,670 doing in the four 14th chapter of the
00:47:58,680 → 00:48:03,069 Gospel of Mark when he is singing hymns
00:48:03,079 → 00:48:10,109 with his boys one of which is
00:48:10,119 → 00:48:14,309 naked did you just step on
00:48:14,319 → 00:48:16,470 reality you
Section 97: 00:48:16,480 – 00:48:45,630
00:48:16,480 → 00:48:19,790 did you did
00:48:19,800 → 00:48:22,750 right fantastic give me the next one
00:48:22,760 → 00:48:24,670 give me the next one these are all like
00:48:24,680 → 00:48:28,069 this they're oh people look at the look
00:48:28,079 → 00:48:30,309 at this definition I want you to I know
00:48:30,319 → 00:48:32,990 this is a was this a definition I don't
00:48:33,000 → 00:48:35,069 know maybe it was a section oh it's a
00:48:35,079 → 00:48:36,870 section in English I want to I just want
00:48:36,880 → 00:48:38,349 to share with people read through it
00:48:38,359 → 00:48:42,430 people as I sit here and throw darts the
00:48:42,440 → 00:48:44,030 Spartans were considered the bravest of
00:48:44,040 → 00:48:45,630 the Greeks this is just an entire
Section 98: 00:48:45,640 – 00:49:23,190
00:48:45,640 → 00:48:48,670 translation of of uh the passage that we
00:48:48,680 → 00:48:51,829 started and I want you to notice and
00:48:51,839 → 00:48:55,510 they do everything with the aid of the
00:48:55,520 → 00:48:58,549 muses to to the extent of going into
00:48:58,559 → 00:49:01,109 battle to the accompanyment of flute and
00:49:01,119 → 00:49:03,750 Rhythm and well time step and marching
00:49:03,760 → 00:49:05,589 indeed the first signal for battle is
00:49:05,599 → 00:49:08,589 given to the Spartans by the flute that
00:49:08,599 → 00:49:10,670 is how they managed to conquer
00:49:10,680 → 00:49:13,710 everybody right that was the last part
00:49:13,720 → 00:49:15,390 that I translated with the music and the
00:49:15,400 → 00:49:20,109 Rhythm to lead them right literally they
00:49:20,119 → 00:49:23,190 are using that as a tactic in combat
Section 99: 00:49:23,200 – 00:49:59,069
00:49:23,200 → 00:49:24,829 even now you may see their young men
00:49:24,839 → 00:49:26,710 studying dancing quite as much as fire
00:49:26,720 → 00:49:29,270 fting when they have stopped sparring
00:49:29,280 → 00:49:31,589 and exchanging blow for blow with each
00:49:31,599 → 00:49:33,670 other this is gorgeous listen to
00:49:33,680 → 00:49:36,789 anthropology their contest ends in
00:49:36,799 → 00:49:39,309 dancing and a flute player sits in the
00:49:39,319 → 00:49:41,630 middle playing them aune and marking
00:49:41,640 → 00:49:43,470 time with his foot while they following
00:49:43,480 → 00:49:46,910 one another in line perform figures of
00:49:46,920 → 00:49:49,950 All Sorts in rhythmic
00:49:49,960 → 00:49:52,870 step oh the next one is an extension of
00:49:52,880 → 00:49:54,870 that but if you have a picture right
00:49:54,880 → 00:49:59,069 people wait what the doing very specific
Section 100: 00:49:59,079 – 00:50:43,710
00:49:59,079 → 00:50:00,750 rhythmic
00:50:00,760 → 00:50:06,870 movements that serve them in
00:50:06,880 → 00:50:09,430 combat isn't that gorgeous think about
00:50:09,440 → 00:50:11,069 it for a minute think about it for a
00:50:11,079 → 00:50:14,230 minute who would you rather fight right
00:50:14,240 → 00:50:17,829 your next door neighbor Bob right with a
00:50:17,839 → 00:50:20,030 sword that he's picked up for the first
00:50:20,040 → 00:50:23,349 time right or somebody who'd been
00:50:23,359 → 00:50:27,150 trained in the art of kinetics and moved
00:50:27,160 → 00:50:30,829 with that sword give a ballerina a sword
00:50:30,839 → 00:50:33,630 right give a ballerina a little dagger
00:50:33,640 → 00:50:36,349 right and take transform her Art of
00:50:36,359 → 00:50:40,109 Dance into an art of combat and you're
00:50:40,119 → 00:50:43,710 going to get very specific moves like
Section 101: 00:50:43,720 – 00:51:14,829
00:50:43,720 → 00:50:46,630 any martial art you're going to get very
00:50:46,640 → 00:50:48,549 specific moves and these moves can be
00:50:48,559 → 00:50:50,349 timed to
00:50:50,359 → 00:50:52,750 music and you can train people and
00:50:52,760 → 00:50:55,109 people are saying in Antiquity that's
00:50:55,119 → 00:50:57,589 why the Spartans are so damn
00:50:57,599 → 00:51:00,150 good you understand that's a lot of
00:51:00,160 → 00:51:02,430 training right if you had four hours of
00:51:02,440 → 00:51:06,470 ballet a day in addition to JY MMA JY
00:51:06,480 → 00:51:10,789 you'd you know holy mackerel give that
00:51:10,799 → 00:51:12,030 lady a
00:51:12,040 → 00:51:14,829 sword oh my
Section 102: 00:51:14,839 – 00:51:56,589
00:51:14,839 → 00:51:18,150 God I love it love it you don't mess
00:51:18,160 → 00:51:19,589 with Spartan women remember you don't
00:51:19,599 → 00:51:21,950 mess with Spartan women these dudes go
00:51:21,960 → 00:51:23,789 home after all of this and the Spartan
00:51:23,799 → 00:51:27,630 women tell them what they're gonna
00:51:27,640 → 00:51:31,190 you right why it's because it's coming
00:51:31,200 → 00:51:32,430 from
00:51:32,440 → 00:51:36,150 them this is feminization the dancing is
00:51:36,160 → 00:51:38,630 feminization they were talking about an
00:51:38,640 → 00:51:41,349 Antiquity not me they were talking
00:51:41,359 → 00:51:43,789 Antiquity wait a minute they're using
00:51:43,799 → 00:51:45,470 feminized
00:51:45,480 → 00:51:47,950 dancing for their
00:51:47,960 → 00:51:51,270 soldiers yes right that's how they're
00:51:51,280 → 00:51:54,030 training them if you Spartans if you
00:51:54,040 → 00:51:56,589 people knew what the Spartan women knew
Section 103: 00:51:56,599 – 00:52:09,870
00:51:56,599 → 00:51:58,789 you wouldn't you'd understand it you'd
00:51:58,799 → 00:52:01,549 see the value and the Courage the value
00:52:01,559 → 00:52:03,789 and the
00:52:03,799 → 00:52:09,870 courage oh God Nemesis where are you
Section 104: 00:52:09,880 – 00:52:51,270
00:52:09,880 → 00:52:12,950 Nemesis mineral rights for blood that's
00:52:12,960 → 00:52:14,109 all it
00:52:14,119 → 00:52:18,150 costs oh you people right is it
00:52:18,160 → 00:52:20,309 Incredible or is it incredible give me
00:52:20,319 → 00:52:22,109 the next
00:52:22,119 → 00:52:24,950 one there it is another one for me to
00:52:24,960 → 00:52:26,710 just
00:52:26,720 → 00:52:30,030 Meander along um that is why the song
00:52:30,040 → 00:52:32,109 which they sing while dancing is an
00:52:32,119 → 00:52:36,510 invocation of who afrodite and the
00:52:36,520 → 00:52:38,990 loves okay who is one of the central
00:52:39,000 → 00:52:41,870 figures in the development of
00:52:41,880 → 00:52:44,150 dance right and by the way he's going to
00:52:44,160 → 00:52:46,190 tell you in a second all the different
00:52:46,200 → 00:52:48,190 people all the different cultures that
00:52:48,200 → 00:52:51,270 are being affected by this or those who
Section 105: 00:52:51,280 – 00:53:29,309
00:52:51,280 → 00:52:54,069 were engaging in the dance themselves is
00:52:54,079 → 00:52:57,030 gorgeous um Aphrodite the second of the
00:52:57,040 → 00:52:58,710 songs moreover the two are sung even
00:52:58,720 → 00:53:01,510 contains instructions how to dance look
00:53:01,520 → 00:53:04,309 people set your foot before you Lads
00:53:04,319 → 00:53:07,430 right do this and that right I'm sure
00:53:07,440 → 00:53:10,750 there's a lot there's a there um it's
00:53:10,760 → 00:53:12,670 almost as if you integrated just
00:53:12,680 → 00:53:15,870 straight up marching with cadence right
00:53:15,880 → 00:53:17,910 right straight up marching with cadence
00:53:17,920 → 00:53:21,990 with a martial art that was designed
00:53:22,000 → 00:53:26,030 around your weapons and their use in
00:53:26,040 → 00:53:29,309 space right your Shield
Section 106: 00:53:29,319 – 00:53:49,610
00:53:29,319 → 00:53:31,910 right if you could do ballet with your
00:53:31,920 → 00:53:34,549 Shield right I bet you have a better
00:53:34,559 → 00:53:36,710 chance of surviving now get out there
00:53:36,720 → 00:53:39,470 you Spartan turd and practice your dance
00:53:39,480 → 00:53:42,270 that's what Spartan mother said right
00:53:42,280 → 00:53:44,150 and they also said this is
00:53:44,160 → 00:53:47,390 recorded if you come back with any cuts
00:53:47,400 → 00:53:49,610 on your back I'm killing
Section 107: 00:53:49,620 – 00:53:54,069
00:53:49,620 → 00:53:54,069 [Laughter]
Section 108: 00:53:54,079 – 00:54:27,069
00:53:54,079 → 00:53:57,470 you yeah right or without your Shield
00:53:57,480 → 00:54:01,069 coward ride coward what does the coward
00:54:01,079 → 00:54:04,870 do the coward doesn't Bend in the face
00:54:05,680 → 00:54:07,349 resistance
00:54:07,359 → 00:54:12,309 card gives away their weakness and gets
00:54:12,319 → 00:54:15,510 bent right we don't want that Spartans
00:54:15,520 → 00:54:18,870 don't do that right right that music
00:54:18,880 → 00:54:21,190 will drive us give it to
00:54:21,200 → 00:54:27,069 me anybody up for naked kid dance right
Section 109: 00:54:27,079 – 00:54:59,470
00:54:27,079 → 00:54:28,870 now why is it by the way that they're
00:54:28,880 → 00:54:30,990 watching naked kids
00:54:31,000 → 00:54:33,829 dance um they're also wrestling and
00:54:33,839 → 00:54:35,829 fighting and having naked kids beat each
00:54:35,839 → 00:54:37,710 other up too so don't think it's just
00:54:37,720 → 00:54:39,990 don't think it's just dance and let me
00:54:40,000 → 00:54:41,549 tell you something if you haven't seen
00:54:41,559 → 00:54:44,390 Olympics naked I mean we're trying to
00:54:44,400 → 00:54:46,510 get there look at how people are they
00:54:46,520 → 00:54:48,230 tried to get there this year they're
00:54:48,240 → 00:54:52,069 making them as Tiny as possible little
00:54:52,079 → 00:54:54,069 little left of the imagination is
00:54:54,079 → 00:54:56,430 possible why are they doing it as the
00:54:56,440 → 00:54:59,470 monest will say because they're perverts
Section 110: 00:54:59,480 – 00:55:26,789
00:54:59,480 → 00:55:01,750 right no because there is something very
00:55:01,760 → 00:55:03,910 natural about
00:55:03,920 → 00:55:06,390 Athletics that lends itself to the
00:55:06,400 → 00:55:08,990 beauty of of the human body the human
00:55:09,000 → 00:55:10,870 form there is an
00:55:10,880 → 00:55:14,910 artistic value in the naked human form
00:55:14,920 → 00:55:18,150 and when you see naked women sprinting
00:55:18,160 → 00:55:21,029 down the street faster than anybody else
00:55:21,039 → 00:55:26,789 can go you think aha that's divine
Section 111: 00:55:26,799 – 00:56:04,510
00:55:26,799 → 00:55:30,230 that's the model I should reach for that
00:55:30,240 → 00:55:33,069 model and when everybody in your school
00:55:33,079 → 00:55:34,670 is doing
00:55:34,680 → 00:55:38,029 that what do you create you create
00:55:38,039 → 00:55:40,309 citizens who are
00:55:40,319 → 00:55:42,549 healthy um
00:55:42,559 → 00:55:47,630 active and smart filled with music and
00:55:47,640 → 00:55:50,430 coordinated can you imagine a series an
00:55:50,440 → 00:55:53,230 education that made you coordinated I
00:55:53,240 → 00:55:55,470 missed that class I could have used that
00:55:55,480 → 00:55:59,710 one right how many how many of those
00:55:59,720 → 00:56:04,510 dances would have been much more smooth
Section 112: 00:56:04,520 – 00:56:27,029
00:56:04,520 → 00:56:08,470 what yes no that's why they
00:56:08,480 → 00:56:12,270 exercise yeah every Che we
00:56:12,280 → 00:56:16,470 recommends um Monty Python right F
00:56:16,480 → 00:56:18,950 fantastic give me the next one give me
00:56:18,960 → 00:56:20,470 the next
00:56:20,480 → 00:56:24,670 one everyone is sacred you know that
00:56:24,680 → 00:56:27,029 right
Section 113: 00:56:27,039 – 00:56:59,230
00:56:27,039 → 00:56:29,430 right every what every what is
00:56:29,440 → 00:56:32,950 sacred the seed of the cosmos right
00:56:32,960 → 00:56:35,109 that's how they I'm envisioning this how
00:56:35,119 → 00:56:37,230 they would talk as they were trying to
00:56:37,240 → 00:56:39,589 describe it to you when they have you
00:56:39,599 → 00:56:42,549 drugged and tied up oh God that's not
00:56:42,559 → 00:56:44,589 the time you want to hear it but they
00:56:44,599 → 00:56:46,029 gave you something at the door that
00:56:46,039 → 00:56:47,630 calmed you down I've watched them do
00:56:47,640 → 00:56:49,430 this to a person you can in a
00:56:49,440 → 00:56:52,029 saone right it's gorgeous right because
00:56:52,039 → 00:56:53,990 you feel like their anxiety but then the
00:56:54,000 → 00:56:57,390 drugs kick in right in fasly the
00:56:57,400 → 00:56:59,230 cultivation of dancing made such
Section 114: 00:56:59,240 – 00:57:21,230
00:56:59,240 → 00:57:01,069 progress that they used to call their
00:57:01,079 → 00:57:04,109 front rake men
00:57:04,119 → 00:57:05,710 Champions
00:57:05,720 → 00:57:09,470 right right what do they call them four
00:57:09,480 → 00:57:12,710 dancers for
00:57:12,720 → 00:57:15,190 dancers so you could be walking down the
00:57:15,200 → 00:57:16,589 street of your hometown and they'd be
00:57:16,599 → 00:57:18,870 like hey hero
00:57:18,880 → 00:57:21,230 Joe awesome
Section 115: 00:57:21,240 – 00:57:27,430
00:57:21,240 → 00:57:23,349 dance awesome
00:57:23,359 → 00:57:27,430 dance right imagine
Section 116: 00:57:27,440 – 00:57:44,470
00:57:27,440 → 00:57:29,670 combat as a
00:57:29,680 → 00:57:31,750 dance I don't know maybe there's some
00:57:31,760 → 00:57:33,750 soldiers out there maybe there some
00:57:33,760 → 00:57:36,670 people who been in combat some veterans
00:57:36,680 → 00:57:38,990 is there an element of dance to it
00:57:39,000 → 00:57:44,470 remember they're using close close um
Section 117: 00:57:44,480 – 00:58:17,270
00:57:44,480 → 00:57:47,150 weapons that are close you know for up
00:57:47,160 → 00:57:50,430 face in your face right I mean we're not
00:57:50,440 → 00:57:52,870 talking about the arrow dance right
00:57:52,880 → 00:57:54,309 we're talking about a dance that you can
00:57:54,319 → 00:57:57,470 do with some kind of dagger sword right
00:57:57,480 → 00:57:59,589 some kind of Shield how do you move the
00:57:59,599 → 00:58:01,029 shield around your body so it's all
00:58:01,039 → 00:58:03,510 Close Quarters that's you know maybe
00:58:03,520 → 00:58:06,349 somebody gets that maybe somebody's
00:58:06,359 → 00:58:09,950 Judo somebody out there probably I don't
00:58:09,960 → 00:58:12,349 know leave your mind open tonight and
00:58:12,359 → 00:58:15,029 I'll come and visit you Judo Master out
00:58:15,039 → 00:58:17,270 there tell me how it is that the music
Section 118: 00:58:17,280 – 00:58:43,960
00:58:17,280 → 00:58:19,789 and the dance are all bringing this
00:58:19,799 → 00:58:23,230 Marshall art it's absolutely gorgeous
00:58:23,240 → 00:58:24,630 right look at him
00:58:24,640 → 00:58:27,630 dancers bunch of the
00:58:27,640 → 00:58:29,390 dancers and you don't think we're going
00:58:29,400 → 00:58:30,990 to leave the Romans out do you give me
00:58:31,000 → 00:58:32,829 the next one I think the next one's the
00:58:32,839 → 00:58:35,309 no who's the Ethiopians I think get in
00:58:35,319 → 00:58:39,670 on this game give me the next one
00:58:39,680 → 00:58:43,960 wherever it
Section 119: 00:58:43,970 – 00:58:44,530
00:58:43,970 → 00:58:44,530 [Applause]
Section 120: 00:58:44,540 – 00:58:45,910
00:58:44,540 → 00:58:45,910 [Music]
Section 121: 00:58:45,920 – 00:59:02,750
00:58:45,920 → 00:58:49,230 was no I don't think that was it one oh
00:58:49,240 → 00:58:51,309 here that's a good one though look at
00:58:51,319 → 00:58:54,589 this people on DS on the island of DS
00:58:54,599 → 00:58:57,510 which is famous people from all over the
00:58:57,520 → 00:59:02,750 Mediterranean flock to DS for their big
Section 122: 00:59:02,760 – 00:59:19,349
00:59:02,760 → 00:59:06,710 festivals where they dance right and
00:59:06,720 → 00:59:09,430 what what is the author here Lucian what
00:59:09,440 → 00:59:11,309 does he say he says look um on the
00:59:11,319 → 00:59:13,950 island of delos you can't have through
00:59:13,960 → 00:59:19,349 CI you cannot have those
Section 123: 00:59:19,359 – 01:00:06,029
00:59:19,359 → 00:59:22,990 fumigations without Orchestra without
00:59:23,000 → 00:59:26,270 dance singing while you're dancing while
00:59:26,280 → 00:59:28,510 is Jesus
00:59:28,520 → 00:59:31,710 hming humos you know where that's from
00:59:31,720 → 00:59:34,190 it's the root for memory mother of the
00:59:34,200 → 00:59:38,789 Muse do you understand why is Jesus
00:59:38,799 → 00:59:42,069 hemming it's part of the chorus you
00:59:42,079 → 00:59:45,750 don't get bakic right without chorus and
00:59:45,760 → 00:59:47,589 the Very fact that Jesus is singing
00:59:47,599 → 00:59:49,789 hymns with his naked one naked boy with
00:59:49,799 → 00:59:53,470 his other drug boys right the very fact
00:59:53,480 → 00:59:57,230 that he is singing is a the
00:59:57,240 → 00:59:59,710 fingerprint of the activity that he's
00:59:59,720 → 01:00:01,829 doing that lends
01:00:01,839 → 01:00:06,029 itself to why he's saying I am not a la
Section 124: 01:00:06,039 – 01:00:28,710
01:00:06,039 → 01:00:11,349 stay yeah yeah it's more evidence give
01:00:11,359 → 01:00:13,430 me the next give me the next
01:00:13,440 → 01:00:16,029 one I think we I think we skipped a few
01:00:16,039 → 01:00:19,190 but we'll go back if we did you promise
01:00:19,200 → 01:00:21,789 chewy you better
01:00:21,799 → 01:00:24,990 promise no I'm just kidding what's that
01:00:25,000 → 01:00:28,710 one
Section 125: 01:00:28,720 – 01:00:56,549
01:00:28,720 → 01:00:30,109 I want people to have the good stuff
01:00:30,119 → 01:00:32,829 people this adds up to gorgeousness um
01:00:32,839 → 01:00:35,470 here are the chorus of the children give
01:00:35,480 → 01:00:37,230 me the next one chorus of the kitties
01:00:37,240 → 01:00:40,510 Kitty chorus right why you got to train
01:00:40,520 → 01:00:43,270 those little buggers soon right they
01:00:43,280 → 01:00:45,029 have to get out there in their education
01:00:45,039 → 01:00:47,270 look the same route for child is the
01:00:47,280 → 01:00:49,270 route for Education people when do you
01:00:49,280 → 01:00:51,870 think they start now look I'm going to
01:00:51,880 → 01:00:54,230 start translating look I'm just gonna
01:00:54,240 → 01:00:56,549 say
Section 126: 01:00:56,559 – 01:01:26,109
01:00:56,559 → 01:00:59,309 that there is
01:01:00,920 → 01:01:04,069 archaic mystery
01:01:04,079 → 01:01:05,589 initiation
01:01:05,599 → 01:01:08,190 without
01:01:08,200 → 01:01:12,990 dance you know orus and museus it's very
01:01:13,000 → 01:01:17,510 clear were for their time the best
01:01:17,520 → 01:01:20,710 dancers okay and they set these
01:01:20,720 → 01:01:26,109 Mysteries up right
Section 127: 01:01:26,119 – 01:01:57,829
01:01:26,119 → 01:01:30,069 and what did they do they created a
01:01:30,079 → 01:01:35,069 system of laws that had to do with these
01:01:35,079 → 01:01:38,870 initiations that are led by Rhythm and
01:01:38,880 → 01:01:45,230 dance Rhythm and
01:01:45,240 → 01:01:47,029 dance
01:01:47,039 → 01:01:49,510 right yeah
01:01:49,520 → 01:01:53,069 yeah look he says he goes on he says it
01:01:53,079 → 01:01:55,510 really shouldn't say this right um we
01:01:55,520 → 01:01:57,829 know
Section 128: 01:01:57,839 – 01:02:11,309
01:01:57,839 → 01:02:00,630 the the rights you know it's not you
01:02:00,640 → 01:02:02,710 should be silent about them when you're
01:02:02,720 → 01:02:06,829 around people who are who are
01:02:06,839 → 01:02:11,309 uninitiated all right
Section 129: 01:02:11,319 – 01:02:49,910
01:02:11,319 → 01:02:13,670 okay what
01:02:13,680 → 01:02:17,950 happens many people tell us right you
01:02:17,960 → 01:02:21,150 can hear people tell us that those who
01:02:21,160 → 01:02:25,470 rat out the Mysteries they get danced
01:02:25,480 → 01:02:28,470 out
01:02:28,480 → 01:02:30,190 they get danced out now I don't even
01:02:30,200 → 01:02:31,950 know how to translate that people I
01:02:31,960 → 01:02:33,549 don't know what that means what does it
01:02:33,559 → 01:02:35,789 mean to get danced
01:02:35,799 → 01:02:39,190 out did we get danced in I understand we
01:02:39,200 → 01:02:41,309 got initiated in is this implying
01:02:41,319 → 01:02:44,029 there's a way to get initiated out or is
01:02:44,039 → 01:02:46,510 it just saying that the people who say
01:02:46,520 → 01:02:49,910 these things they're dancing out they're
Section 130: 01:02:49,920 – 01:02:58,510
01:02:49,920 → 01:02:51,789 bringing the dance to the public I don't
01:02:51,799 → 01:02:54,630 know which direction he's going I really
01:02:54,640 → 01:02:58,510 don't okay
Section 131: 01:02:58,520 – 01:03:33,950
01:02:58,520 → 01:03:01,710 but you need to see the dance is part of
01:03:01,720 → 01:03:05,390 it right the sexuality when I say
01:03:05,400 → 01:03:08,549 they're mixing drugs and sexuality I'm
01:03:08,559 → 01:03:12,349 talking about the dance this is what the
01:03:12,359 → 01:03:16,029 monest will say is
01:03:16,039 → 01:03:20,510 idolatry you need the Dance to enter
01:03:20,520 → 01:03:22,789 into the
01:03:22,799 → 01:03:27,309 death oh God and if she doesn't
01:03:27,319 → 01:03:29,789 resurrect your stupid
01:03:29,799 → 01:03:33,950 face you're
Section 132: 01:03:33,960 – 01:04:13,670
01:03:33,960 → 01:03:38,710 dead Mary Magdalene right now you get it
01:03:38,720 → 01:03:40,910 now you get it with Mary Magdalene don't
01:03:40,920 → 01:03:43,950 you you wondered I wondered you know was
01:03:43,960 → 01:03:46,630 the I thought this eating of the seon
01:03:46,640 → 01:03:48,829 would throw people right like they' be
01:03:48,839 → 01:03:51,349 like oh wait a minute but no when you
01:03:51,359 → 01:03:52,710 come up and you say something that
01:03:52,720 → 01:03:55,750 people say is horrific you mean ancient
01:03:55,760 → 01:03:58,910 chrans ate Sean yes they did from both
01:03:58,920 → 01:04:02,150 men and women that is ejaculate from
01:04:02,160 → 01:04:06,549 both men and
01:04:06,559 → 01:04:10,190 women it's in the text people it's in
01:04:10,200 → 01:04:13,670 the text now what are they doing what
Section 133: 01:04:13,680 – 01:04:31,870
01:04:13,680 → 01:04:16,269 what does Moses do for oh I'm sorry what
01:04:16,279 → 01:04:20,589 does museus do for us he sets down the
01:04:20,599 → 01:04:23,190 laws you didn't know that the dancer was
01:04:23,200 → 01:04:26,630 the lawgiver
01:04:26,640 → 01:04:31,870 this is more proof that the septu aent
Section 134: 01:04:31,880 – 01:04:48,510
01:04:31,880 → 01:04:35,630 is original Greek written in the third
01:04:35,640 → 01:04:38,670 roughly third it's helenistic
01:04:38,680 → 01:04:41,549 Greek
01:04:41,559 → 01:04:43,390 okay
01:04:43,400 → 01:04:48,510 museus is being transformed into
Section 135: 01:04:48,520 – 01:04:53,789
01:04:48,520 → 01:04:50,630 mois you know that's how you say his
01:04:50,640 → 01:04:53,789 name
Section 136: 01:04:53,799 – 01:05:37,150
01:04:53,799 → 01:04:56,789 Wes okay
01:04:56,799 → 01:05:00,789 your fairy tale world of monest Judaism
01:05:00,799 → 01:05:02,670 and monest
01:05:02,680 → 01:05:06,150 Christianity it's a false world
01:05:06,160 → 01:05:09,230 sorry it's a false world it's in the
01:05:09,240 → 01:05:11,510 language people right give me the next
01:05:11,520 → 01:05:14,950 one give me the next one what do we
01:05:14,960 → 01:05:19,589 ordain we ordain the laws around the
01:05:19,599 → 01:05:21,990 initiation and who is doing it for us
01:05:22,000 → 01:05:23,510 it's not who you think you think it's
01:05:23,520 → 01:05:25,990 Moses you think it's Moses because you
01:05:26,000 → 01:05:28,470 sit and listen to rabbis and
01:05:28,480 → 01:05:30,710 theologians and there are no more
01:05:30,720 → 01:05:32,630 deceptive people on the planet than
01:05:32,640 → 01:05:37,150 religious people who claim
Section 137: 01:05:37,160 – 01:06:05,190
01:05:37,160 → 01:05:40,269 theology do you understand most
01:05:40,279 → 01:05:42,789 dangerous people on the planet why
01:05:42,799 → 01:05:46,029 because as Constantine showed us they
01:05:46,039 → 01:05:49,109 can take over your
01:05:49,119 → 01:05:51,309 government and
01:05:51,319 → 01:05:52,950 Shred
01:05:52,960 → 01:05:56,269 everything classical about it
01:05:56,279 → 01:06:00,390 when you descend from the two to the
01:06:00,400 → 01:06:05,190 monism you lose
Section 138: 01:06:05,200 – 01:06:32,950
01:06:05,200 → 01:06:08,309 Aphrodite what does this Bible say this
01:06:08,319 → 01:06:09,950 Bible says
01:06:09,960 → 01:06:13,230 maram was the one who was in charge you
01:06:13,240 → 01:06:14,589 know where this is from people it's a
01:06:14,599 → 01:06:17,109 septu agent which you never read right
01:06:17,119 → 01:06:20,549 but it's a septu agent this is The
01:06:20,559 → 01:06:23,630 Exodus The Exodus yeah another Greek
01:06:23,640 → 01:06:26,029 word right it's all in Greek right what
01:06:26,039 → 01:06:32,950 do they do right Miriam the prophetes he
Section 139: 01:06:32,960 – 01:07:12,510
01:06:32,960 → 01:06:36,269 prophetes the sister of
01:06:36,279 → 01:06:42,150 Aon she picks up the tanon the drum in
01:06:42,160 → 01:06:47,829 her hands and all of the women go out in
01:06:47,839 → 01:06:52,750 her presence with their drums and they
01:06:52,760 → 01:06:56,710 perform the dance
01:06:56,720 → 01:06:59,950 do you know where the voice of God comes
01:06:59,960 → 01:07:03,470 from it comes from
01:07:03,480 → 01:07:07,309 Miriam it comes from the
01:07:07,319 → 01:07:12,510 Meads the Old Testament is a helenistic
Section 140: 01:07:12,520 – 01:07:19,390
01:07:12,520 → 01:07:19,390 creation that was modeled upon bakic
Section 141: 01:07:19,400 – 01:07:50,269
01:07:19,400 → 01:07:24,430 worship Judaism is bokic worship and I
01:07:24,440 → 01:07:27,870 am not the only one who said that
01:07:27,880 → 01:07:29,910 because people will come along and they
01:07:29,920 → 01:07:33,069 will say well he says crazy stuff nobody
01:07:33,079 → 01:07:34,870 says
01:07:34,880 → 01:07:37,309 that okay listen to what I just said
01:07:37,319 → 01:07:39,950 Judaism the
01:07:39,960 → 01:07:44,630 religion is bakic worship it was built
01:07:44,640 → 01:07:47,750 from bakic worship it is the practice of
01:07:47,760 → 01:07:50,269 bakic
Section 142: 01:07:50,279 – 01:07:58,430
01:07:50,279 → 01:07:53,789 worship who else said that not just that
01:07:53,799 → 01:07:58,430 Almon no no Plutarch
Section 143: 01:07:58,440 – 01:08:34,470
01:07:58,440 → 01:08:01,349 did yeah he wrote about
01:08:01,359 → 01:08:05,470 it you mean we have a historian we have
01:08:05,480 → 01:08:07,589 a priest who's writing the history of
01:08:07,599 → 01:08:11,870 religion and he talks about Judaism yes
01:08:11,880 → 01:08:15,990 and he talks about Judaism being bakic
01:08:16,000 → 01:08:19,709 worship huh fantastic all of the symbols
01:08:19,719 → 01:08:23,749 explained right now that had to be wiped
01:08:23,759 → 01:08:26,189 out by rabbi
01:08:26,199 → 01:08:28,229 theologians and
01:08:28,239 → 01:08:31,789 traditions of
01:08:31,799 → 01:08:34,470 lies
Section 144: 01:08:34,480 – 01:09:05,030
01:08:34,480 → 01:08:37,870 lies God the fun thing is people the
01:08:37,880 → 01:08:40,829 lies are all revocable by means of the
01:08:40,839 → 01:08:42,630 evidence all we have to do is just look
01:08:42,640 → 01:08:44,510 at the evidence and see what the
01:08:44,520 → 01:08:46,590 evidence is saying right that's all we
01:08:46,600 → 01:08:49,630 need to do fantastic it's a crime scene
01:08:49,640 → 01:08:51,430 people what do you think we're going to
01:08:51,440 → 01:08:53,229 do we don't have to build a Time ship
01:08:53,239 → 01:08:56,309 and go back we can just put together the
01:08:56,319 → 01:08:57,990 evidence that we've got and there's a
01:08:58,000 → 01:09:00,990 [\h__\h] ton of it there's a ton of it
01:09:01,000 → 01:09:05,030 people do you realize I've been talking
Section 145: 01:09:05,040 – 01:09:52,470
01:09:05,040 → 01:09:09,829 for two and a half years by now right
01:09:09,839 → 01:09:13,470 and this whole time this whole time
01:09:13,480 → 01:09:15,990 reading a Greek for 35 years
01:09:16,000 → 01:09:21,749 now and I am still learning like I'm a
01:09:21,759 → 01:09:25,910 novice I am learning classical music
01:09:25,920 → 01:09:28,110 I'm doing it in a way that the
01:09:28,120 → 01:09:30,349 Renaissance Scholars who said wait a
01:09:30,359 → 01:09:33,229 minute Christianity has destroyed a lot
01:09:33,239 → 01:09:35,789 of classical treasure and one of the
01:09:35,799 → 01:09:38,870 treasures it destroyed was
01:09:38,880 → 01:09:42,870 music you mean we don't is yeah you
01:09:42,880 → 01:09:45,870 don't they tried to ReDiscover it in the
01:09:45,880 → 01:09:49,870 Renaissance they tried they tried and
01:09:49,880 → 01:09:52,470 I'm not the one saying that a classicist
Section 146: 01:09:52,480 – 01:10:24,310
01:09:52,480 → 01:09:55,070 who's a historian of music is the one
01:09:55,080 → 01:09:57,750 saying it and giving you lots of sources
01:09:57,760 → 01:09:59,830 right to show you exactly what he's
01:09:59,840 → 01:10:02,990 talking about it's gorgeousness oh God I
01:10:03,000 → 01:10:06,110 love it love it Blood Sweat and Tears
01:10:06,120 → 01:10:08,590 baby maybe a little bit of everything
01:10:08,600 → 01:10:11,110 give me the next one little bit of that
01:10:11,120 → 01:10:15,510 yummy okay look we got 15 minutes I need
01:10:15,520 → 01:10:17,950 to no that's okay that was Miriam she's
01:10:17,960 → 01:10:19,669 doing the chorus right give me the next
01:10:19,679 → 01:10:21,550 one people look at this definition let
01:10:21,560 → 01:10:24,310 me just let's slow down and let's just
Section 147: 01:10:24,320 – 01:11:04,149
01:10:24,320 → 01:10:27,830 start to come to to a start to come to a
01:10:27,840 → 01:10:34,189 day new M here right um look at this
01:10:34,199 → 01:10:36,390 definition look at this
01:10:36,400 → 01:10:41,510 definition is it is that a
01:10:41,520 → 01:10:44,830 dolphin there is a dolphin did anybody
01:10:44,840 → 01:10:46,189 notice that in the
01:10:46,199 → 01:10:48,550 background people were saying it there's
01:10:48,560 → 01:10:51,229 I'm not the only one I thought I was
01:10:51,239 → 01:10:54,070 special I thought I was like look it's
01:10:54,080 → 01:10:57,390 coming through the fog of my mind
01:10:57,400 → 01:11:01,990 no this AI by the way is the AI is a
01:11:02,000 → 01:11:04,149 great friend to us right AI is a great
Section 148: 01:11:04,159 – 01:11:40,910
01:11:04,159 → 01:11:06,350 friend
01:11:06,360 → 01:11:08,950 but AI
01:11:08,960 → 01:11:12,709 is Ruth MOS people what is rhythm and we
01:11:12,719 → 01:11:14,430 get our English word Rhythm from this
01:11:14,440 → 01:11:16,229 but I want you to see any regular
01:11:16,239 → 01:11:19,590 recurring motion seriously oh God are
01:11:19,600 → 01:11:21,110 they going to are they going to turn
01:11:21,120 → 01:11:23,149 this into something dirty measured
01:11:23,159 → 01:11:26,270 motion time whether in sound or motion
01:11:26,280 → 01:11:29,790 right dancing dancing look at number two
01:11:29,800 → 01:11:32,910 measure proportion or symmetry of Parts
01:11:32,920 → 01:11:34,590 okay now if you're like me you're GNA
01:11:34,600 → 01:11:36,189 have to stop for a minute and try to
01:11:36,199 → 01:11:38,669 think this out
01:11:38,679 → 01:11:40,910 measurement
Section 149: 01:11:40,920 – 01:12:11,430
01:11:40,920 → 01:11:46,790 proportion symmetry of Parts Rhythm that
01:11:46,800 → 01:11:49,590 thing that dictates your movements you
01:11:49,600 → 01:11:51,470 know what I
01:11:51,480 → 01:11:56,070 mean um that thing is symmetry of Parts
01:11:56,080 → 01:11:58,390 I don't know you're starting to lose me
01:11:58,400 → 01:12:01,149 Greeks starting to lose me proportion
01:12:01,159 → 01:12:03,310 Arrangement order state or condition
01:12:03,320 → 01:12:06,790 temper your disposition wait your
01:12:06,800 → 01:12:11,430 disposition your temper is the symmetry
Section 150: 01:12:11,440 – 01:12:50,590
01:12:11,440 → 01:12:13,790 of your parts what are they thinking
01:12:13,800 → 01:12:15,430 your temper is your
01:12:15,440 → 01:12:18,270 symmetry your
01:12:18,280 → 01:12:21,470 balance God okay I just wanted you to
01:12:21,480 → 01:12:23,390 see Rhythm like they're talking
01:12:23,400 → 01:12:25,750 Rhythm all right
01:12:25,760 → 01:12:28,709 okay give me the next one now who
01:12:28,719 → 01:12:30,910 created that term by the
01:12:30,920 → 01:12:33,790 way this is a term created in this
01:12:33,800 → 01:12:36,310 language this is native Greek right all
01:12:36,320 → 01:12:38,350 the stuff I'm showing you the other
01:12:38,360 → 01:12:41,790 languages around it were incapable of
01:12:41,800 → 01:12:44,629 doing this kind of thing seriously read
01:12:44,639 → 01:12:47,470 Inky do read about Inky do and you tell
01:12:47,480 → 01:12:50,590 me if Inky do has any rhythm no you
Section 151: 01:12:50,600 – 01:13:31,830
01:12:50,600 → 01:12:54,229 can't get there with him are you kidding
01:12:54,239 → 01:12:58,430 in the real bra of baloth and the gorge
01:12:58,440 → 01:13:02,390 of bimo lives the Sheep of bloth and
01:13:02,400 → 01:13:05,629 that bth the oh
01:13:05,639 → 01:13:08,550 God it's terrible people what does he
01:13:08,560 → 01:13:11,390 say here look shout out to
01:13:11,400 → 01:13:14,110 India okay because he says here the
01:13:14,120 → 01:13:15,950 Indians you know what I mean they're
01:13:15,960 → 01:13:19,229 into the prayers they're into the dances
01:13:19,239 → 01:13:21,669 the choruses and they're into the
01:13:21,679 → 01:13:25,270 fumigations they're into the fumigations
01:13:25,280 → 01:13:29,950 next okay India I know India calls me up
01:13:29,960 → 01:13:31,830 every once in a while and says something
Section 152: 01:13:31,840 – 01:14:12,550
01:13:31,840 → 01:13:34,830 insulting it's always insulting with
01:13:34,840 → 01:13:38,310 India saying what about what about these
01:13:38,320 → 01:13:40,669 people what about these Indians and
01:13:40,679 → 01:13:44,910 Antiquity listen to me listen to me
01:13:44,920 → 01:13:48,430 dionis baby dionis I'm GNA tell you
01:13:48,440 → 01:13:51,430 about a war pretty soon but you need to
01:13:51,440 → 01:13:54,470 be credited you need to be credited with
01:13:54,480 → 01:13:57,350 the prayer and the dances and the
01:13:57,360 → 01:14:00,870 fumigations you Indians you didn't give
01:14:00,880 → 01:14:03,990 up on her did you and that is glorious
01:14:04,000 → 01:14:06,669 and I tip my hat to you I tip my hat to
01:14:06,679 → 01:14:09,149 you for that right you didn't let the
01:14:09,159 → 01:14:12,550 sexiness go you didn't let the sexiness
Section 153: 01:14:12,560 – 01:14:37,870
01:14:12,560 → 01:14:14,910 go but you do need to know the dianis is
01:14:14,920 → 01:14:17,990 the one who taught you give it to me
01:14:18,000 → 01:14:20,910 next oh is this no that's it next one
01:14:20,920 → 01:14:24,709 next one oh it's transference of it is a
01:14:24,719 → 01:14:26,390 Dolph
01:14:26,400 → 01:14:28,830 it's why did
01:14:28,840 → 01:14:30,870 you is there a
01:14:30,880 → 01:14:34,149 reason for the why did you just did the
01:14:34,159 → 01:14:37,870 did
Section 154: 01:14:37,880 – 01:15:17,030
01:14:37,880 → 01:14:41,709 the okay well I like dolphins I do like
01:14:41,719 → 01:14:46,110 dolphins right right it's very bokic um
01:14:46,120 → 01:14:47,950 isn't that gorgeous to People by the way
01:14:47,960 → 01:14:52,430 dolphins are Bic don't you love that I
01:14:52,440 → 01:14:53,629 always thought there was some kind of
01:14:53,639 → 01:14:55,709 special connection between
01:14:55,719 → 01:14:56,750 trainer
01:14:56,760 → 01:14:59,669 and dolphin you know what I mean what
01:14:59,679 → 01:15:01,470 does this say it says Ethiopians are
01:15:01,480 → 01:15:04,390 into it too baby they're making war with
01:15:04,400 → 01:15:07,149 doing their chorus okay so it's not just
01:15:07,159 → 01:15:10,709 next it's not just the Spartans it's not
01:15:10,719 → 01:15:13,070 just the Spartans the Ethiopians have it
01:15:13,080 → 01:15:17,030 going on too baby right so you you can
Section 155: 01:15:17,040 – 01:15:59,590
01:15:17,040 → 01:15:22,470 see you can see um the influences of say
01:15:22,480 → 01:15:25,070 the late Bronze Age and what is really
01:15:25,080 → 01:15:26,870 pushing things the drugs are pushing
01:15:26,880 → 01:15:29,189 things the Mysteries are pushing things
01:15:29,199 → 01:15:32,870 oracles dances do you understand the
01:15:32,880 → 01:15:36,790 theater came from Greece but it it only
01:15:36,800 → 01:15:40,350 came to Greece because they focused the
01:15:40,360 → 01:15:44,270 nature that is there in everyone oh God
01:15:44,280 → 01:15:46,750 and he says look it's not right it's not
01:15:46,760 → 01:15:49,149 right to forget the Romans they're
01:15:49,159 → 01:15:52,709 dances too yeah and everybody knows they
01:15:52,719 → 01:15:56,229 are the best they are the most eugenic
01:15:56,239 → 01:15:59,590 oh I'm sorry not like that not like Elon
Section 156: 01:15:59,600 – 01:16:25,030
01:15:59,600 → 01:16:03,390 Musk eugenic or Netanyahu eugenic I mean
01:16:03,400 → 01:16:07,350 the most advanced in those martial arts
01:16:07,360 → 01:16:11,550 that realm of AIS right the realm of
01:16:11,560 → 01:16:15,790 Aries and what do they call their
01:16:15,800 → 01:16:19,350 priests who dance they call them
01:16:19,360 → 01:16:25,030 saloy Salo the dancing Warrior priests
Section 157: 01:16:25,040 – 01:16:56,709
01:16:26,239 → 01:16:30,189 Mars Isn't that cool Salan Priests look
01:16:30,199 → 01:16:32,229 at them now you know why now you know
01:16:32,239 → 01:16:36,750 why that Blessed song is on a fleece in
01:16:36,760 → 01:16:40,950 a Grove of Mars right oh God give me the
01:16:40,960 → 01:16:44,270 next one give me the next one dance
01:16:44,280 → 01:16:46,470 people did you think it was this
01:16:46,480 → 01:16:49,070 important you're if you were not
01:16:49,080 → 01:16:51,110 masculine let me just bring this dude
01:16:51,120 → 01:16:54,510 into it who is the great teacher of the
01:16:54,520 → 01:16:56,709 dance
Section 158: 01:16:56,719 – 01:17:14,070
01:16:56,719 → 01:16:57,990 now those of you with the little bit of
01:16:58,000 → 01:17:01,270 the Greek right PR
01:17:01,280 → 01:17:04,669 F those of you with a lot Prius you're
01:17:04,679 → 01:17:07,590 going to recognize him right away he is
01:17:07,600 → 01:17:09,430 the Lord of the Dance
01:17:09,440 → 01:17:12,830 ladies do you understand do you
01:17:12,840 → 01:17:14,070 understand who Prius
Section 159: 01:17:14,080 – 01:17:16,310
01:17:14,080 → 01:17:16,310 [Music]
Section 160: 01:17:16,320 – 01:17:34,830
01:17:16,320 → 01:17:19,189 is remember the worship of Prius is
01:17:19,199 → 01:17:21,950 coming from these places like lnos it's
01:17:21,960 → 01:17:23,270 coming from these places that are
01:17:23,280 → 01:17:26,189 closely connected with the
01:17:26,199 → 01:17:28,590 truskin right you mean the at truskin
01:17:28,600 → 01:17:32,510 all the way over yeah it's a palasan
01:17:32,520 → 01:17:34,830 connection right
Section 161: 01:17:34,840 – 01:18:15,149
01:17:34,840 → 01:17:37,070 autus oh
01:17:37,080 → 01:17:41,910 God Prius is the reality that brings us
01:17:41,920 → 01:17:44,590 to Aphrodite are you kidding do I need
01:17:44,600 → 01:17:46,709 to explain that to
01:17:46,719 → 01:17:49,310 anyone do I need to is is there any
01:17:49,320 → 01:17:52,350 reason that you don't just inhale right
01:17:52,360 → 01:17:54,550 because you realize oh that's what prus
01:17:54,560 → 01:17:56,270 right that's where he is did you have a
01:17:56,280 → 01:17:59,430 Prius we haven't seen him did is it up
01:17:59,440 → 01:18:02,350 there I wish I could see Prius right we
01:18:02,360 → 01:18:05,790 get our prism our word priapism hung I
01:18:05,800 → 01:18:10,590 mean our word prism from from that right
01:18:10,600 → 01:18:15,149 oh Prius right look at that looking down
Section 162: 01:18:15,159 – 01:18:45,310
01:18:15,159 → 01:18:18,350 what's he looking down
01:18:18,360 → 01:18:22,590 on do you know do you know who he hangs
01:18:22,600 → 01:18:24,910 with
01:18:24,920 → 01:18:27,910 yeah no seriously the gods use him to
01:18:27,920 → 01:18:31,910 teach the dance I'm I'm serious the very
01:18:31,920 → 01:18:36,110 Gods themselves rely on Prius for the
01:18:36,120 → 01:18:39,110 dance are you surprised that
01:18:39,120 → 01:18:41,629 Christianity which is a mystery just
01:18:41,639 → 01:18:45,310 like these priapic
Section 163: 01:18:45,320 – 01:19:22,390
01:18:45,320 → 01:18:47,510 Mysteries do you are you surprised that
01:18:47,520 → 01:18:49,830 it's sexual are you surprised that Jesus
01:18:49,840 → 01:18:51,830 the
01:18:51,840 → 01:18:54,470 drugged who was arrested with a naked
01:18:54,480 → 01:18:56,709 kid and a whole bunch of others singing
01:18:56,719 → 01:18:58,910 songs that they would be singing in the
01:18:58,920 → 01:19:01,830 Mysteries doing dances that they'd be
01:19:01,840 → 01:19:04,189 doing in the Mysteries what do you do
01:19:04,199 → 01:19:06,750 Jesus Christ when you dance with a naked
01:19:06,760 → 01:19:11,070 boy at 400 a.m. in a public
01:19:11,080 → 01:19:14,510 park what a pervert and that's why the
01:19:14,520 → 01:19:16,830 Christians are afraid we've got his
01:19:16,840 → 01:19:19,510 number give me the last couple of slides
01:19:19,520 → 01:19:22,390 give me the last couple oh God I need
Section 164: 01:19:22,400 – 01:19:56,629
01:19:22,400 → 01:19:24,950 you people to see it there's a them I
01:19:24,960 → 01:19:27,229 promise you there's day all here I don't
01:19:27,239 → 01:19:31,510 know is he saying it right give
01:19:31,520 → 01:19:35,270 me one more it's lovely people it's
01:19:35,280 → 01:19:36,790 lovely and you're not going to get this
01:19:36,800 → 01:19:39,950 because the scholars won't uh do their
01:19:39,960 → 01:19:42,669 don't bother to do their work people did
01:19:42,679 → 01:19:44,990 you notice and somebody said this today
01:19:45,000 → 01:19:46,950 I don't know I was watching something it
01:19:46,960 → 01:19:51,390 had uh Magician on witch doctor on there
01:19:51,400 → 01:19:53,750 right and he was talking with a couple
01:19:53,760 → 01:19:56,629 other people shark I think it was tiger
Section 165: 01:19:56,639 – 01:20:29,430
01:19:56,639 → 01:20:01,149 shark something and he was talking about
01:20:01,159 → 01:20:04,189 um uh these things that people are just
01:20:04,199 → 01:20:05,629 they're running down what I'm talking
01:20:05,639 → 01:20:06,669 about and they find them and they're
01:20:06,679 → 01:20:08,750 like oh my God he's not this is actually
01:20:08,760 → 01:20:10,870 he's not just bsing this is coming right
01:20:10,880 → 01:20:13,350 of the text look what does Luan say here
01:20:13,360 → 01:20:14,950 he says you know and this is going to
01:20:14,960 → 01:20:18,910 blow your mind he says um you um there
01:20:18,920 → 01:20:23,270 are dionysiac and bakic rights right and
01:20:23,280 → 01:20:26,149 I know you're not going to S hang around
01:20:26,159 → 01:20:29,430 waiting for me to tell you that they are
Section 166: 01:20:29,440 – 01:21:15,229
01:20:29,440 → 01:20:31,510 completely he
01:20:31,520 → 01:20:33,790 says they are
01:20:33,800 → 01:20:37,990 completely the chorus the dance the song
01:20:38,000 → 01:20:42,709 and dance they are completely that you
01:20:42,719 → 01:20:47,350 are not doing a bakic right
01:20:47,360 → 01:20:52,390 unless you are dancing while singing
01:20:52,400 → 01:20:53,629 while
01:20:53,639 → 01:20:56,550 drugged and guess what and doing sex
01:20:56,560 → 01:20:58,390 things and guess
01:20:58,400 → 01:21:02,390 what it's why Herod liked it so much
01:21:02,400 → 01:21:05,070 right that's why Herod liked it so much
01:21:05,080 → 01:21:08,390 salame wasn't doing a bakic thing she
01:21:08,400 → 01:21:10,870 was doing a Jewish thing that was a
01:21:10,880 → 01:21:12,270 bakic
01:21:12,280 → 01:21:15,229 thing do you
Section 167: 01:21:15,239 – 01:22:01,390
01:21:15,239 → 01:21:18,350 understand it's gorgeous gorgeous give
01:21:18,360 → 01:21:21,510 me the next one give me the next one oh
01:21:21,520 → 01:21:23,310 and let's round it out I want people to
01:21:23,320 → 01:21:25,950 see that it's not the the dirtiness is
01:21:25,960 → 01:21:28,390 already there bro it's just dirty as it
01:21:28,400 → 01:21:30,990 can be right he talks about a couple of
01:21:31,000 → 01:21:33,950 dances that he says there are three
01:21:33,960 → 01:21:37,350 dances that are involved originally with
01:21:37,360 → 01:21:40,149 the bonic and
01:21:40,159 → 01:21:43,030 dionysiac cult and they're called the
01:21:43,040 → 01:21:47,110 Cordo and the skia and the
01:21:47,120 → 01:21:49,669 Ina right and the saders who were the
01:21:49,679 → 01:21:52,590 Servants of dionis these These are the
01:21:52,600 → 01:21:56,430 dudes who are all involved in the
01:21:56,440 → 01:22:01,390 tech right and dionis took this and
Section 168: 01:22:01,400 – 01:22:37,149
01:22:01,400 → 01:22:06,470 totally dominated the atrans the Indians
01:22:06,480 → 01:22:09,709 the
01:22:09,719 → 01:22:12,950 lydians okay and by the way he said the
01:22:12,960 → 01:22:15,110 they happen to be particularly Marshal
01:22:15,120 → 01:22:16,709 people
01:22:16,719 → 01:22:19,910 dionis his people did this in the form
01:22:19,920 → 01:22:23,110 in their regiment their
01:22:23,120 → 01:22:25,149 Theos right
01:22:25,159 → 01:22:27,350 and you wondered people you
01:22:27,360 → 01:22:31,110 wondered how could this God of
01:22:31,120 → 01:22:33,390 ecstasy build an
01:22:33,400 → 01:22:37,149 army and take his
Section 169: 01:22:37,159 – 01:23:18,709
01:22:37,159 → 01:22:41,270 wine his communion to
01:22:41,280 → 01:22:44,189 India right oh it's gorgeous it's
01:22:44,199 → 01:22:48,910 absolutely gorgeous people so um
01:22:48,920 → 01:22:51,310 remember uh when you're talking about
01:22:51,320 → 01:22:54,550 the origins of religion um we really
01:22:54,560 → 01:22:56,790 don't know well the the let me just say
01:22:56,800 → 01:22:57,910 this take it down and put it the next
01:22:57,920 → 01:23:00,310 the picture that you and I have of the
01:23:00,320 → 01:23:01,590 history of
01:23:01,600 → 01:23:05,830 religion is not the same as the picture
01:23:05,840 → 01:23:09,629 that they had 2,000 plus years
01:23:09,639 → 01:23:13,550 ago you and I view the world differently
01:23:13,560 → 01:23:16,310 than the people who were there think
01:23:16,320 → 01:23:18,709 about that for a minute you and I view
Section 170: 01:23:18,719 – 01:23:48,550
01:23:18,719 → 01:23:21,669 the world differently from the people
01:23:21,679 → 01:23:26,030 who were actually there something is
01:23:26,040 → 01:23:30,510 messed up fantastic Homer people I want
01:23:30,520 → 01:23:32,590 to leave you with Homer this is a little
01:23:32,600 → 01:23:34,990 squeeze you know what I mean in the
01:23:35,000 → 01:23:38,590 artificial insemination when you you
01:23:38,600 → 01:23:40,189 have one arm and the rectum and the
01:23:40,199 → 01:23:42,590 other arm you're guiding a rod through
01:23:42,600 → 01:23:44,270 the cervix you have to thread it through
01:23:44,280 → 01:23:48,550 the cervix like
Section 171: 01:23:48,560 – 01:24:05,830
01:23:48,560 → 01:23:50,750 this it's like playing it looks like
01:23:50,760 → 01:23:52,990 playing a musical instrument but you're
01:23:53,000 → 01:23:54,629 threading
01:23:54,639 → 01:23:56,910 threading it like see you hold the
01:23:56,920 → 01:23:59,590 cervix in one hand you get you reach in
01:23:59,600 → 01:24:00,510 like
01:24:00,520 → 01:24:05,830 this like that right that activity right
Section 172: 01:24:05,840 – 01:24:24,709
01:24:05,840 → 01:24:08,950 okay insemination at the end of it you
01:24:08,960 → 01:24:10,070 give a
01:24:10,080 → 01:24:12,430 squeeze and why do you give a squeeze
01:24:12,440 → 01:24:14,310 because the squeeze will cause her to
01:24:14,320 → 01:24:18,390 Bear down and when she Bears down she
01:24:18,400 → 01:24:22,189 pushes that semen to where it's supposed
01:24:22,199 → 01:24:24,709 to be
Section 173: 01:24:24,719 – 01:25:05,910
01:24:24,719 → 01:24:28,350 right fantastic you people I'm surprised
01:24:28,360 → 01:24:31,470 you have population still look at Homer
01:24:31,480 → 01:24:34,070 what does Homer say he says the sweetest
01:24:34,080 → 01:24:37,790 and most beautiful thing in life is what
01:24:37,800 → 01:24:39,870 there's four four things he says
01:24:39,880 → 01:24:41,790 sweetest and most beautiful number one
01:24:41,800 → 01:24:46,149 Hoon Sleep Number Two filot now you're
01:24:46,159 → 01:24:48,070 gonna look at that and if if I got a new
01:24:48,080 → 01:24:50,390 test to Translator translate that they
01:24:50,400 → 01:24:52,149 would say
01:24:52,159 → 01:24:56,430 friendship nope not Homer this is good
01:24:56,440 → 01:24:58,149 straight up
01:24:58,159 → 01:25:00,629 sex straight up
01:25:00,639 → 01:25:02,910 sex you know what the good things in
01:25:02,920 → 01:25:05,910 life are sleep
Section 174: 01:25:05,920 – 01:25:15,629
01:25:05,920 → 01:25:10,310 sex singing and
01:25:10,320 → 01:25:15,629 dancing two of those are
Section 175: 01:25:15,639 – 01:25:53,030
01:25:15,639 → 01:25:19,189 Musical one of them is what happens when
01:25:19,199 → 01:25:21,030 you take those musical elements and put
01:25:21,040 → 01:25:25,510 them into nature put them into a beloved
01:25:25,520 → 01:25:29,030 you get filot you get what you and I
01:25:29,040 → 01:25:31,910 call kind of in an ugly way
01:25:31,920 → 01:25:35,510 sex yeah and whether or not we're all
01:25:35,520 → 01:25:37,430 asleep well that's a different that's a
01:25:37,440 → 01:25:39,310 question for a different bunch of Greeks
01:25:39,320 → 01:25:42,430 give me the final one or no uh here this
01:25:42,440 → 01:25:44,669 one give me this one real quick that's
01:25:44,679 → 01:25:47,790 that's what Homer said right so you can
01:25:47,800 → 01:25:51,149 see even by the time of
01:25:51,159 → 01:25:53,030 Homer
Section 176: 01:25:53,040 – 01:26:16,950
01:25:53,040 → 01:25:58,229 right the song is a society Builder the
01:25:58,239 → 01:26:01,550 and when I say song I mean the dance the
01:26:01,560 → 01:26:05,270 dance and the song or next one
01:26:05,280 → 01:26:07,270 are
01:26:07,280 → 01:26:09,870 inseparable Inseparable it is something
01:26:09,880 → 01:26:13,189 about a kinetic movement of your body
01:26:13,199 → 01:26:16,950 focused upon Aphrodite that reprograms
Section 177: 01:26:16,960 – 01:26:42,830
01:26:16,960 → 01:26:21,229 your brain look what this word MPE is a
01:26:21,239 → 01:26:26,910 dance dance or rhythmic movement with
01:26:26,920 → 01:26:29,950 song do you know what intercourse is
01:26:29,960 → 01:26:31,629 people it's
01:26:31,639 → 01:26:35,790 dance rhythmic movement with song and
01:26:35,800 → 01:26:39,790 you say oh I didn't get any song out of
01:26:39,800 → 01:26:42,830 mycourse what's going
Section 178: 01:26:42,840 – 01:27:25,030
01:26:42,840 → 01:26:47,390 on right I'm sorry I'm sorry for those
01:26:47,400 → 01:26:50,750 of you who haven't seen this far into
01:26:50,760 → 01:26:53,990 nature right do you think right there's
01:26:54,000 → 01:26:57,350 an education here why weren't we
01:26:57,360 → 01:26:59,350 educated this should have been our sex
01:26:59,360 → 01:27:01,470 education I should have gotten my sex
01:27:01,480 → 01:27:03,510 education with an electric guitar that's
01:27:03,520 → 01:27:07,109 what I should have gotten but I didn't I
01:27:07,119 → 01:27:11,310 didn't give me the next give me the next
01:27:11,320 → 01:27:15,709 I love you Jesus I love you so much you
01:27:15,719 → 01:27:18,990 freaking pervert you've given me a life
01:27:19,000 → 01:27:22,669 that directed me to Justice complete and
01:27:22,679 → 01:27:25,030 total Justice
Section 179: 01:27:25,040 – 01:27:54,550
01:27:25,040 → 01:27:27,350 last one people and then this wraps
01:27:27,360 → 01:27:29,990 everything together hopefully it'll get
01:27:30,000 → 01:27:31,790 my goat if it doesn't but it's not got
01:27:31,800 → 01:27:37,109 my goat yet it's not got my goat
01:27:37,119 → 01:27:54,550 yet I did want to do penal I miss her
Section 180: 01:27:54,560 – 01:28:26,430
01:27:54,560 → 01:27:56,030 I wa
01:27:56,040 → 01:28:00,830 then people what do we get in
01:28:00,840 → 01:28:04,189 life what do we
01:28:04,199 → 01:28:08,550 give we're given works of war
01:28:08,560 → 01:28:11,270 combat but we're also
01:28:11,280 → 01:28:12,990 given
01:28:13,000 → 01:28:16,470 dance and a
01:28:16,480 → 01:28:19,470 song of
01:28:19,480 → 01:28:24,629 Desire dance and a song of Desire do you
01:28:24,639 → 01:28:26,430 here
Section 181: 01:28:26,440 – 01:28:54,189
01:28:26,440 → 01:28:28,709 Mars and
01:28:28,719 → 01:28:31,870 Aphrodite do you hear them do you hear
01:28:31,880 → 01:28:33,990 them coming
01:28:34,000 → 01:28:37,830 together God gives us that war and he
01:28:37,840 → 01:28:41,669 gives us that beautiful beautiful
01:28:41,679 → 01:28:46,149 song Thank You tpik
01:28:46,159 → 01:28:48,229 Muse of the
01:28:48,239 → 01:28:54,189 dance thank you for bringing us that Joy
Section 182: 01:28:54,199 – 01:29:21,270
01:28:54,199 → 01:28:55,350 I hope
01:28:55,360 → 01:28:58,229 tonight I forgot about B bring her on
01:28:58,239 → 01:29:01,310 just in case I hope tonight that you
01:29:01,320 → 01:29:06,070 have gotten a little bit closer to the
01:29:06,080 → 01:29:10,350 actual history itself to the actual text
01:29:10,360 → 01:29:13,030 and the actual people I hope that you
01:29:13,040 → 01:29:14,310 can
01:29:14,320 → 01:29:17,109 see what is
01:29:17,119 → 01:29:21,270 inside of these gorgeous gorgeous
Section 183: 01:29:21,280 – 01:30:13,950
01:29:21,280 → 01:29:25,109 documents with more clarity I hope that
01:29:25,119 → 01:29:28,669 you are not following the
01:29:28,679 → 01:29:31,669 theology which is a lie I hope you're
01:29:31,679 → 01:29:34,229 just examining the evidence for yourself
01:29:34,239 → 01:29:36,109 and that's what I that's what gets my
01:29:36,119 → 01:29:38,790 goat people is that it's so easy it's so
01:29:38,800 → 01:29:41,109 easy to Enlighten with this Greek you
01:29:41,119 → 01:29:43,270 just give people this stuff and what
01:29:43,280 → 01:29:47,229 gets my goat is
01:29:47,239 → 01:29:52,310 that what gets my go penelopy is that um
01:29:52,320 → 01:29:55,629 people won't do this
01:29:55,639 → 01:29:58,189 because they won't they want to sell
01:29:58,199 → 01:30:01,030 something and it's much easier to sell
01:30:01,040 → 01:30:06,790 crap Ola than it is to have respect for
01:30:06,800 → 01:30:07,870 this
01:30:07,880 → 01:30:10,990 evidence we're not here to create an
01:30:11,000 → 01:30:13,950 agenda agendas are what
Section 184: 01:30:13,960 – 01:30:38,470
01:30:13,960 → 01:30:17,830 hide right we're here for the open we
01:30:17,840 → 01:30:20,669 know what the cross hides behind it we
01:30:20,679 → 01:30:24,629 know what it does and we are proud we're
01:30:24,639 → 01:30:27,790 proud of Penelope we love you give him
01:30:27,800 → 01:30:30,350 hell Penelope thank you for coming
01:30:30,360 → 01:30:33,629 tonight thank you for enjoying the
01:30:33,639 → 01:30:36,430 spanking thank you for spending time in
01:30:36,440 → 01:30:38,470 these
Section 185: 01:30:38,480 – 01:31:20,669
01:30:38,480 → 01:30:40,550 texts hell
01:30:40,560 → 01:30:43,870 S Plasma drugs are slick they hit you
01:30:43,880 → 01:30:47,229 real quick Sun cakes rice rappers
01:30:47,239 → 01:30:50,750 puffing death Bubba Super Fly I floow
01:30:50,760 → 01:30:53,350 grape juice in your eyes what does m do
01:30:53,360 → 01:30:57,350 know mystery D surprise sunrise here we
01:30:57,360 → 01:31:00,669 go I Spit on the microphone Dragon Venom
01:31:00,679 → 01:31:03,550 drips girls call me Dracula with blood
01:31:03,560 → 01:31:07,229 on my lips Jake the steak Hil Satan top
01:31:07,239 → 01:31:10,229 rank how could tell if the darkest
01:31:10,239 → 01:31:13,510 chickadilla kiss of poison hot purple in
01:31:13,520 → 01:31:16,629 your eyes Christ you with the anointing
01:31:16,639 → 01:31:20,669 oil broadcasted from a device near you
Section 186: 01:31:20,679 – 01:32:06,260
01:31:20,679 → 01:31:23,229 pull the strings on your shoes singing
01:31:23,239 → 01:31:26,030 The Muse Horrors and tragedy out of
01:31:26,040 → 01:31:29,270 Pandora's Box Prometheus
01:31:29,280 → 01:31:33,350 Unchained Hades volunteer H Satan priest
01:31:33,360 → 01:31:37,750 of Apollo let the genie of the bottle
01:31:37,760 → 01:31:40,270 let the light shine
01:31:40,280 → 01:31:43,390 in do a
01:31:43,400 → 01:31:47,109 h and
01:31:47,119 → 01:31:50,629 Medicine let the light shine
01:31:50,639 → 01:31:55,149 in let the light shine in
01:31:55,159 → 01:31:57,310 you a h
01:31:57,320 → 01:32:01,070 10 and fire the
01:32:01,080 → 01:32:06,260 medicine let the light shine in
Section 187: 01:32:06,270 – 01:32:10,279
01:32:06,270 → 01:32:10,279 [Music]