‎/Transcript - 20250219-Musics Perfection
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Transcript: 20250219-Music's Perfection

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Show concatenated view
190 timestamped sections using the same paragraph analysis.
Section 1: 00:00:00,120 – 00:00:00,950
00:00:00,120 → 00:00:00,950 [Music]
Section 2: 00:00:00,960 – 00:00:06,250
00:00:00,960 → 00:00:06,250 just me am and
Section 3: 00:00:06,260 – 00:00:12,629
00:00:06,260 → 00:00:12,629 [Music]
Section 4: 00:00:12,639 – 00:00:17,870
Section 5: 00:00:17,880 – 00:01:04,410
00:00:17,880 → 00:00:20,550 V you drove over the fence you're going
00:00:20,560 → 00:00:21,750 to fix
00:00:21,760 → 00:00:25,269 it Prince of Darkness in the
00:00:25,279 → 00:00:28,349 house smoking some bad stuff for your
00:00:28,359 → 00:00:31,230 health [\h__\h] this track smoking [\h__\h]
00:00:31,240 → 00:00:34,389 with you heard I'm out and
00:00:34,399 → 00:00:37,069 Mariachi stepping over the
00:00:37,079 → 00:00:41,190 bodies ARA Dei this stuff will make you
00:00:41,200 → 00:00:44,590 float I got my packages from gree Who
00:00:44,600 → 00:00:45,950 lit up the
00:00:45,960 → 00:00:49,709 DMT churches in the [\h__\h] Ruckus these
00:00:49,719 → 00:00:53,069 [\h__\h] are tripping h fire this track's
00:00:53,079 → 00:00:56,150 blazing the world is on fire I'm
00:00:56,160 → 00:00:59,150 cracking whips met war with a leather
00:00:59,160 → 00:01:04,410 coret medical Amazon
Section 6: 00:01:04,420 – 00:01:10,240
00:01:04,420 → 00:01:10,240 [Music]
Section 7: 00:01:10,250 – 00:01:17,990
00:01:10,250 → 00:01:17,990 [Applause]
Section 8: 00:01:18,000 – 00:01:23,149
00:01:18,000 → 00:01:23,149 steps welcome back to Tuesday
Section 9: 00:01:23,159 – 00:01:48,429
00:01:23,159 → 00:01:26,990 night lady Babylon oh God we're gonna
00:01:27,000 → 00:01:29,030 initiate apocalypse tonight but I have
00:01:29,040 → 00:01:31,190 to tell you this is going to be
00:01:31,200 → 00:01:35,350 completely raw that's why I said amen
00:01:35,360 → 00:01:39,069 raw at the beginning get it right I was
00:01:39,079 → 00:01:43,830 making a funny anyway tonight I come to
00:01:43,840 → 00:01:46,429 you with all true
00:01:46,439 → 00:01:48,429 humility
Section 10: 00:01:48,439 – 00:02:16,110
00:01:48,439 → 00:01:51,030 because the whole time that we've been
00:01:51,040 → 00:01:52,990 together satanic congregation we've
00:01:53,000 → 00:01:54,990 always gotten to the
00:01:55,000 → 00:01:57,910 right we've always seen the right we've
00:01:57,920 → 00:02:02,709 been in it we've watched it evolve over
00:02:02,719 → 00:02:05,709 time we watched them with their
00:02:05,719 → 00:02:09,910 drugs oh God we watched them with the
00:02:09,920 → 00:02:12,110 sexual rights that are in the
00:02:12,120 → 00:02:16,110 cult yeah yeah
Section 11: 00:02:16,120 – 00:02:36,869
00:02:16,120 → 00:02:19,910 and why am I so humbled tonight because
00:02:19,920 → 00:02:21,350 tonight we're
00:02:21,360 → 00:02:24,750 going to the
00:02:24,760 → 00:02:29,030 next that the place that the initiate
00:02:29,040 → 00:02:30,589 goes
00:02:30,599 → 00:02:36,869 that always always
Section 12: 00:02:36,879 – 00:03:14,670
00:02:36,879 → 00:02:39,270 humbles there's a
00:02:39,280 → 00:02:42,750 reason and it turns out that reason is
00:02:42,760 → 00:02:44,910 absolutely gorgeous and I'm bringing you
00:02:44,920 → 00:02:47,670 that reason tonight and I'm gonna show
00:02:47,680 → 00:02:51,990 you I'm gonna show you and I'm gonna do
00:02:52,000 → 00:02:56,110 that in the one way that I was trained
00:02:56,120 → 00:02:59,949 to do it I've got to tell you tonight
00:02:59,959 → 00:03:02,030 people you're sitting out there and a
00:03:02,040 → 00:03:04,110 lot of you I'm going to warn you a lot
00:03:04,120 → 00:03:06,990 of you with the things that I show you
00:03:07,000 → 00:03:10,750 you're not going to understand okay I'm
00:03:10,760 → 00:03:14,670 not GNA understand do you understand you
Section 13: 00:03:14,680 – 00:03:33,509
00:03:14,680 → 00:03:19,070 and I congregation are in the same group
00:03:19,080 → 00:03:23,070 tonight now there are some of us because
00:03:23,080 → 00:03:25,710 you know usually I know what's coming
00:03:25,720 → 00:03:27,910 right this is different I'm showing you
00:03:27,920 → 00:03:30,390 what is the mystery
00:03:30,400 → 00:03:33,509 and it's very
Section 14: 00:03:33,519 – 00:04:08,710
00:03:33,519 → 00:03:36,750 very it's well it's gorgeous it's
00:03:36,760 → 00:03:38,550 history is
00:03:38,560 → 00:03:43,509 gorgos oh god oh by the way how's my mic
00:03:43,519 → 00:03:46,070 yes we've been let let us know you know
00:03:46,080 → 00:03:48,070 what I mean is we Blast Off we've only
00:03:48,080 → 00:03:50,990 got so much minimize mu we've only got
00:03:51,000 → 00:03:53,750 so much energy here in the Falcon you
00:03:53,760 → 00:03:55,309 know what I mean I mean we're not in the
00:03:55,319 → 00:03:59,910 Falcon but here we are tonight um
00:03:59,920 → 00:04:04,069 that yeah um no I have no idea let us
00:04:04,079 → 00:04:06,670 proceed then look the ship has been
00:04:06,680 → 00:04:08,710 taking us there we're going by the way
Section 15: 00:04:08,720 – 00:04:29,150
00:04:08,720 → 00:04:11,309 if you're not sitting on the throne
00:04:11,319 → 00:04:15,229 hurry okay hurry this is the location
00:04:15,239 → 00:04:19,229 who are we we are those who
00:04:19,239 → 00:04:23,270 sit on the throne of the
00:04:23,280 → 00:04:29,150 devil hail scua do you understand do you
Section 16: 00:04:29,160 – 00:05:01,310
00:04:29,160 → 00:04:31,870 understand oh God it's Absolut okay you
00:04:31,880 → 00:04:34,670 hear the cult stuff coming in oh God
00:04:34,680 → 00:04:37,270 right that's where we've been that was
00:04:37,280 → 00:04:40,270 the last thing you and I heard right we
00:04:40,280 → 00:04:42,629 we're in the drugs we're in the death
00:04:42,639 → 00:04:45,510 they have done to us what they were
00:04:45,520 → 00:04:50,070 supposed to have done to us to get us to
00:04:50,080 → 00:04:51,629 that
00:04:51,639 → 00:04:53,150 higher
00:04:53,160 → 00:04:57,110 level that place that we can see the
00:04:57,120 → 00:05:01,310 invisible and interact now
Section 17: 00:05:01,320 – 00:05:23,270
00:05:01,320 → 00:05:03,990 the way we're getting there as we slip
00:05:04,000 → 00:05:06,310 through this doorway the way we're
00:05:06,320 → 00:05:09,230 getting there is the
00:05:09,240 → 00:05:13,950 music is the music do you understand the
00:05:13,960 → 00:05:16,430 physics of the
00:05:16,440 → 00:05:18,950 cosmos are
00:05:18,960 → 00:05:23,270 compelled by music now you understand
Section 18: 00:05:23,280 – 00:06:05,390
00:05:23,280 → 00:05:27,670 why the mooy those
00:05:27,680 → 00:05:30,670 Wizards yeah now you understand why
00:05:30,680 → 00:05:33,070 they're always carrying
00:05:33,080 → 00:05:38,350 around that guitar now you get it do you
00:05:38,360 → 00:05:41,150 see this is why you and I satanic
00:05:41,160 → 00:05:42,990 congregation most of you are going to be
00:05:43,000 → 00:05:45,749 with me tonight we're dummies okay I got
00:05:45,759 → 00:05:50,430 to give all du reverence to the god of
00:05:50,440 → 00:05:53,430 music tonight I Gotta Give All du
00:05:53,440 → 00:05:56,749 reverence to the god of those
00:05:56,759 → 00:05:59,710 strings that's what I have to do and and
00:05:59,720 → 00:06:02,110 I'm going to come in as an initiate who
00:06:02,120 → 00:06:05,390 is ignorant it said on his Temple what
Section 19: 00:06:05,400 – 00:06:40,950
00:06:05,400 → 00:06:07,270 did it say on this dude's Temple the god
00:06:07,280 → 00:06:10,670 of the guitar it said know
00:06:10,680 → 00:06:14,469 yourself know yourself the fact is when
00:06:14,479 → 00:06:16,110 you see that statement you got to
00:06:16,120 → 00:06:18,230 realize I
00:06:18,240 → 00:06:21,950 don't I don't oh God it's gorgeous are
00:06:21,960 → 00:06:24,270 you ready for the harmony that's who
00:06:24,280 → 00:06:26,870 we're tracking down we're tracking down
00:06:26,880 → 00:06:29,710 don't get me wrong people before we step
00:06:29,720 → 00:06:32,550 out of the ship into the mystery and
00:06:32,560 → 00:06:36,390 we're seeing the invisible okay and by
00:06:36,400 → 00:06:38,550 the way for those of you tonight who
00:06:38,560 → 00:06:40,950 there will be those of you who made it
Section 20: 00:06:40,960 – 00:07:21,830
00:06:40,960 → 00:06:43,629 through that third of ancient Greek
00:06:43,639 → 00:06:46,469 education that was music you made it
00:06:46,479 → 00:06:49,550 through it and it's a part you've been
00:06:49,560 → 00:06:53,749 attuned and it's a part of your soul oh
00:06:53,759 → 00:06:55,430 God you reached
00:06:55,440 → 00:06:58,629 atonement oh they talk like this people
00:06:58,639 → 00:07:02,909 I'm not make this up they talk like this
00:07:02,919 → 00:07:05,150 now it's very difficult for me to bring
00:07:05,160 → 00:07:07,869 this frequency tonight because it's
00:07:07,879 → 00:07:09,830 hitting Us in
00:07:09,840 → 00:07:11,950 English right it's hitting us you can
00:07:11,960 → 00:07:12,990 see the
00:07:13,000 → 00:07:15,749 Renaissance where's the look people this
00:07:15,759 → 00:07:18,629 is a fantastic book I want you to check
00:07:18,639 → 00:07:21,830 out I never you know me I'm omond baby I
Section 21: 00:07:21,840 – 00:08:06,890
00:07:21,840 → 00:07:24,869 never bring in modern sources right I
00:07:24,879 → 00:07:29,270 never do but I have to now in deference
00:07:29,280 → 00:07:32,110 to to those of you who understand music
00:07:32,120 → 00:07:34,110 and to who this penetrates you already
00:07:34,120 → 00:07:36,830 have a this is part of your being good
00:07:36,840 → 00:07:39,469 for good for you that's fantastic now
00:07:39,479 → 00:07:42,230 I'm gonna take it and we're gonna inject
00:07:42,240 → 00:07:45,110 some bakic wine into it and we're g to
00:07:45,120 → 00:07:48,070 watch it grow what is this book Apollo's
00:07:48,080 → 00:07:50,629 liar oh it's gorgeous Greek music and
00:07:50,639 → 00:07:53,869 music theory and Antiquity and the crap
00:07:53,879 → 00:07:57,029 ages I mean the Middle
00:07:57,039 → 00:08:01,149 Ages now what happens about
00:08:01,159 → 00:08:04,230 500 on
00:08:04,240 → 00:08:06,890 Odon the music goes
Section 22: 00:08:06,900 – 00:08:08,110
00:08:06,900 → 00:08:08,110 [Music]
Section 23: 00:08:08,120 – 00:08:52,829
00:08:08,120 → 00:08:10,869 away the music goes
00:08:10,879 → 00:08:13,790 away it has to be rediscovered and when
00:08:13,800 → 00:08:16,189 they do so in the Renaissance they are
00:08:16,199 → 00:08:19,149 confounded in this classicist whose
00:08:19,159 → 00:08:22,309 Greek is exquisite I
00:08:22,319 → 00:08:25,149 recommend Exquisite it's got the Greek
00:08:25,159 → 00:08:27,710 text in it too people oh and by the way
00:08:27,720 → 00:08:31,869 it's online uh in the um it's already
00:08:31,879 → 00:08:35,509 archived in that big ass what is it
00:08:35,519 → 00:08:38,149 called the big Library internet archive
00:08:38,159 → 00:08:42,709 what of course so um I want everybody
00:08:42,719 → 00:08:45,829 everybody who's like me and doesn't know
00:08:45,839 → 00:08:47,550 and wants to see the Greek or the
00:08:47,560 → 00:08:50,269 Masters who do know and want to see the
00:08:50,279 → 00:08:52,829 Greek because you see Greek education
Section 24: 00:08:52,839 – 00:09:25,230
00:08:52,839 → 00:08:57,350 was three things it was the Poetry the
00:08:57,360 → 00:09:00,630 words it was the music
00:09:00,640 → 00:09:02,269 and it
00:09:02,279 → 00:09:07,990 was mixed martial arts oh God love
00:09:08,000 → 00:09:11,750 it oh god well I made it through the I
00:09:11,760 → 00:09:13,790 made it through the words part and I'm
00:09:13,800 → 00:09:15,389 going to show you I'm not making this up
00:09:15,399 → 00:09:17,350 people I'm going to show you Aristotle
00:09:17,360 → 00:09:20,870 saying this right he's gonna mimic me
00:09:20,880 → 00:09:22,990 tonight you know why because he's my
00:09:23,000 → 00:09:25,230 little
Section 25: 00:09:25,240 – 00:09:44,069
00:09:25,240 → 00:09:29,069 [\h__\h] isn't that glorious I love it you
00:09:29,079 → 00:09:31,310 know what for all that for all those
00:09:31,320 → 00:09:34,350 philosophy courses you put me through
00:09:34,360 → 00:09:37,470 Aristotle for all of that and for that
00:09:37,480 → 00:09:41,190 medieval dimwit who turned you into some
00:09:41,200 → 00:09:44,069 kind of Jesus
Section 26: 00:09:44,079 – 00:10:25,030
00:09:44,079 → 00:09:47,910 philosopher God in in Tardis baby this
00:09:47,920 → 00:09:51,230 is what you're going to be
00:09:51,240 → 00:09:53,269 hearing guess who's going to be giving
00:09:53,279 → 00:09:57,430 it to you Aristotle some
00:09:57,440 → 00:09:59,829 Necromancer some necromancer answer are
00:09:59,839 → 00:10:02,670 you people ready for this it's gorgeous
00:10:02,680 → 00:10:06,389 you deserve it to baby let me spicy oh
00:10:06,399 → 00:10:09,509 look at the put the spicy am I spicy for
00:10:09,519 → 00:10:11,870 you you don't have to that's a little
00:10:11,880 → 00:10:14,590 bit I guess you can let's celebrate I'm
00:10:14,600 → 00:10:17,990 and spicy tonight if you think I'm
00:10:18,000 → 00:10:21,710 spicy God you have nothing You' have
00:10:21,720 → 00:10:25,030 seen nothing yet oh God get ready just
Section 27: 00:10:25,040 – 00:10:46,190
00:10:25,040 → 00:10:27,509 don't start quivering until until I
00:10:27,519 → 00:10:31,150 bring it oh God God give it to me look
00:10:31,160 → 00:10:34,710 at the people give me the nice one after
00:10:34,720 → 00:10:38,990 the people this is your um look here's
00:10:39,000 → 00:10:42,150 some water to Splash yourself baptize
00:10:42,160 → 00:10:46,190 yourself you hot monkeys T
Section 28: 00:10:46,200 – 00:11:12,350
00:10:46,200 → 00:10:50,829 stuff what you know what is the purpose
00:10:50,839 → 00:10:52,069 of that
00:10:52,079 → 00:10:56,550 fruit right what is the fruit that is
00:10:56,560 → 00:10:59,790 brought To Us by Daphne the Laurel
00:10:59,800 → 00:11:03,670 what is the fruit what is its use he
00:11:03,680 → 00:11:08,389 says you neither eat it nor do you drink
00:11:08,399 → 00:11:12,350 it nor do you Christ
Section 29: 00:11:12,360 – 00:11:58,069
00:11:12,360 → 00:11:15,910 it okay fantastic did everybody hear
00:11:15,920 → 00:11:19,670 that I just want when you hear that ping
00:11:19,680 → 00:11:23,069 in the Greek the Christ thing you'll
00:11:23,079 → 00:11:25,790 understand where you are within the
00:11:25,800 → 00:11:29,949 mystery right what is this Laurel
00:11:29,959 → 00:11:31,430 that
00:11:31,440 → 00:11:33,590 becomes the
00:11:33,600 → 00:11:36,269 symbol of the god of
00:11:36,279 → 00:11:39,550 music by the way what is this worship
00:11:39,560 → 00:11:42,190 this cult that we have now boosted up to
00:11:42,200 → 00:11:44,829 the invisible what is this cult it is
00:11:44,839 → 00:11:48,949 the cult of Apollo his mother who dug
00:11:48,959 → 00:11:53,269 her hands into the dirt and squeezed it
00:11:53,279 → 00:11:55,430 as she was giving
00:11:55,440 → 00:11:58,069 life not just any
Section 30: 00:11:58,079 – 00:12:53,150
00:11:58,079 → 00:12:01,910 life but but the life that brings
00:12:01,920 → 00:12:04,870 music and it was in the form of
00:12:04,880 → 00:12:08,069 twins twins we worship
00:12:08,079 → 00:12:14,550 twins Apollo right oh God and who who is
00:12:14,560 → 00:12:18,829 the who is the leader of the Muse we're
00:12:18,839 → 00:12:21,189 going to look at the word muse tonight
00:12:21,199 → 00:12:23,670 music who is the
00:12:23,680 → 00:12:29,350 leader right of the Muse as
00:12:29,360 → 00:12:32,670 the god of music baby who is the leader
00:12:32,680 → 00:12:35,110 of the chorus
00:12:35,120 → 00:12:36,629 chitis
00:12:36,639 → 00:12:39,710 that is the
00:12:39,720 → 00:12:45,069 sister of the god of
00:12:45,079 → 00:12:50,710 music do you un no no I was not say
00:12:50,720 → 00:12:53,150 right I was not saying it for a reason
Section 31: 00:12:53,160 – 00:13:16,230
00:12:53,160 → 00:12:56,470 do you understand the
00:12:56,480 → 00:12:59,670 music is in
00:12:59,680 → 00:13:00,990 the
00:13:01,000 → 00:13:05,790 fabric of the ritual and the right
00:13:05,800 → 00:13:08,550 itself listen to yourselves for a minute
00:13:08,560 → 00:13:11,949 I want to wake you up this is created by
00:13:11,959 → 00:13:16,230 her right listen to me
Section 32: 00:13:16,240 – 00:13:53,509
00:13:16,240 → 00:13:20,350 chorus this is where the music is coming
00:13:20,360 → 00:13:23,350 from you are
00:13:23,360 → 00:13:25,550 devotees of an
00:13:25,560 → 00:13:27,189 invisible
00:13:27,199 → 00:13:29,910 art it's the art
00:13:31,519 → 00:13:36,509 music and it creates everything it's
00:13:36,519 → 00:13:40,389 invisible do you understand this is the
00:13:40,399 → 00:13:41,990 thought I'm going to show you in the
00:13:42,000 → 00:13:44,030 text this is the thought this is where
00:13:44,040 → 00:13:46,350 they are again please please understand
00:13:46,360 → 00:13:49,110 me congregation I'm terribly dumb when
00:13:49,120 → 00:13:51,189 it comes to such things I'm telling you
00:13:51,199 → 00:13:53,509 no music
Section 33: 00:13:53,519 – 00:14:26,749
00:13:53,519 → 00:13:57,949 education no no no no no music education
00:13:57,959 → 00:14:03,189 so I have to be very humble and um say
00:14:03,199 → 00:14:06,069 you know hey let's just humbly follow
00:14:06,079 → 00:14:08,790 them the
00:14:08,800 → 00:14:15,550 Muse on her track and hopefully via the
00:14:15,560 → 00:14:17,949 logos we'll get through
00:14:17,959 → 00:14:22,550 it through what Almond through that
00:14:22,560 → 00:14:26,749 mystery Vision through that mystery
Section 34: 00:14:26,759 – 00:15:07,749
00:14:26,759 → 00:14:29,749 performance through that
00:14:29,759 → 00:14:32,150 music okay now if you didn't know that
00:14:32,160 → 00:14:35,069 music was the underlying force of the
00:14:35,079 → 00:14:37,829 universe the fabric of everything that
00:14:37,839 → 00:14:40,430 is and was and will
00:14:40,440 → 00:14:43,189 be then you
00:14:43,199 → 00:14:45,910 know what was the most by the way if I
00:14:45,920 → 00:14:48,069 can just say what was the most powerful
00:14:48,079 → 00:14:52,230 moment that um that Alan experienced you
00:14:52,240 → 00:14:54,470 remember my best day right we
00:14:54,480 → 00:14:57,990 experienced it recorded um the most
00:14:58,000 → 00:14:59,590 powerful moment
00:14:59,600 → 00:15:02,030 was brought to me by a
00:15:02,040 → 00:15:05,389 stage the
00:15:05,399 → 00:15:07,749 fates
Section 35: 00:15:07,759 – 00:15:49,550
00:15:07,759 → 00:15:12,230 were kind and provided for me a place
00:15:12,240 → 00:15:14,870 where I could fill an audience full of
00:15:14,880 → 00:15:17,990 people who needed to be
00:15:18,000 → 00:15:21,389 purged full of
00:15:21,399 → 00:15:23,829 priests some of
00:15:23,839 → 00:15:27,030 them needing
00:15:27,040 → 00:15:30,030 purging and
00:15:30,040 → 00:15:33,430 chorus how did I do it a chorus it turns
00:15:33,440 → 00:15:38,710 out it was a chorus of Catholic college
00:15:38,720 → 00:15:42,069 girls dressed in
00:15:42,079 → 00:15:46,470 what can only be described as
00:15:46,480 → 00:15:49,550 alluring
Section 36: 00:15:49,560 – 00:16:17,110
00:15:49,560 → 00:15:53,309 powerful dilda wielding Catholic
00:15:53,319 → 00:15:56,629 girls and they pointed them at those
00:15:56,639 → 00:15:59,749 priests said
00:15:59,759 → 00:16:04,150 your greed stains your soul with a
00:16:04,160 → 00:16:07,150 stench of ruin the interrogator wanted
00:16:07,160 → 00:16:10,150 to use a 4 by a 2x4 that's what he told
00:16:10,160 → 00:16:12,470 me I will never forget I will never
00:16:12,480 → 00:16:17,110 forget the most powerful moment comes
Section 37: 00:16:17,120 – 00:16:44,670
00:16:17,120 → 00:16:20,629 from that stage of
00:16:20,639 → 00:16:23,030 purification when
00:16:23,040 → 00:16:27,670 that ancient phus is pointed in your
00:16:27,680 → 00:16:30,389 face and if if you if you think what is
00:16:30,399 → 00:16:32,949 he doing where is he pulling this from
00:16:32,959 → 00:16:37,590 remember how you got here remember the
00:16:37,600 → 00:16:40,829 right this is the bakic resurrection
00:16:40,839 → 00:16:44,670 that you're currently
Section 38: 00:16:44,680 – 00:17:29,150
00:16:44,680 → 00:16:47,949 experiencing understand who you
00:16:47,959 → 00:16:53,230 are and what year this
00:16:53,240 → 00:16:55,870 is isn't that weird and you would think
00:16:55,880 → 00:16:57,910 you mean like calendar everybody's like
00:16:57,920 → 00:16:59,430 calendar like
00:16:59,440 → 00:17:02,470 no no they're not thinking like that
00:17:02,480 → 00:17:05,270 they're thinking of how the
00:17:05,280 → 00:17:09,870 universe happens and it happens in
00:17:09,880 → 00:17:12,909 years oh God you didn't understand the
00:17:12,919 → 00:17:15,230 prophetic class did you okay get out of
00:17:15,240 → 00:17:17,789 here get out of here Timmy we found the
00:17:17,799 → 00:17:19,870 origin of Timmy didn't we we found the
00:17:19,880 → 00:17:22,630 origin wasn't he he was on a show I like
00:17:22,640 → 00:17:26,029 to listen to the AM radio in the
00:17:26,039 → 00:17:29,150 evenings when they have uh in the Falcon
Section 39: 00:17:29,160 – 00:18:12,950
00:17:29,160 → 00:17:32,150 when they have um Christian programming
00:17:32,160 → 00:17:36,510 and Timmy Timmy is my favorite oh God
00:17:36,520 → 00:17:39,270 get out of here
00:17:39,280 → 00:17:43,029 Timmy that's two from Daddy give me the
00:17:43,039 → 00:17:46,590 next one oh God people look at this I
00:17:46,600 → 00:17:49,430 want you just to read look um he writes
00:17:49,440 → 00:17:51,990 that he is a thran and a trafficker of
00:17:52,000 → 00:17:55,870 boys fantastic not fantastic for him but
00:17:55,880 → 00:17:57,750 there's something and he adds the
00:17:57,760 → 00:18:00,950 following story howow on tus a laurel
00:18:00,960 → 00:18:04,430 and an olive disputed about priority for
00:18:04,440 → 00:18:07,510 they grew beside one another they were
00:18:07,520 → 00:18:09,990 going through their own attributes an
00:18:10,000 → 00:18:12,950 ancient Bramble that's
Section 40: 00:18:12,960 – 00:19:00,710
00:18:12,960 → 00:18:14,990 botos do you
00:18:15,000 → 00:18:18,590 what yes do you remember the bush that
00:18:18,600 → 00:18:20,909 burns but isn't
00:18:20,919 → 00:18:23,830 consumed he's speaking here
00:18:23,840 → 00:18:26,390 too and he
00:18:26,400 → 00:18:28,950 says stop
00:18:28,960 → 00:18:33,390 before we gratify our
00:18:33,400 → 00:18:36,430 enemies yeah the Laurel looked down at
00:18:36,440 → 00:18:40,630 her and said oh evil dis oh god look the
00:18:40,640 → 00:18:44,909 Laurel blasts the B right oh evil
00:18:44,919 → 00:18:49,310 disgrace how the hell are you one of
00:18:49,320 → 00:18:52,950 us did we find who saw that thian guy
00:18:52,960 → 00:18:55,750 with the kid do you guys remember the
00:18:55,760 → 00:18:58,110 boat he was sailing on a boat he puts
00:18:58,120 → 00:19:00,710 the kid to s sleep with a drug cuts off
Section 41: 00:19:00,720 – 00:19:34,669
00:19:00,720 → 00:19:03,510 his testicles and turns him into an
00:19:03,520 → 00:19:07,590 angel oh God those thrs the stuff that
00:19:07,600 → 00:19:11,950 happens with those thran pirates is just
00:19:11,960 → 00:19:14,190 fantastic people did you think it was
00:19:14,200 → 00:19:16,830 fairy tale did you think just take it
00:19:16,840 → 00:19:18,909 down for a minute people yeah go ahead
00:19:18,919 → 00:19:21,390 leave it just like that no don't blow me
00:19:21,400 → 00:19:23,070 up put me in the mountains I like to be
00:19:23,080 → 00:19:25,430 in the mountains right what is this this
00:19:25,440 → 00:19:28,310 is February baby we celebrate Bonas from
00:19:28,320 → 00:19:30,789 the mountain mountain tops right we're
00:19:30,799 → 00:19:34,669 being led by ioa the poor of poison give
Section 42: 00:19:34,679 – 00:20:04,870
00:19:34,679 → 00:19:38,630 me the next one chewy people um notice
00:19:38,640 → 00:19:41,950 the humility starts to turn up in my
00:19:41,960 → 00:19:45,270 voice because this this is good stuff
00:19:45,280 → 00:19:47,630 right go ahead give me the next one
00:19:47,640 → 00:19:49,070 wherever we're
00:19:49,080 → 00:19:52,190 going people I can't wait no chewy I
00:19:52,200 → 00:19:54,710 love that look people look at the look
00:19:54,720 → 00:19:57,789 at the strings on that guitar they're
00:19:57,799 → 00:19:59,789 getting hit by that
00:19:59,799 → 00:20:04,870 lightning oh
Section 43: 00:20:04,880 – 00:20:31,230
00:20:04,880 → 00:20:08,390 God priesthoods people here's a tiny
00:20:08,400 → 00:20:10,669 word here's a tiny word I'm gonna peek
00:20:10,679 → 00:20:11,950 over the edge
00:20:11,960 → 00:20:14,750 here um look at this people if we're
00:20:14,760 → 00:20:16,470 going to talk about music we got to talk
00:20:16,480 → 00:20:18,230 about the word Symphony and I'm going to
00:20:18,240 → 00:20:19,549 show you a word tonight it's longer than
00:20:19,559 → 00:20:21,549 anything I've ever seen here's a
00:20:21,559 → 00:20:25,149 symphony right what is a symphony
00:20:25,159 → 00:20:28,830 suus what is that thing that is bringing
00:20:28,840 → 00:20:31,230 that sound
Section 44: 00:20:31,240 – 00:21:18,950
00:20:31,240 → 00:20:34,830 together right it's the
00:20:34,840 → 00:20:39,029 harmonious right something that is in
00:20:39,039 → 00:20:42,549 Concord with something else now look at
00:20:42,559 → 00:20:45,110 number three people okay now here this
00:20:45,120 → 00:20:49,190 is good for the grammatico right um look
00:20:49,200 → 00:20:54,390 at number three what are T what are
00:20:54,400 → 00:20:57,230 those Symphonies they are
00:20:57,240 → 00:21:01,430 consonants they are with the voice they
00:21:01,440 → 00:21:04,350 are with the sound do you understand
00:21:04,360 → 00:21:06,710 look at this the fabric of their
00:21:06,720 → 00:21:09,269 language is music it's absolutely
00:21:09,279 → 00:21:12,029 gorgeous having the same speech look at
00:21:12,039 → 00:21:15,870 number two having same speech by the way
00:21:15,880 → 00:21:18,950 don't ignore that right right what are
Section 45: 00:21:18,960 – 00:21:59,630
00:21:18,960 → 00:21:23,190 you when you are Symphony you're in that
00:21:23,200 → 00:21:26,590 same zone right do you understand that
00:21:26,600 → 00:21:29,430 marriage there's a link there with suum
00:21:29,440 → 00:21:32,590 it's gorgeous gorgeous harmonious
00:21:32,600 → 00:21:34,390 agreeing
00:21:34,400 → 00:21:37,950 friendly okay give me the next one
00:21:37,960 → 00:21:43,350 people Symphony a musical term of
00:21:43,360 → 00:21:46,350 classical physics classical physics
00:21:46,360 → 00:21:48,470 here's another one I want you to think
00:21:48,480 → 00:21:52,630 about this any clear distinct sound
00:21:52,640 → 00:21:56,070 especially what I like to call The
00:21:56,080 → 00:21:59,630 Voice fungos
Section 46: 00:21:59,640 – 00:22:46,549
00:21:59,640 → 00:22:03,029 thos what is that you know the word diff
00:22:03,039 → 00:22:06,909 thong right right when two of those
00:22:06,919 → 00:22:11,470 sounds come together what aren't they
00:22:11,480 → 00:22:14,549 right they merge into one diff thong
00:22:14,559 → 00:22:17,549 well here what is the what is the what
00:22:17,559 → 00:22:21,149 is the sound it is that vowel that you
00:22:21,159 → 00:22:24,269 make with your mouth right it is that
00:22:24,279 → 00:22:27,350 vowel you make with you look we had
00:22:27,360 → 00:22:30,070 Symphony we we had
00:22:30,080 → 00:22:34,310 vowels oh God consonants and vowels
00:22:34,320 → 00:22:37,310 people do you understand the language is
00:22:37,320 → 00:22:40,830 the product of the music just like
00:22:40,840 → 00:22:46,549 everything oh God do you understand
Section 47: 00:22:46,559 – 00:23:10,350
00:22:46,559 → 00:22:51,830 oh so gorgeous do anybody else think
00:22:51,840 → 00:22:53,789 this is gorgeous you know what our
00:22:53,799 → 00:22:59,269 reward is look at Harmony
00:22:59,279 → 00:23:00,830 look at
00:23:00,840 → 00:23:03,190 Harmony she has a
00:23:03,200 → 00:23:07,510 snake around her we covered her shame
00:23:07,520 → 00:23:10,350 with a
Section 48: 00:23:10,360 – 00:23:11,590
00:23:10,360 → 00:23:11,590 [Music]
Section 49: 00:23:11,600 – 00:23:33,269
00:23:11,600 → 00:23:15,230 cross which they didn't do in Antiquity
00:23:15,240 → 00:23:18,269 I don't know why the people have so much
00:23:18,279 → 00:23:21,950 hate have so much hate for
00:23:21,960 → 00:23:24,549 harmonious harmonious well if it's not
00:23:24,559 → 00:23:33,269 shame what do we call it denom
Section 50: 00:23:33,279 – 00:23:56,870
00:23:33,279 → 00:23:34,630 we should say
00:23:34,640 → 00:23:36,710 Glory we should say
00:23:36,720 → 00:23:39,990 Glory the nerd in me wants to say her
00:23:40,000 → 00:23:43,669 compounding device of Doom and
00:23:43,679 → 00:23:49,070 love yeah something like that um yeah
00:23:49,080 → 00:23:50,669 certainly not her
00:23:50,679 → 00:23:53,269 shame after
00:23:53,279 → 00:23:56,870 all you'll be
Section 51: 00:23:56,880 – 00:24:30,870
00:23:56,880 → 00:24:01,350 hor you will be as
00:24:01,360 → 00:24:04,510 gods don't you think it was worth it
00:24:04,520 → 00:24:07,830 what's wrapped around Harmony it's a
00:24:07,840 → 00:24:11,870 snaky snake do you see it do you know
00:24:11,880 → 00:24:13,110 who that
00:24:13,120 → 00:24:15,230 is that's
00:24:15,240 → 00:24:19,070 Cadmus do you know why Cadmus is wrapped
00:24:19,080 → 00:24:20,789 around
00:24:20,799 → 00:24:22,950 Harmony because
00:24:22,960 → 00:24:25,029 he is the
00:24:25,039 → 00:24:30,870 master of God's strings
Section 52: 00:24:30,880 – 00:25:03,950
00:24:30,880 → 00:24:33,990 the master of God's
00:24:34,000 → 00:24:37,070 strings they called them the
00:24:37,080 → 00:24:40,029 nail can you translate that as nerve
00:24:40,039 → 00:24:41,549 yeah you
00:24:41,559 → 00:24:44,549 can do you know what it is that causes
00:24:44,559 → 00:24:45,990 that
00:24:46,000 → 00:24:49,710 ejaculation of those
00:24:49,720 → 00:24:53,269 vowels it's the lightning in your
00:24:53,279 → 00:24:55,830 nerves oh can you feel it can you feel
00:24:55,840 → 00:24:58,669 it it's how they use the magic do you
00:24:58,679 → 00:25:00,029 understand
00:25:00,039 → 00:25:03,950 Cadmus the master of those
Section 53: 00:25:03,960 – 00:25:46,029
00:25:03,960 → 00:25:05,549 holy
00:25:05,559 → 00:25:09,470 strings is wrapped around
00:25:09,480 → 00:25:12,310 Harmony people do you is this
00:25:12,320 → 00:25:15,510 phenomenally nerdy my God man these
00:25:15,520 → 00:25:19,110 people saw into the reality of the
00:25:19,120 → 00:25:22,269 physics of everything and
00:25:22,279 → 00:25:25,789 just captured it just like they did in
00:25:25,799 → 00:25:28,990 their art they just captured it I was
00:25:29,000 → 00:25:30,830 reading something and I want you if you
00:25:30,840 → 00:25:32,470 have any slides for this I know you're
00:25:32,480 → 00:25:34,630 not PR for this but I was reading
00:25:34,640 → 00:25:37,149 something it made me very humble more
00:25:37,159 → 00:25:41,510 humble than humble do you understand it
00:25:41,520 → 00:25:46,029 said the smart people are the ones who
Section 54: 00:25:46,039 – 00:25:54,190
00:25:46,039 → 00:25:48,510 know
00:25:48,520 → 00:25:50,470 music
00:25:50,480 → 00:25:54,190 notice
Section 55: 00:25:54,200 – 00:26:31,470
00:25:54,200 → 00:25:57,389 do you understand he didn't say
00:25:57,389 → 00:25:57,399 notice do you understand he didn't say
00:25:57,399 → 00:25:59,070 all of them
00:25:59,080 → 00:26:01,710 he didn't say all of them are smart
00:26:01,720 → 00:26:05,149 right but the ones who really really
00:26:05,159 → 00:26:08,510 know the music somehow dip into some
00:26:08,520 → 00:26:11,590 kind of quantum you know real they start
00:26:11,600 → 00:26:14,029 working with the
00:26:14,039 → 00:26:18,190 invisible you realize music is invisible
00:26:18,200 → 00:26:21,470 right in the beginning God created
00:26:21,480 → 00:26:23,230 uranos and
00:26:23,240 → 00:26:31,470 GA and GA was a oros
Section 56: 00:26:31,480 – 00:26:38,350
00:26:31,480 → 00:26:33,950 invisible
00:26:33,960 → 00:26:38,350 welcome
Section 57: 00:26:38,360 – 00:27:31,430
00:26:38,360 → 00:26:39,990 yeah
00:26:40,000 → 00:26:42,630 music of the
00:26:42,640 → 00:26:45,830 creation oh God you see this is all
00:26:45,840 → 00:26:48,710 wiped out it's all wiped out by the
00:26:48,720 → 00:26:50,990 Monas because what they said was that
00:26:51,000 → 00:26:53,870 Greek text it's so rich in that we don't
00:26:53,880 → 00:26:55,750 need to read that we're going to read a
00:26:55,760 → 00:26:58,350 form translated from this ancient in
00:26:58,360 → 00:26:59,950 Hebrew that wasn't even active at the
00:26:59,960 → 00:27:02,549 time that only had 7,000 words and we're
00:27:02,559 → 00:27:05,669 going to try to make something that we
00:27:05,679 → 00:27:06,789 can
00:27:06,799 → 00:27:10,389 own and
00:27:10,399 → 00:27:13,549 sell do you understand that's
00:27:13,559 → 00:27:17,909 monism monism always comes back to the
00:27:17,919 → 00:27:22,190 selling to the selling think about it
00:27:22,200 → 00:27:24,389 you don't enter into that slavery unless
00:27:24,399 → 00:27:28,590 you willingly sell your soul
00:27:28,600 → 00:27:31,430 oh God you Christians you
Section 58: 00:27:31,440 – 00:27:33,350
00:27:31,440 → 00:27:33,350 [Music]
Section 59: 00:27:33,360 – 00:27:49,180
00:27:33,360 → 00:27:36,430 Christians you're amazing you're amazing
00:27:36,440 → 00:27:39,110 you watch it happen you watch it happen
00:27:39,120 → 00:27:42,310 and yet you can't snap yourself out of
00:27:42,320 → 00:27:44,870 it it's
00:27:44,880 → 00:27:46,990 amazing it's
00:27:47,000 → 00:27:49,180 mercenary it's
Section 60: 00:27:49,190 – 00:27:50,590
00:27:49,190 → 00:27:50,590 [Music]
Section 61: 00:27:50,600 – 00:28:14,190
00:27:50,600 → 00:27:53,710 mercenary do you understand what is
00:27:53,720 → 00:27:55,750 not
00:27:55,760 → 00:27:58,830 music yeah do you understand
00:27:58,840 → 00:28:02,070 realize realize please that these people
00:28:02,080 → 00:28:04,070 have laws against bad music and I read
00:28:04,080 → 00:28:05,870 another section that talked about that
00:28:05,880 → 00:28:08,029 you should punish those people because
00:28:08,039 → 00:28:14,190 they violated X Y and Z laws about
Section 62: 00:28:14,200 – 00:28:39,350
00:28:14,200 → 00:28:18,630 music right what is good what is good in
00:28:18,640 → 00:28:19,590 your
00:28:19,600 → 00:28:22,149 opinion right only that
00:28:22,159 → 00:28:25,830 Perfection only those strings that bring
00:28:25,840 → 00:28:28,710 the lightning
00:28:28,720 → 00:28:32,070 do you understand it's holy it's holy
00:28:32,080 → 00:28:35,110 art don't mess with it I'm G to drug you
00:28:35,120 → 00:28:39,350 you'll understand okay fantastic
Section 63: 00:28:39,360 – 00:29:01,110
00:28:39,360 → 00:28:42,110 fantastic look how sexy Apollo is baby
00:28:42,120 → 00:28:44,909 who wants some Apollo it's always there
00:28:44,919 → 00:28:47,310 it's always there sons of God you see
00:28:47,320 → 00:28:49,230 them people you see them today did you
00:28:49,240 → 00:28:52,830 know the sons of God Walk Among Us did
00:28:52,840 → 00:28:56,269 you know they did they bleed
00:28:56,279 → 00:29:01,110 out they bleed out Apollo's hot hot
Section 64: 00:29:01,120 – 00:29:21,509
00:29:01,120 → 00:29:05,149 mojoo do you understand oh God no you
00:29:05,159 → 00:29:08,070 don't right but you sit there and scream
00:29:08,080 → 00:29:10,470 you sit there and scream you utter a
00:29:10,480 → 00:29:13,669 vowel you enter into that Harmony Boom
00:29:13,679 → 00:29:15,750 the Two Become One You're resonating
00:29:15,760 → 00:29:18,470 vibrating at the same place and
00:29:18,480 → 00:29:21,509 boom right you're
Section 65: 00:29:21,519 – 00:30:01,070
00:29:21,519 → 00:29:24,950 fainting you're entering into the
00:29:24,960 → 00:29:29,029 death that gorgeous gorgeous beautiful
00:29:29,039 → 00:29:31,149 Union oh
00:29:31,159 → 00:29:35,789 God oh my God give me the next one
00:29:35,799 → 00:29:38,710 people I'm telling you this
00:29:38,720 → 00:29:42,070 stuff it scares me it scares me it's so
00:29:42,080 → 00:29:44,870 they're so plugged in JY pull this up
00:29:44,880 → 00:29:47,750 people look at this kto oh it's just a I
00:29:47,760 → 00:29:50,310 just wanted to see this is another one
00:29:50,320 → 00:29:52,190 what what does this word
00:29:52,200 → 00:29:56,630 mean number two to shout aloud well it's
00:29:56,640 → 00:29:59,269 used the various cry
00:29:59,279 → 00:30:01,070 newborn
Section 66: 00:30:01,080 – 00:30:35,830
00:30:01,080 → 00:30:04,990 babes right but it can also be just to
00:30:05,000 → 00:30:08,190 celebrate just to
00:30:08,200 → 00:30:10,909 celebrate look what they're doing with
00:30:10,919 → 00:30:12,430 the voice that's what I want you to be
00:30:12,440 → 00:30:14,909 paying attention to these nerds are
00:30:14,919 → 00:30:17,870 doing something give me the
00:30:17,880 → 00:30:20,430 next how many words are there by the way
00:30:20,440 → 00:30:23,990 to make utterances or noises or songs or
00:30:24,000 → 00:30:26,870 creations of your vocal power how many
00:30:26,880 → 00:30:29,590 of those are there in an in ancient
00:30:29,600 → 00:30:32,389 Greek a lot I don't have them counted
00:30:32,399 → 00:30:33,549 it's a
00:30:33,559 → 00:30:35,830 lot
Section 67: 00:30:35,840 – 00:30:53,830
00:30:35,840 → 00:30:39,269 okay people here comes Aristotle come
00:30:39,279 → 00:30:43,070 here come here Aristotle okay I'm gonna
00:30:43,080 → 00:30:47,389 give you this Aristotle now especially
00:30:47,399 → 00:30:53,830 since we just saw God last
Section 68: 00:30:53,840 – 00:31:18,549
00:30:53,840 → 00:30:58,350 episode right we saw God
00:30:58,360 → 00:31:01,710 here She is again in the first line
00:31:01,720 → 00:31:06,629 Aristotle huses right here She is again
00:31:06,639 → 00:31:09,269 nature and what does Aristotle say
00:31:09,279 → 00:31:13,149 Nature has a particular
00:31:13,159 → 00:31:18,549 fondness for creating
Section 69: 00:31:18,559 – 00:31:44,310
00:31:18,559 → 00:31:24,590 Symphony from things that
00:31:24,600 → 00:31:28,830 differ taking those opposite it's
00:31:28,840 → 00:31:33,629 putting them together that is how nature
00:31:33,639 → 00:31:36,990 herself creates okay okay so wait a
00:31:37,000 → 00:31:39,590 minute you mean we have physics and
00:31:39,600 → 00:31:44,310 religion language science all wrapped up
Section 70: 00:31:44,320 – 00:32:07,509
00:31:44,320 → 00:31:47,269 into one and the dude is sitting this
00:31:47,279 → 00:31:49,070 guy Aristotle he must have been a
00:31:49,080 → 00:31:52,350 freaking smarty yes I'm telling you he
00:31:52,360 → 00:31:55,110 was I'm telling you and please people
00:31:55,120 → 00:31:57,149 don't get trapped in the Dark Ages when
00:31:57,159 → 00:31:58,950 they took a subtle and turned him into
00:31:59,720 → 00:32:03,669 idiot right remember this music of the
00:32:03,679 → 00:32:07,509 Greeks has to be
Section 71: 00:32:07,519 – 00:32:48,190
00:32:07,519 → 00:32:10,110 rediscovered has to be
00:32:10,120 → 00:32:12,110 rediscovered in the
00:32:12,120 → 00:32:14,269 Renaissance this is not something that
00:32:14,279 → 00:32:17,590 anybody can do it's why I'm humbled do
00:32:17,600 → 00:32:20,710 you understand there's nuclear power in
00:32:20,720 → 00:32:22,470 what I'm showing
00:32:22,480 → 00:32:27,430 you right oh god of a Quantum sort right
00:32:27,440 → 00:32:30,149 nuclear power of a Quantum sword oh I'm
00:32:30,159 → 00:32:34,710 so dumb R give me the next one um chewy
00:32:34,720 → 00:32:37,629 give me the next yep
00:32:37,639 → 00:32:40,629 yeah okay people are you ready let's
00:32:40,639 → 00:32:44,389 blow let's blow Minds oh
00:32:44,399 → 00:32:48,190 God imp pedicles
Section 72: 00:32:48,200 – 00:33:20,350
00:32:48,200 → 00:32:54,750 people imp pedicles says that
00:32:54,760 → 00:32:59,269 necessity right she is Aus
00:32:59,279 → 00:33:02,350 right whereas
00:33:02,360 → 00:33:06,830 PA persuasion is
00:33:06,840 → 00:33:10,509 Muson let me say that again
00:33:10,519 → 00:33:16,029 necessity is without the
00:33:16,039 → 00:33:20,350 Muse
Section 73: 00:33:20,360 – 00:33:57,430
00:33:20,360 → 00:33:23,230 persuasion is
00:33:23,240 → 00:33:25,870 music
00:33:25,880 → 00:33:28,590 okay do you understand
00:33:28,600 → 00:33:30,310 okay it's always disbalanced they're
00:33:30,320 → 00:33:32,470 always they're always looking I didn't
00:33:32,480 → 00:33:34,070 finish Aristotle did I know there's a
00:33:34,080 → 00:33:36,430 [\h__\h] ton more get go back to Aristo
00:33:36,440 → 00:33:38,830 people keep that in your mind I'm sorry
00:33:38,840 → 00:33:41,389 uh I I shorted aeristo there so how do
00:33:41,399 → 00:33:43,230 we start out with this nature likes
00:33:43,240 → 00:33:46,389 using opposites right and then he talks
00:33:46,399 → 00:33:48,750 about male and female I want you to go
00:33:48,760 → 00:33:51,190 down to about the Fifth Line and he says
00:33:51,200 → 00:33:57,430 that um the art in life it mimics nature
Section 74: 00:33:57,440 – 00:34:23,349
00:33:57,440 → 00:34:02,710 in doing the very same thing by using
00:34:02,720 → 00:34:06,990 opposites and it says zra so for example
00:34:07,000 → 00:34:11,230 painting mixes the light and the dark
00:34:11,240 → 00:34:13,750 the ochre colored with the reddish
00:34:13,760 → 00:34:17,669 yellow colored mixes them together takes
00:34:17,679 → 00:34:23,349 those opposite natures and it produces
Section 75: 00:34:23,359 – 00:34:42,510
00:34:23,359 → 00:34:27,389 Symphony okay that's one what art are we
00:34:27,399 → 00:34:30,829 talking about painting number two music
00:34:30,839 → 00:34:33,230 see it highlighted in yellow music what
00:34:33,240 → 00:34:36,030 does music do
00:34:36,040 → 00:34:42,510 uh God music mixes those voices those
Section 76: 00:34:42,520 – 00:35:14,710
00:34:42,520 → 00:34:45,790 voices that have elements that are sharp
00:34:45,800 → 00:34:48,550 and those that are deep right now you
00:34:48,560 → 00:34:50,270 see where I'm falling here these are
00:34:50,280 → 00:34:52,990 technical terms in music right and I'm
00:34:53,000 → 00:34:53,990 falling
00:34:54,000 → 00:34:58,670 short the sharp and the Deep right
00:34:58,680 → 00:35:02,190 the Great and the the broad and
00:35:02,200 → 00:35:06,990 the uh uh confined these voices it mixes
00:35:07,000 → 00:35:09,390 together they're different types of
00:35:09,400 → 00:35:14,710 voices and yet it makes one
Section 77: 00:35:14,720 – 00:35:55,309
00:35:14,720 → 00:35:17,270 Harmony so
00:35:17,280 → 00:35:19,109 music
00:35:19,119 → 00:35:22,150 mixes opposite elements now I know there
00:35:22,160 → 00:35:24,310 are musician sitting out there who will
00:35:24,320 → 00:35:27,790 say oh my God this guy is a [\h__\h] right
00:35:27,800 → 00:35:31,270 right it's basic stuff right and I'm
00:35:31,280 → 00:35:32,750 sure you're thinking about all the
00:35:32,760 → 00:35:35,870 chords and the I don't know no it's so
00:35:35,880 → 00:35:40,990 God me and ah what is that did you know
00:35:41,000 → 00:35:42,589 they have a word for the string for
00:35:42,599 → 00:35:45,589 example Lady Lady Babylon Congregation
00:35:45,599 → 00:35:48,430 of Satan please entertain me for a
00:35:48,440 → 00:35:51,349 minute they have a word the Greeks had a
00:35:51,359 → 00:35:55,309 word for the middle string of the seven
Section 78: 00:35:55,319 – 00:36:30,630
00:35:55,319 → 00:35:59,910 string liar oh and why why would you
00:35:59,920 → 00:36:02,630 what's who cares Larry call it Larry I
00:36:02,640 → 00:36:06,030 don't care what you call it no it's they
00:36:06,040 → 00:36:07,990 did it because it's a special string
00:36:08,000 → 00:36:10,550 it's in between two things and they have
00:36:10,560 → 00:36:12,750 scales and they have all of this
00:36:12,760 → 00:36:15,069 invisible technology that makes me
00:36:15,079 → 00:36:18,710 afraid because I don't understand
00:36:18,720 → 00:36:21,589 it and that's when I have to turn back
00:36:21,599 → 00:36:24,710 to the Vatican Hill to the where's my
00:36:24,720 → 00:36:30,630 hat
Section 79: 00:36:30,640 – 00:37:03,829
00:36:30,640 → 00:36:34,150 oh speak to
00:36:34,160 → 00:36:37,630 me you have to go to the Vatican why do
00:36:37,640 → 00:36:40,470 you go to Vatican people look at this is
00:36:40,480 → 00:36:43,670 part of our little like my little things
00:36:43,680 → 00:36:46,870 here this is part of the deal you get a
00:36:46,880 → 00:36:49,430 little side trip with alond you a little
00:36:49,440 → 00:36:51,790 field trip isn't this nice where are we
00:36:51,800 → 00:36:53,670 we're at the Vatican Hill and who is
00:36:53,680 → 00:36:55,670 there at the Vatican Hill you know we
00:36:55,680 → 00:36:57,309 don't come here just for the food or
00:36:57,319 → 00:36:59,589 anything thing right we come here for
00:36:59,599 → 00:37:00,870 the
00:37:00,880 → 00:37:03,829 Cil and what does she say through John
Section 80: 00:37:03,839 – 00:37:46,470
00:37:03,839 → 00:37:08,270 ltis Who records who's the poet who
00:37:08,280 → 00:37:09,829 recorded
00:37:09,839 → 00:37:14,510 who who what did she say WTI conis
00:37:14,520 → 00:37:17,630 you're in the cult of wanti conis by the
00:37:17,640 → 00:37:22,230 way um um she said you're
00:37:22,240 → 00:37:25,430 stupid you're not going to
00:37:25,440 → 00:37:28,510 understand I'm going to trans transmit
00:37:28,520 → 00:37:29,990 to you an
00:37:30,000 → 00:37:32,069 analog get
00:37:32,079 → 00:37:35,150 ready do you understand you don't need
00:37:35,160 → 00:37:36,430 to be
00:37:36,440 → 00:37:39,589 smart you don't need to have a
00:37:39,599 → 00:37:42,790 comprehension of all of the mechanics
00:37:42,800 → 00:37:43,990 you need to
00:37:44,000 → 00:37:46,470 follow her
Section 81: 00:37:46,480 – 00:38:03,470
00:37:46,480 → 00:37:49,790 voice isn't that gorgeous isn't that
00:37:49,800 → 00:37:51,829 gorgeous what do you think the oracles
00:37:51,839 → 00:37:55,109 are there for right oh God give
00:37:55,119 → 00:37:58,589 me give me the nice one Dian is Moon
00:37:58,599 → 00:38:03,470 baby Apollo's sun and Diana's Moon do
Section 82: 00:38:03,480 – 00:38:23,870
00:38:03,480 → 00:38:07,270 you understand why now oh God it's so
00:38:07,280 → 00:38:09,550 busy at night by the way people it's
00:38:09,560 → 00:38:11,990 starting to get busy there's so many
00:38:12,000 → 00:38:14,430 there's so many it's everywhere on the
00:38:14,440 → 00:38:19,510 planet sometime is time for banana in
00:38:19,520 → 00:38:23,870 sometime bananas flying people moaning
Section 83: 00:38:23,880 – 00:38:58,630
00:38:23,880 → 00:38:27,550 and groaning and saying vows oh all
00:38:27,560 → 00:38:30,990 sorts of stuff you can ride that wave of
00:38:31,000 → 00:38:33,589 that time just like there are
00:38:33,599 → 00:38:36,230 years there are
00:38:36,240 → 00:38:39,190 times do you understand it's funny that
00:38:39,200 → 00:38:40,750 I have to educate you this this is the
00:38:40,760 → 00:38:42,990 stuff that I have right just you're
00:38:43,000 → 00:38:45,309 reading the sources but it forms the
00:38:45,319 → 00:38:47,790 foundation of everything okay finally he
00:38:47,800 → 00:38:51,630 says so he talked about um the painter
00:38:51,640 → 00:38:54,150 the musician and then now he's going to
00:38:54,160 → 00:38:56,790 talk about grammati the art of grammar
Section 84: 00:38:58,640 – 00:39:04,710
00:38:58,640 → 00:39:04,710 God that's my favorite what does he
Section 85: 00:39:04,720 – 00:39:36,829
00:39:04,720 → 00:39:06,309 say
00:39:06,319 → 00:39:09,990 on what does the grammar deal with it
00:39:10,000 → 00:39:13,630 deals with the balance of the letters
00:39:13,640 → 00:39:17,470 that are phonetic and AP
00:39:17,480 → 00:39:20,430 phonetic those which have the sound and
00:39:20,440 → 00:39:23,390 those which don't do you see the
00:39:23,400 → 00:39:26,430 opposite those are consonants and vowels
00:39:26,440 → 00:39:28,710 what are your vowels
00:39:28,720 → 00:39:31,430 s it's the thing that comes out of your
00:39:31,440 → 00:39:33,990 mouth when you're transitioning
00:39:34,000 → 00:39:36,829 between
Section 86: 00:39:36,839 – 00:40:17,309
00:39:36,839 → 00:39:41,750 cons it's the oil that allows the
00:39:41,760 → 00:39:44,670 vibration of the frequency this machine
00:39:44,680 → 00:39:47,309 doesn't work without it this talkie talk
00:39:47,319 → 00:39:49,069 that's why the stupidest thing that
00:39:49,079 → 00:39:50,750 somebody once said to me and this is
00:39:50,760 → 00:39:53,109 somebody that seeing in interviewed
00:39:53,119 → 00:39:56,150 right well he's an expert he said Hebrew
00:39:56,160 → 00:39:58,829 doesn't have vowels
00:39:58,839 → 00:40:00,309 my God you
00:40:00,319 → 00:40:02,589 [\h__\h] um no
00:40:02,599 → 00:40:06,390 language can not have vows bro you look
00:40:06,400 → 00:40:09,390 what you missed you missed the origin of
00:40:09,400 → 00:40:11,589 the universe you'd never be able to sit
00:40:11,599 → 00:40:14,829 with Aristotle you make it away with an
00:40:14,839 → 00:40:17,309 Augustine but an Aristotle absolutely
Section 87: 00:40:17,319 – 00:40:38,390
00:40:17,319 → 00:40:18,630 not and Augustine would probably kick
00:40:18,640 → 00:40:22,430 your ass out too because he had an
00:40:22,440 → 00:40:25,470 appreciation yeah you go with you go
00:40:25,480 → 00:40:28,589 with no no not even or where do you go
00:40:28,599 → 00:40:31,670 man I don't know I don't know
00:40:31,680 → 00:40:38,390 thran may the thran Pirates treat you
Section 88: 00:40:38,400 – 00:41:09,630
00:40:38,400 → 00:40:40,510 will that was the dumbest thing I've
00:40:40,520 → 00:40:42,990 ever heard anyway um that's the way it
00:40:43,000 → 00:40:45,349 is people look at this you know you love
00:40:45,359 → 00:40:49,309 it what happens grammar mixes Just Like
00:40:49,319 → 00:40:52,069 Music and it's an art that does that it
00:40:52,079 → 00:40:54,510 takes it and it creates the balance it
00:40:54,520 → 00:40:58,349 brings out the symphony Ro oh God give
00:40:58,359 → 00:41:00,950 me the next one give me the next one
00:41:00,960 → 00:41:04,829 people oh you're okay a little bit more
00:41:04,839 → 00:41:07,030 of music and and the closer we get the
00:41:07,040 → 00:41:09,630 more we get into it the more stupid I
Section 89: 00:41:09,640 – 00:41:30,950
00:41:09,640 → 00:41:11,910 feel that was in pedicles people what's
00:41:11,920 → 00:41:14,430 the difference between necessity and
00:41:14,440 → 00:41:17,750 persuasion right give me okay if you
00:41:17,760 → 00:41:20,349 can't think of those as opposites and
00:41:20,359 → 00:41:22,430 you're not in the mode you didn't get on
00:41:22,440 → 00:41:24,109 the throne dude go get back on the
00:41:24,119 → 00:41:30,950 throne
Section 90: 00:41:30,960 – 00:42:07,270
00:41:30,960 → 00:41:33,190 bless
00:41:33,200 → 00:41:37,430 you H Satan oh that poor hat give me the
00:41:37,440 → 00:41:40,430 next one I've got it C captive I've got
00:41:40,440 → 00:41:43,630 him captive um what are we talking about
00:41:43,640 → 00:41:45,630 when we say
00:41:45,640 → 00:41:48,790 the Anan the necessity is
00:41:48,800 → 00:41:51,750 amusan that's the next one right it's
00:41:51,760 → 00:41:52,910 the
00:41:52,920 → 00:41:55,510 definition right people who are doing
00:41:55,520 → 00:41:56,230 the
00:41:56,240 → 00:41:58,589 Greek and people by the way people who
00:41:58,599 → 00:42:00,829 want to I know I've done up through a
00:42:00,839 → 00:42:02,589 few just a few of the units and I will
00:42:02,599 → 00:42:04,430 continue going through the units don't
00:42:04,440 → 00:42:07,270 worry this is full by the way on full
Section 91: 00:42:07,280 – 00:42:43,030
00:42:07,280 → 00:42:10,470 this is full sabatical right
00:42:10,480 → 00:42:12,750 fantastic why is it not coming up this
00:42:12,760 → 00:42:15,430 really weird okay this is taking forever
00:42:15,440 → 00:42:17,829 people I'm not sure what this next slide
00:42:17,839 → 00:42:21,589 is so just wait for it I'm glad to see
00:42:21,599 → 00:42:24,349 everybody oh look what's
00:42:24,359 → 00:42:26,950 happening look what's happening we get
00:42:26,960 → 00:42:28,910 you know people like it I think people
00:42:28,920 → 00:42:30,750 like it you know what I mean it's
00:42:30,760 → 00:42:33,870 frustrating at the same time it kind of
00:42:33,880 → 00:42:35,990 gives me an opportunity to reach out to
00:42:36,000 → 00:42:38,950 people and say by the way glorious email
00:42:38,960 → 00:42:43,030 dude I feel oh glorious fantastic I'm
Section 92: 00:42:43,040 – 00:43:31,349
00:42:43,040 → 00:42:45,910 I'm not able to answer it it's like I
00:42:45,920 → 00:42:49,030 should I try to but I not like I should
00:42:49,040 → 00:42:51,390 um amus without
00:42:51,400 → 00:42:53,990 song without
00:42:54,000 → 00:42:59,630 song look without the
00:42:59,640 → 00:43:04,190 muses what are those Muses they are that
00:43:04,200 → 00:43:06,309 taste or
00:43:06,319 → 00:43:10,030 refinement now remember the
00:43:10,040 → 00:43:13,030 musicians will best understand this
00:43:13,040 → 00:43:14,950 right what is that musical that's what I
00:43:14,960 → 00:43:18,870 would like to ask different musical
00:43:18,880 → 00:43:23,030 groups yeah what is that refinement that
00:43:23,040 → 00:43:26,190 you bring to the art because if you
00:43:26,200 → 00:43:28,870 don't have it a-hole we're going to
00:43:28,880 → 00:43:31,349 crucify
Section 93: 00:43:31,359 – 00:43:50,309
00:43:31,359 → 00:43:34,910 you that's how it should be run right
00:43:34,920 → 00:43:37,390 who wants that who Wants Music run that
00:43:37,400 → 00:43:39,630 way take it out of the hands of the
00:43:39,640 → 00:43:42,349 sellers and give it to the people who
00:43:42,359 → 00:43:45,870 will worship and honor the music oh my
00:43:45,880 → 00:43:48,230 God can you imagine how many mercenaries
00:43:48,240 → 00:43:50,309 you'd
Section 94: 00:43:50,319 – 00:44:20,190
00:43:50,319 → 00:43:54,750 you throw off the throw off into the pit
00:43:54,760 → 00:43:57,430 holy mackerel there's lots of musical
00:43:57,440 → 00:44:00,990 mercenaries and did they use this did
00:44:01,000 → 00:44:04,349 they understand this no they didn't and
00:44:04,359 → 00:44:07,069 that's dangerous know
00:44:07,079 → 00:44:11,109 yourself know yourself and to those
00:44:11,119 → 00:44:13,829 musicians out there who this is part of
00:44:13,839 → 00:44:16,710 their inner being and their fabric
00:44:16,720 → 00:44:20,190 congratulations meet meet your
Section 95: 00:44:20,200 – 00:44:55,630
00:44:20,200 → 00:44:24,030 people meet your people look at Al meet
00:44:24,040 → 00:44:25,710 your
00:44:25,720 → 00:44:27,790 people right
00:44:27,800 → 00:44:31,150 fantastic I hope it jibes with your soul
00:44:31,160 → 00:44:32,589 and disturbs you and comes into your
00:44:32,599 → 00:44:34,790 dream there's so many people people I'm
00:44:34,800 → 00:44:38,670 telling you once you fly that Darkness
00:44:38,680 → 00:44:42,829 once you start entering those dreams oh
00:44:42,839 → 00:44:45,750 God there's so much there's so much
00:44:45,760 → 00:44:49,069 moaning it's like a sea just imagine a
00:44:49,079 → 00:44:51,150 sea of people
00:44:51,160 → 00:44:55,630 moaning oh it's Exquisite it's Exquisite
Section 96: 00:44:55,640 – 00:45:19,970
00:44:55,640 → 00:44:57,549 it's fields of feeding
00:44:57,559 → 00:45:00,750 I love it people don't think that I'm
00:45:00,760 → 00:45:03,390 bringing up the vampirism just because I
00:45:03,400 → 00:45:07,270 want to you with some kind of fictional
00:45:07,280 → 00:45:11,510 [\h__\h] this is very
00:45:11,520 → 00:45:14,829 very sincere when I
00:45:14,839 → 00:45:17,549 say
00:45:17,559 → 00:45:19,970 vampirism vampirism goes way
Section 97: 00:45:19,980 – 00:45:23,430
00:45:19,980 → 00:45:23,430 [Laughter]
Section 98: 00:45:23,440 – 00:45:58,109
00:45:23,440 → 00:45:26,390 back right where what do we do with that
00:45:26,400 → 00:45:27,950 crackled
00:45:27,960 → 00:45:29,589 redhead kid by the way with all the
00:45:29,599 → 00:45:31,870 pimples remember that kid we last time I
00:45:31,880 → 00:45:33,950 remember we had him tied up does
00:45:33,960 → 00:45:35,190 everybody remember that say tank
00:45:35,200 → 00:45:37,910 congregation we had that red head he
00:45:37,920 → 00:45:39,670 pimples he had to have pimples right so
00:45:39,680 → 00:45:42,230 we found him we tied him up we put him
00:45:42,240 → 00:45:45,030 over the coal raised his body
00:45:45,040 → 00:45:48,030 temperature gave him all those drugs and
00:45:48,040 → 00:45:50,030 then we bled
00:45:50,040 → 00:45:53,390 him in multiple ways there's many ways
00:45:53,400 → 00:45:54,990 to milk a
00:45:55,000 → 00:45:58,109 human right speaking of things we want
Section 99: 00:45:58,119 – 00:46:39,270
00:45:58,119 → 00:46:01,990 to milk where the hell is Henry Caville
00:46:02,000 → 00:46:06,950 give me the next one give me the next
00:46:06,960 → 00:46:10,030 one here we go people seriously let's
00:46:10,040 → 00:46:13,069 settle in and let's look at the fabric
00:46:13,079 → 00:46:16,109 of creation are you ready for
00:46:16,119 → 00:46:20,670 this they are but I am it's really yeah
00:46:20,680 → 00:46:21,950 people it's really we really have a
00:46:21,960 → 00:46:23,829 giant delay I really apologize for that
00:46:23,839 → 00:46:27,390 what is that which is muy C look look at
00:46:27,400 → 00:46:29,990 the Dorian people moosy
00:46:30,000 → 00:46:31,710 course
00:46:31,720 → 00:46:33,470 right
00:46:33,480 → 00:46:39,270 yeah holy Moses mommy shut up
Section 100: 00:46:39,280 – 00:47:21,510
00:46:39,280 → 00:46:41,829 musical what are what are things that
00:46:41,839 → 00:46:44,309 are musical
00:46:44,319 → 00:46:48,710 aoness I bet you've never heard of a
00:46:48,720 → 00:46:53,710 musical contest a musical struggle an
00:46:53,720 → 00:47:01,589 epic music battle k go k Kai G koi and
00:47:01,599 → 00:47:03,750 some naked wrestling you know what I
00:47:03,760 → 00:47:06,790 mean you got you wrestling your pancaran
00:47:06,800 → 00:47:08,790 let's beat the crap out of each other
00:47:08,800 → 00:47:11,750 and wrestle ladies too right I've seen
00:47:11,760 → 00:47:13,870 10-year-old girls in text beat beat the
00:47:13,880 → 00:47:16,589 crap out of each other in an arena no
00:47:16,599 → 00:47:19,829 I'm serious I'm serious I was watching
00:47:19,839 → 00:47:21,510 it in this text reading this text and I
Section 101: 00:47:21,520 – 00:47:57,870
00:47:21,520 → 00:47:24,270 was like I just mouth open my psychic
00:47:24,280 → 00:47:27,270 mouth was open and then I didn't what to
00:47:27,280 → 00:47:29,950 do I saw the last one standing and I was
00:47:29,960 → 00:47:33,230 like what do they do what do they do
00:47:33,240 → 00:47:37,030 with her right what do they do with her
00:47:37,040 → 00:47:39,309 last girl standing gets the
00:47:39,319 → 00:47:41,510 priesthood do you understand can you
00:47:41,520 → 00:47:43,390 believe that if instead of it Seminary
00:47:43,400 → 00:47:45,870 if you graduate all these people who
00:47:45,880 → 00:47:47,870 Fort who hopefully have not done
00:47:47,880 → 00:47:51,150 anything illegal right you could take
00:47:51,160 → 00:47:53,109 these people and graduate them make them
00:47:53,119 → 00:47:56,190 say their vows no no no put them in a
00:47:56,200 → 00:47:57,870 room
Section 102: 00:47:57,880 – 00:48:16,829
00:47:57,880 → 00:47:59,990 and the last person
00:48:00,000 → 00:48:03,430 standing that's your priest do you see
00:48:03,440 → 00:48:06,670 what ancient Greek education was it was
00:48:06,680 → 00:48:10,710 a third gym and I'm not talking about
00:48:10,720 → 00:48:14,549 the gym like you and I had I'm talking
00:48:14,559 → 00:48:16,829 about
Section 103: 00:48:16,839 – 00:48:54,710
00:48:16,839 → 00:48:20,710 ponan beating somebody up submitting
00:48:20,720 → 00:48:25,430 somebody do you understand combine that
00:48:25,440 → 00:48:29,270 with a guitarist
00:48:29,280 → 00:48:36,790 and a Garian wait what yeah yeah a
00:48:36,800 → 00:48:40,470 poet and you have ancient education do
00:48:40,480 → 00:48:43,150 you see what they made and their poets
00:48:43,160 → 00:48:46,790 who were trained in Mixed Martial Arts
00:48:46,800 → 00:48:50,309 and Music do you know what they did they
00:48:50,319 → 00:48:54,710 made your world they made your
Section 104: 00:48:54,720 – 00:49:22,710
00:48:54,720 → 00:48:57,190 world that historian that I showed
00:48:57,200 → 00:48:59,510 earlier he writes about he wrote about
00:48:59,520 → 00:49:01,950 in his
00:49:01,960 → 00:49:04,349 introduction how they acknowledged an
00:49:04,359 → 00:49:07,190 Antiquity that the Greek
00:49:07,200 → 00:49:11,270 lettering was a musical
00:49:11,280 → 00:49:15,230 invention that the music ran through the
00:49:15,240 → 00:49:18,710 letters I told you people you fans of
00:49:18,720 → 00:49:22,710 Egyptian I told you
Section 105: 00:49:22,720 – 00:49:51,589
00:49:22,720 → 00:49:24,230 people
00:49:24,240 → 00:49:27,390 yeah yeah
00:49:27,400 → 00:49:29,950 carou the hell is
00:49:29,960 → 00:49:34,670 that they injected music into their
00:49:34,680 → 00:49:37,670 voice to create their
00:49:37,680 → 00:49:41,950 language oh God those ancient Greeks
00:49:41,960 → 00:49:44,589 those ancient Greeks right who is this
00:49:44,599 → 00:49:47,349 guy is he a Greek no I'm not I'm have 0%
00:49:47,359 → 00:49:51,589 Greek in my body
Section 106: 00:49:51,599 – 00:50:30,150
00:49:51,599 → 00:49:54,430 zero% right do you know what my
00:49:54,440 → 00:49:57,950 ancestors did they stood in b
00:49:57,960 → 00:50:00,270 they ran through cold
00:50:00,280 → 00:50:04,030 mountains wearing the skins of animals
00:50:04,040 → 00:50:08,510 making things to get themselves drunk so
00:50:08,520 → 00:50:11,030 they could forget their
00:50:11,040 → 00:50:13,710 assli do you understand
00:50:13,720 → 00:50:16,190 me right what are these Greeks doing
00:50:16,200 → 00:50:18,069 maybe it's the beaches it's all the
00:50:18,079 → 00:50:21,349 beaches I guess notice they're all
00:50:21,359 → 00:50:24,870 Coastal what the hell you get to a beach
00:50:24,880 → 00:50:26,309 life next thing you know you're wearing
00:50:26,319 → 00:50:30,150 a skirt talking about
Section 107: 00:50:30,160 – 00:50:52,910
00:50:30,160 → 00:50:33,710 trigonometry oh my God creating
00:50:33,720 → 00:50:36,750 Mysteries that create religions like
00:50:36,760 → 00:50:39,990 that which the
00:50:40,000 → 00:50:42,870 Pope here he is before he goes I just
00:50:42,880 → 00:50:46,030 want to give him one more spank say
00:50:46,040 → 00:50:52,910 hello to the devil [\h__\h] oh
Section 108: 00:50:52,920 – 00:51:08,030
00:50:52,920 → 00:50:56,750 yes there we go did we send him on on
00:50:56,760 → 00:51:00,990 his way is that spicy that's
00:51:01,000 → 00:51:08,030 spicy Pope meat who wants Pope
Section 109: 00:51:08,040 – 00:51:26,990
00:51:08,040 → 00:51:10,910 meat did you know such a thing exists no
00:51:10,920 → 00:51:12,870 I've been there I've been there it's in
00:51:12,880 → 00:51:15,910 tardus yeah you can order it they shave
00:51:15,920 → 00:51:18,390 it they shave it from him yeah no it's
00:51:18,400 → 00:51:20,789 like a it's like a deli it's a sandwich
00:51:20,799 → 00:51:22,829 kind of thing you know all the demons
00:51:22,839 → 00:51:24,309 love it
00:51:24,319 → 00:51:26,990 baby no
Section 110: 00:51:27,000 – 00:51:58,230
00:51:27,000 → 00:51:28,549 well yeah M yeah know he's in the good
00:51:28,559 → 00:51:30,990 part man you got to get to him first
00:51:31,000 → 00:51:34,710 right that yeah anyway administrators
00:51:34,720 → 00:51:35,990 dude you gotta think about
00:51:36,000 → 00:51:39,910 administrators in every every in every
00:51:39,920 → 00:51:43,270 Quantum Enterprise right okay sorry give
00:51:43,280 → 00:51:44,710 me the next one give me the next one
00:51:44,720 → 00:51:46,750 let's get back to it people give me some
00:51:46,760 → 00:51:49,549 concrete right out of the Greek um and
00:51:49,559 → 00:51:52,230 give me give it to me from the Greek
00:51:52,240 → 00:51:54,910 that should be a phrase give it to me
00:51:54,920 → 00:51:58,230 from the Greek Al and give it to me
Section 111: 00:51:58,240 – 00:52:17,549
00:51:58,240 → 00:52:01,430 Chewy are we giving it to
00:52:01,440 → 00:52:04,150 him I don't think we're giving it to him
00:52:04,160 → 00:52:05,990 it's just I love your oh by the way look
00:52:06,000 → 00:52:07,950 at this M People this background look at
00:52:07,960 → 00:52:10,549 this
00:52:10,559 → 00:52:14,270 thing yeah it's nice here we go what is
00:52:14,280 → 00:52:17,549 this definition here
Section 112: 00:52:17,559 – 00:53:01,990
00:52:17,559 → 00:52:20,349 MOS now what is that let's finish up
00:52:20,359 → 00:52:22,109 here right because we talked about that
00:52:22,119 → 00:52:26,190 struggle that Aon right what is that
00:52:26,200 → 00:52:28,309 what is somebody who's skilled in music
00:52:28,319 → 00:52:30,789 or musical you can talk about
00:52:30,799 → 00:52:33,390 professional musicians you can talk
00:52:33,400 → 00:52:36,030 about those who accomplish things
00:52:36,040 → 00:52:39,910 through the Muse look at number two the
00:52:39,920 → 00:52:42,470 victorians tell us oh a man of letters
00:52:42,480 → 00:52:45,069 what if it's safo [\h__\h] right then
00:52:45,079 → 00:52:47,789 it's a woman of
00:52:47,799 → 00:52:51,549 letters now wait a minute you mean their
00:52:51,559 → 00:52:55,150 educated people were their rock
00:52:55,160 → 00:52:57,150 stars yes
00:52:57,160 → 00:52:59,630 think about that world think about that
00:52:59,640 → 00:53:01,990 world in which we live if we could live
Section 113: 00:53:02,000 – 00:53:43,390
00:53:02,000 → 00:53:04,990 in a world where the judgments were
00:53:05,000 → 00:53:07,950 brought by those who
00:53:07,960 → 00:53:10,230 understood the
00:53:10,240 → 00:53:14,430 magic the physics the beauty of
00:53:14,440 → 00:53:19,109 music oh God what a and people why is it
00:53:19,119 → 00:53:22,109 that they musicians would be ruling
00:53:22,119 → 00:53:24,630 because their people are like Pythagoras
00:53:24,640 → 00:53:27,589 baby do you understand none of your
00:53:27,599 → 00:53:29,589 Innovation is going to come whether it's
00:53:29,599 → 00:53:32,109 your language the changing evolving
00:53:32,119 → 00:53:34,710 ability of your language the growing
00:53:34,720 → 00:53:37,109 ability of your language or whether it's
00:53:37,119 → 00:53:39,190 any other art your
00:53:39,200 → 00:53:43,390 architecture right good musicians know
Section 114: 00:53:43,400 – 00:53:52,990
00:53:43,400 → 00:53:47,150 that they know that it's like in their
00:53:47,160 → 00:53:52,990 they understand at least you
Section 115: 00:53:53,000 – 00:54:33,309
00:53:53,000 → 00:53:57,750 know it's it's somehow reaching them in
00:53:57,760 → 00:54:00,589 a way that you and I can sit here the
00:54:00,599 → 00:54:02,549 listeners can sit here and we can say oh
00:54:02,559 → 00:54:04,589 I can appreciate it I really can I
00:54:04,599 → 00:54:06,109 appreciate
00:54:06,119 → 00:54:10,109 it but I can't create it right I can't
00:54:10,119 → 00:54:13,390 create it oh makes you want to sing
00:54:13,400 → 00:54:16,390 makes you want to bring that orgiastic
00:54:16,400 → 00:54:21,230 vowel oh God give it to me um uh next
00:54:21,240 → 00:54:24,670 one people a couple of terms here a
00:54:24,680 → 00:54:27,270 couple of terms here just to just to
00:54:27,280 → 00:54:30,109 round out the
00:54:30,119 → 00:54:33,309 music so you know what I'm thinking
Section 116: 00:54:33,319 – 00:55:19,589
00:54:33,319 → 00:54:35,829 about I'm thinking about the
00:54:35,839 → 00:54:40,309 resurrection and the upcoming
00:54:40,319 → 00:54:43,150 Resurrection that's what I'm
00:54:43,160 → 00:54:46,349 thinking what is that which is your
00:54:46,359 → 00:54:49,030 Symphony
00:54:49,040 → 00:54:51,990 look look it's
00:54:52,000 → 00:54:54,990 you here we go um people just look
00:54:55,000 → 00:54:57,589 agreeing sound or harmonious okay okay
00:54:57,599 → 00:55:00,030 okay I get that I get that right um but
00:55:00,040 → 00:55:02,069 I want you to look at number two now
00:55:02,079 → 00:55:03,630 metaphorically you're going to notice
00:55:03,640 → 00:55:06,870 this in all the Lex for the ancient
00:55:06,880 → 00:55:09,789 Greek they'll have a section for for
00:55:09,799 → 00:55:15,030 your um for your like your basic meaning
00:55:15,040 → 00:55:17,750 like what the word basically means and
00:55:17,760 → 00:55:19,589 then they'll have one that well that's
Section 117: 00:55:19,599 – 00:55:41,950
00:55:19,599 → 00:55:22,390 what it basically means but here's the
00:55:22,400 → 00:55:23,990 metaphorical right now what are they
00:55:24,000 → 00:55:26,349 trying to communicate to you this is a
00:55:26,359 → 00:55:27,390 this is a
00:55:27,400 → 00:55:31,069 dictionary um in multiple Dimensions
00:55:31,079 → 00:55:34,349 this isn't linear this is okay you're
00:55:34,359 → 00:55:36,029 going to have the basic use of the word
00:55:36,039 → 00:55:38,150 here and then you're going to have its
00:55:38,160 → 00:55:41,950 development into metaphorical realities
Section 118: 00:55:41,960 – 00:56:02,990
00:55:41,960 → 00:55:43,910 and these metaphorical realities are all
00:55:43,920 → 00:55:45,430 types by
00:55:45,440 → 00:55:48,470 genus do you understand me and you can
00:55:48,480 → 00:55:51,589 analyze these metaphoric realities
00:55:51,599 → 00:55:54,390 through language the study of
00:55:54,400 → 00:55:57,630 language right and those of us who do
00:55:57,640 → 00:55:59,109 that are
00:55:59,119 → 00:56:02,990 educated in the Greek
Section 119: 00:56:03,000 – 00:56:34,410
00:56:03,000 → 00:56:06,510 system system when a Christian comes to
00:56:06,520 → 00:56:10,230 you today dirty dirty
00:56:10,240 → 00:56:13,069 dirty hang on don't take it down a dirty
00:56:13,079 → 00:56:15,670 dirty person comes to you and says oh
00:56:15,680 → 00:56:19,109 those idiots in Antiquity they were all
00:56:19,119 → 00:56:21,910 illiterate yeah this is the world that
00:56:21,920 → 00:56:25,190 they are trying to burn in front of you
00:56:25,200 → 00:56:26,990 so that they can create
00:56:27,000 → 00:56:31,430 a an Empire of [\h__\h] an Empire of
00:56:31,440 → 00:56:34,410 [\h__\h] an Empire of
Section 120: 00:56:34,420 – 00:56:35,670
00:56:34,420 → 00:56:35,670 [Music]
Section 121: 00:56:35,680 – 00:56:38,190
00:56:35,680 → 00:56:38,190 [\h__\h]
Section 122: 00:56:38,200 – 00:57:10,069
00:56:38,200 → 00:56:42,349 yeah sellers what is this music look at
00:56:42,359 → 00:56:43,950 number
00:56:43,960 → 00:56:48,109 two it's something that is in
00:56:48,119 → 00:56:51,470 proportion do you understand it is
00:56:51,480 → 00:56:55,630 something that is in proportion you mean
00:56:55,640 → 00:56:58,029 take it down you mean there's some kind
00:56:58,039 → 00:57:02,470 of Master rule to the universe yes that
00:57:02,480 → 00:57:04,670 is Lady
00:57:04,680 → 00:57:10,069 nature and she loves
Section 123: 00:57:10,079 – 00:57:28,069
00:57:10,079 → 00:57:13,069 proportion oh God it's how those
00:57:13,079 → 00:57:16,069 musicians do everything there's not a
00:57:16,079 → 00:57:18,230 second that they're not working with
00:57:18,240 → 00:57:22,510 proportions right oh God you thought it
00:57:22,520 → 00:57:28,069 was just plucking no right
Section 124: 00:57:28,079 – 00:58:12,260
00:57:28,079 → 00:57:29,670 nobody thought it was just plucking
00:57:29,680 → 00:57:32,630 right we knew it was more sophisticated
00:57:32,640 → 00:57:34,470 we're not as stupid as you
00:57:34,480 → 00:57:37,549 think give me the next
00:57:37,559 → 00:57:40,390 one that's what we say right that's what
00:57:40,400 → 00:57:43,470 we say
00:57:43,480 → 00:57:46,750 nevertheless give me the next one oh
00:57:46,760 → 00:57:51,789 it's not here it
00:57:51,799 → 00:57:54,950 comes Resurrection people does
00:57:54,960 → 00:57:56,950 Resurrection have anything to do with
00:57:56,960 → 00:58:00,029 music and
00:58:00,039 → 00:58:04,829 Jesus it did right how about you Moses
00:58:04,839 → 00:58:08,549 and your burning bush tell me can you
00:58:08,559 → 00:58:12,260 hear the voice of
Section 125: 00:58:12,270 – 00:58:13,549
00:58:12,270 → 00:58:13,549 [Music]
Section 126: 00:58:13,559 – 00:58:29,349
00:58:13,559 → 00:58:16,710 God where's the old time
00:58:16,720 → 00:58:20,150 religion right my God man look see what
00:58:20,160 → 00:58:22,230 I mean people this stuff is look at this
00:58:22,240 → 00:58:24,190 this is one
00:58:24,200 → 00:58:29,349 definition people this is one
Section 127: 00:58:29,359 – 00:59:09,230
00:58:29,359 → 00:58:33,510 word how could it possibly be so much on
00:58:33,520 → 00:58:35,750 one word I can't think of a single
00:58:35,760 → 00:58:38,870 English word that needs this
00:58:38,880 → 00:58:42,390 much oh god let's see what it is here we
00:58:42,400 → 00:58:46,230 go here we go Sun after to join together
00:58:46,240 → 00:58:49,109 in a physical sense it can mean to join
00:58:49,119 → 00:58:51,309 can mean to join right it's got hand in
00:58:51,319 → 00:58:52,750 hand and all that kind of stuff nice
00:58:52,760 → 00:58:55,430 nice nice but I want you to see number
00:58:55,440 → 00:58:58,510 two jump to the metaphorical side of
00:58:58,520 → 00:59:00,470 joining and what do you
00:59:00,480 → 00:59:03,670 see combination in
00:59:03,680 → 00:59:06,750 thought combination in
00:59:06,760 → 00:59:09,230 thought
Section 128: 00:59:09,240 – 00:59:42,870
00:59:09,240 → 00:59:12,109 okay okay notice we're branching into a
00:59:12,119 → 00:59:14,670 type or a Genus that is gonna it's going
00:59:14,680 → 00:59:18,470 to carry its own univers of satellites
00:59:18,480 → 00:59:20,670 right and other words that have roots
00:59:20,680 → 00:59:23,029 that are related connected somehow by
00:59:23,039 → 00:59:26,309 these invisible lines with regards to
00:59:26,319 → 00:59:29,670 person in a hostile sense you can bring
00:59:29,680 → 00:59:34,109 somebody into action they used to um
00:59:34,119 → 00:59:36,630 they use the example of engaging in a
00:59:36,640 → 00:59:39,670 conflict or a battle with somebody in a
00:59:39,680 → 00:59:42,870 friendly
Section 129: 00:59:42,880 – 00:59:58,390
00:59:42,880 → 00:59:46,270 sense to enter into
00:59:46,280 → 00:59:50,150 conversation with to interlock to make
00:59:50,160 → 00:59:52,670 that connection give me the next one to
00:59:52,680 → 00:59:58,390 make that connection to bring us
Section 130: 00:59:58,400 – 01:00:40,309
00:59:58,400 → 01:00:00,950 together this is what the magician who
01:00:00,960 → 01:00:04,270 is the musician is doing right don't try
01:00:04,280 → 01:00:08,109 to explain it look at we're still going
01:00:08,119 → 01:00:10,430 look at
01:00:10,440 → 01:00:12,510 mathematically this
01:00:12,520 → 01:00:17,069 is this is the same word mathematically
01:00:17,079 → 01:00:20,349 what does it mean it's uh the
01:00:20,359 → 01:00:23,829 ratio um compounding ratio is compounded
01:00:23,839 → 01:00:27,309 of right so have to compound number two
01:00:27,319 → 01:00:29,829 in music oh finally finally I'm such a
01:00:29,839 → 01:00:31,190 dummy look I've been running around the
01:00:31,200 → 01:00:32,750 library I'm like where is it where is it
01:00:32,760 → 01:00:35,470 it's not math here it's music it's music
01:00:35,480 → 01:00:40,309 for us in music it is a oh [\h__\h] I knew
Section 131: 01:00:40,319 – 01:00:58,309
01:00:40,319 → 01:00:43,549 it would be something inex oh God I hate
01:00:43,559 → 01:00:46,670 this okay for all the music people out
01:00:46,680 → 01:00:49,309 there it's uh things that are conjunct
01:00:49,319 → 01:00:51,630 joined together conjunct about Tetra
01:00:51,640 → 01:00:55,309 cords here right you can see the soon
01:00:55,319 → 01:00:58,309 amen
Section 132: 01:00:58,319 – 01:01:07,230
01:00:58,319 → 01:01:00,710 Tetra
01:01:00,720 → 01:01:02,230 right
01:01:02,240 → 01:01:07,230 conjunct Tetra
Section 133: 01:01:07,240 – 01:01:43,109
01:01:07,240 → 01:01:10,510 cords okay
01:01:10,520 → 01:01:13,270 okay
01:01:13,280 → 01:01:16,430 yeah no idea let's keep going people no
01:01:16,440 → 01:01:18,870 idea I have no idea where we are I drank
01:01:18,880 → 01:01:21,109 it I'm just here for the I just want to
01:01:21,119 → 01:01:22,630 see nature you know what I mean that's
01:01:22,640 → 01:01:24,230 all I'm here to do I'm just here I'm
01:01:24,240 → 01:01:26,710 satisfied with the Priestess baby people
01:01:26,720 → 01:01:30,270 look at this what is that Tetra cord I I
01:01:30,280 → 01:01:32,150 I still don't get it I've read this 50
01:01:32,160 → 01:01:36,430 times Tetra cord musical scale of four
01:01:36,440 → 01:01:39,750 notes okay I can hold on bounded by the
01:01:39,760 → 01:01:43,109 interval I told you R didn't we tell you
Section 134: 01:01:43,119 – 01:02:16,829
01:01:43,119 → 01:01:44,870 this is the what the Greeks are saying
01:01:44,880 → 01:01:48,069 of a perfect fourth oh crap is that why
01:01:48,079 → 01:01:51,950 you have that me damn it I you know just
01:01:51,960 → 01:01:53,269 when you think just when you think
01:01:53,279 → 01:01:55,309 you've got it in ancient Greek music the
01:01:55,319 → 01:01:57,309 descending tatra cord was the basic unit
01:01:57,319 → 01:02:00,230 of analysis and scale systems called the
01:02:00,240 → 01:02:01,990 greater perfect system and the Lesser
01:02:02,000 → 01:02:02,990 perfect
01:02:03,000 → 01:02:06,950 system do you do you realize all of this
01:02:06,960 → 01:02:09,349 science is about things that you cannot
01:02:09,359 → 01:02:16,829 see you cannot see them they're
Section 135: 01:02:16,839 – 01:02:51,390
01:02:16,839 → 01:02:20,549 invisible I thought I thought the um
01:02:20,559 → 01:02:22,710 thermodynamic stuff was crazy you know
01:02:22,720 → 01:02:26,069 what I mean this is the muso dnamic
01:02:26,079 → 01:02:29,950 right oh look I just coined a word yeah
01:02:29,960 → 01:02:32,069 feel that on your butt cheeks you know
01:02:32,079 → 01:02:35,549 what I mean give it keep it keep it you
01:02:35,559 → 01:02:38,029 boom was formed by joining successive
01:02:38,039 → 01:02:40,069 Tetra cords only the outer notes of each
01:02:40,079 → 01:02:42,870 Tetra cord were fixed the position of
01:02:42,880 → 01:02:45,190 the inner pitches determined the genus
01:02:45,200 → 01:02:48,510 of the Tetra chord the basic form was
01:02:48,520 → 01:02:51,390 the dionic genus now people I want you
Section 136: 01:02:51,400 – 01:03:18,190
01:02:51,400 → 01:02:52,750 to realize that every one of these
01:02:52,760 → 01:02:55,950 goddamn words is Greek this is some B
01:02:55,960 → 01:02:58,430 truter that picked up a Greek manual you
01:02:58,440 → 01:03:00,190 know what I mean if I in 2,000 years in
01:03:00,200 → 01:03:01,349 the future that's how I would
01:03:01,359 → 01:03:04,069 reconstruct it its modifications form
01:03:04,079 → 01:03:05,390 the
01:03:05,400 → 01:03:09,430 chromatic and inharmonic and then they
01:03:09,440 → 01:03:13,230 give the notes there right and they talk
01:03:13,240 → 01:03:18,190 about Pitch the Greek theorists clees oh
Section 137: 01:03:18,200 – 01:04:05,349
01:03:18,200 → 01:03:21,510 finally of the second century ad
01:03:21,520 → 01:03:26,630 discusses the Tetra cord and its Genera
01:03:26,640 → 01:03:30,670 now fortunately go ahead and take it off
01:03:30,680 → 01:03:35,069 fortunately these people these Greeks
01:03:35,079 → 01:03:38,069 right were smart enough to be able to
01:03:38,079 → 01:03:41,589 write all this sophisticated nerd stuff
01:03:41,599 → 01:03:44,910 down do you understand how did they lose
01:03:44,920 → 01:03:46,990 it then in the Middle Ages why do you
01:03:47,000 → 01:03:50,069 think because these people were pagans
01:03:50,079 → 01:03:51,430 these people were
01:03:51,440 → 01:03:54,190 idolators these people are into
01:03:54,200 → 01:03:56,870 Mysteries that are not our
01:03:56,880 → 01:03:59,589 mystery so what do you do yeah you burn
01:03:59,599 → 01:04:01,829 them you burn the
01:04:01,839 → 01:04:05,349 Scrolls hint the Dark
Section 138: 01:04:05,359 – 01:04:19,470
01:04:05,359 → 01:04:08,829 Ages the Renaissance that comes later is
01:04:08,839 → 01:04:10,829 the result of their
01:04:10,839 → 01:04:14,190 rediscovery of this incredible
01:04:14,200 → 01:04:19,470 material right what is classical
Section 139: 01:04:19,480 – 01:04:44,349
01:04:19,480 → 01:04:24,029 music oh my God it's physics baby right
01:04:24,039 → 01:04:27,069 here he is clones is the author auth is
01:04:27,079 → 01:04:28,789 the author of the Greek tradus on music
01:04:28,799 → 01:04:31,470 theory entitled asog
01:04:31,480 → 01:04:33,549 Harmon all right introduction to
01:04:33,559 → 01:04:35,549 harmonics the day of the Trea based on
01:04:35,559 → 01:04:37,069 internal evidence can be established
01:04:37,079 → 01:04:39,190 only to the broad period between the
01:04:39,200 → 01:04:44,349 third BC okay so potentially going back
Section 140: 01:04:44,359 – 01:05:26,750
01:04:44,359 → 01:04:45,990 to the
01:04:46,000 → 01:04:48,269 third
01:04:48,279 → 01:04:51,069 right so look they think for internal
01:04:51,079 → 01:04:52,870 reasons that it's the first century
01:04:52,880 → 01:04:55,349 probably the most likely good okay so at
01:04:55,359 → 01:04:58,510 least know roughly where you are right
01:04:58,520 → 01:05:01,589 so um you're not an archaic
01:05:01,599 → 01:05:04,069 Greece you're not an archaic Greece
01:05:04,079 → 01:05:06,589 you're in helenistic
01:05:06,599 → 01:05:09,789 Greece right that's where you are
01:05:09,799 → 01:05:12,390 fantastic give me the next
01:05:12,400 → 01:05:14,950 one talks about uclid and a whole bunch
01:05:14,960 → 01:05:18,910 of those people right oh God it's the
01:05:18,920 → 01:05:20,630 music people I'm telling you they use
01:05:20,640 → 01:05:22,710 the music somehow in the education to
01:05:22,720 → 01:05:26,750 make people really really smart
Section 141: 01:05:26,760 – 01:05:59,430
01:05:26,760 → 01:05:28,069 what's going
01:05:28,079 → 01:05:31,109 on Resurrection
01:05:31,119 → 01:05:36,150 time people we've got to open the portal
01:05:36,160 → 01:05:40,109 we've got to bring her forward do you
01:05:40,119 → 01:05:41,510 understand we've got to bring her
01:05:41,520 → 01:05:44,109 forward this Muse that we're looking at
01:05:44,119 → 01:05:47,029 now please the Falcon is throwing us
01:05:47,039 → 01:05:49,109 give me the next one it's up there
01:05:49,119 → 01:05:52,589 already okay um why does he keep harping
01:05:52,599 → 01:05:56,190 on Resurrection what does he do that for
01:05:56,200 → 01:05:59,430 right
Section 142: 01:05:59,440 – 01:06:09,829
01:05:59,440 → 01:06:01,349 people the
01:06:01,359 → 01:06:03,710 music is the
01:06:03,720 → 01:06:05,230 foundation
01:06:05,240 → 01:06:09,829 for mother Greeks
Section 143: 01:06:09,839 – 01:06:50,510
01:06:09,839 → 01:06:13,029 Beauty do you know these stupid humans
01:06:13,039 → 01:06:15,390 finally figured out to do as you're sitt
01:06:15,400 → 01:06:16,670 there with the Watchers you know what
01:06:16,680 → 01:06:18,630 these stupid humans finally figured out
01:06:20,200 → 01:06:24,390 do they figured out how to
01:06:24,400 → 01:06:26,190 meld the
01:06:26,200 → 01:06:29,950 music with the spoken language and they
01:06:29,960 → 01:06:35,109 created a tower oh God she is Tower what
01:06:35,119 → 01:06:39,670 is this here he is I brought you CA days
01:06:39,680 → 01:06:43,630 oh people now this is the proof I want
01:06:43,640 → 01:06:46,910 you to know this text is the proof that
Section 144: 01:06:50,520 – 01:07:31,230
01:06:50,520 → 01:06:52,430 not
01:06:52,440 → 01:06:55,630 smart do you understand me this is the
01:06:55,640 → 01:06:58,750 proof right here it's a musical text no
01:06:58,760 → 01:07:01,109 seriously people um I didn't expose
01:07:01,119 → 01:07:02,990 myself to the music on the Greek side
01:07:03,000 → 01:07:05,710 there's so much ancient Greek that you
01:07:05,720 → 01:07:09,990 really are forced to specialize in order
01:07:10,000 → 01:07:11,349 to master
01:07:11,359 → 01:07:15,390 anything right so every music I'll just
01:07:15,400 → 01:07:16,990 be honest with you every musical text
01:07:17,000 → 01:07:20,309 that I came up came across as a graduate
01:07:20,319 → 01:07:24,670 student as an early professor as a ronin
01:07:24,680 → 01:07:26,109 all
01:07:26,119 → 01:07:29,029 of those um every one of those texts
01:07:29,039 → 01:07:31,230 that I came across I was like ah another
Section 145: 01:07:31,240 – 01:07:54,710
01:07:31,240 → 01:07:34,990 day another day because it has its own
01:07:35,000 → 01:07:36,910 technical language you can see I'm going
01:07:36,920 → 01:07:39,910 to give you a few vocabulary words now
01:07:39,920 → 01:07:42,069 that are basic vocabulary words he just
01:07:42,079 → 01:07:43,829 says what
01:07:43,839 → 01:07:46,870 Harmony right or not just Harmony
01:07:46,880 → 01:07:49,150 because that's harmonia
01:07:49,160 → 01:07:54,710 Harmon is that art of Harmony right
Section 146: 01:07:54,720 – 01:07:58,510
01:07:54,720 → 01:07:58,510 harmonic
Section 147: 01:07:58,520 – 01:08:21,390
01:07:58,520 → 01:08:02,670 is look at that beautiful epist
01:08:02,680 → 01:08:06,309 the do you see where we get theoretic EP
01:08:06,319 → 01:08:10,870 that science right that theoretic
01:08:10,880 → 01:08:21,390 science
Section 148: 01:08:21,400 – 01:08:31,550
01:08:21,400 → 01:08:23,709 right what do we see again look at the
01:08:23,719 → 01:08:26,910 second line at the end
01:08:26,920 → 01:08:31,550 nature
Section 149: 01:08:31,560 – 01:09:12,950
01:08:31,560 → 01:08:35,749 there is a Harmony people in
01:08:35,749 → 01:08:35,759 nature there is a Harmony people in
01:08:35,759 → 01:08:39,269 nature it is a characteristic an
01:08:39,279 → 01:08:42,950 attribute of nature
01:08:42,960 → 01:08:48,870 herself oh God oh God right show it show
01:08:48,880 → 01:08:51,789 it to him I wanted you to see this
01:08:51,799 → 01:08:56,229 passage because I wanted you to see
01:08:56,239 → 01:09:00,510 this writer is taking the
01:09:00,520 → 01:09:04,789 music and is dividing it into its
01:09:04,799 → 01:09:08,470 components into its elements into its
01:09:08,480 → 01:09:12,950 sta right into its basic
Section 150: 01:09:12,960 – 01:09:32,990
01:09:12,960 → 01:09:15,990 elements and what he's doing is giving
01:09:16,000 → 01:09:20,349 you the vocabulary so that you can
01:09:20,359 → 01:09:23,430 navigate so that you can navigate do you
01:09:23,440 → 01:09:26,309 hear me who is that nav Ator we talked
01:09:26,319 → 01:09:29,030 about the other day that Navigator of
01:09:29,040 → 01:09:30,910 the
01:09:30,920 → 01:09:32,990 universe
Section 151: 01:09:33,000 – 01:10:07,790
01:09:33,000 → 01:09:34,910 the
01:09:34,920 → 01:09:40,870 pilot of the ship that is the
01:09:40,880 → 01:09:43,269 cosmos the
01:09:43,279 → 01:09:46,470 organization around
01:09:46,480 → 01:09:52,870 you do you understand right the music is
01:09:52,880 → 01:09:56,310 her tool
01:09:56,320 → 01:10:00,910 the manipulation of magic is always
01:10:00,920 → 01:10:02,750 through
01:10:02,760 → 01:10:07,790 music always through
Section 152: 01:10:07,800 – 01:10:48,669
01:10:07,800 → 01:10:10,910 music do you understand the
01:10:10,920 → 01:10:16,189 idolatry right oh the song People the
01:10:16,199 → 01:10:20,510 song is there because of the
01:10:20,520 → 01:10:24,830 music those fundamentals of the quantum
01:10:24,840 → 01:10:29,750 reality that you and I call
01:10:29,760 → 01:10:33,470 home God gorgeous you mean the musicians
01:10:33,480 → 01:10:37,470 are the are the ones that we should
01:10:37,480 → 01:10:41,270 Elevate to the level of Medusa
01:10:41,280 → 01:10:43,550 yeah yeah they
01:10:43,560 → 01:10:48,669 are okay move over move over
Section 153: 01:10:48,679 – 01:11:39,430
01:10:48,679 → 01:10:52,709 astrophysics rock and roll is
01:10:52,719 → 01:10:55,790 here fantastic
01:10:55,800 → 01:10:58,709 W place people what are people's
01:10:58,719 → 01:11:00,910 congregation Muse love it love you too
01:11:00,920 → 01:11:02,390 thanks Jeremy and Ruby good to see
01:11:02,400 → 01:11:05,590 people who are turning up and coming out
01:11:05,600 → 01:11:09,630 love almond thank you Justin almond
01:11:09,640 → 01:11:13,390 loves you too hell musicians yeah really
01:11:13,400 → 01:11:16,070 tonight people seriously think about
01:11:16,080 → 01:11:18,070 those musicians in a different light and
01:11:18,080 → 01:11:20,229 by the way those of you who are
01:11:20,239 → 01:11:23,630 musicians think of yourself in this
01:11:23,640 → 01:11:25,350 light
01:11:25,360 → 01:11:28,229 think of yourself as
01:11:28,239 → 01:11:30,270 that
01:11:30,280 → 01:11:34,550 sacred hand of
01:11:34,560 → 01:11:39,430 God you are her beauty baby oh yeah you
Section 154: 01:11:39,440 – 01:12:18,910
01:11:39,440 → 01:11:42,669 know why Apollo's so hot you know why
01:11:42,679 → 01:11:46,669 he's so hot you know why it
01:11:46,679 → 01:11:50,470 is give it to me he's got the music next
01:11:50,480 → 01:11:53,030 one and I want to give you a few terms
01:11:53,040 → 01:11:55,470 basic terms of music just go a ahead and
01:11:55,480 → 01:11:56,910 put the next one up
01:11:56,920 → 01:11:59,310 chewy these are
01:11:59,320 → 01:12:02,030 defined right these are defined for us
01:12:02,040 → 01:12:03,950 these are oberved for us I just want to
01:12:03,960 → 01:12:06,390 put a couple of them
01:12:06,400 → 01:12:11,950 down um what did I give you this one
01:12:11,960 → 01:12:14,470 for no that's okay I want to go right to
01:12:14,480 → 01:12:17,470 the terms go to the next one go to this
01:12:17,480 → 01:12:18,910 one
Section 155: 01:12:18,920 – 01:13:10,149
01:12:18,920 → 01:12:21,070 chewy wait where is
01:12:21,080 → 01:12:23,750 it okay I want to start
01:12:23,760 → 01:12:27,830 here people here's your basic term
01:12:27,840 → 01:12:30,590 thongon thongon I think it's actually
01:12:30,600 → 01:12:32,430 this one
01:12:32,440 → 01:12:36,470 thongon okay and what does that mean all
01:12:36,480 → 01:12:38,390 right look what they look what they tell
01:12:38,400 → 01:12:42,910 us here n just glance a voice okay we
01:12:42,920 → 01:12:45,550 get it speech
01:12:45,560 → 01:12:49,830 sound particularly of musical sounds and
01:12:49,840 → 01:12:52,149 they give you specifically that sound
01:12:52,159 → 01:12:55,310 luras of the liar
01:12:55,320 → 01:12:59,189 right so you you please must you must
01:12:59,199 → 01:13:01,149 understand go to the next one you must
01:13:01,159 → 01:13:04,310 understand that voice itself or
01:13:04,320 → 01:13:10,149 sound are joined in one in one okay next
Section 156: 01:13:10,159 – 01:13:43,790
01:13:10,159 → 01:13:12,510 term next term what is
01:13:12,520 → 01:13:14,550 a that's in the plural right these are
01:13:14,560 → 01:13:16,229 genitives because these are with the
01:13:16,239 → 01:13:17,990 preposition that's forcing them into the
01:13:18,000 → 01:13:20,030 genitive case
01:13:20,040 → 01:13:22,390 di okay what is there another we've
01:13:22,400 → 01:13:25,229 we've got our voice right we've got the
01:13:25,239 → 01:13:28,270 sound that it makes when we we pluck
01:13:28,280 → 01:13:30,070 that liar string we've got that sound
01:13:30,080 → 01:13:33,270 and we have what what are these deat
01:13:33,280 → 01:13:36,070 tone go ahead Chey right I want to use
01:13:36,080 → 01:13:37,590 their definition because these people
01:13:37,600 → 01:13:40,189 are freaks about this stuff blow it up
01:13:40,199 → 01:13:43,790 blow it up what is a Desta people look
Section 157: 01:13:43,800 – 01:14:08,510
01:13:43,800 → 01:13:45,390 at this it's a
01:13:45,400 → 01:13:49,350 distance it's a distance in Geometry
01:13:49,360 → 01:13:51,910 it's the radius right I I told you nerds
01:13:51,920 → 01:13:55,070 total nerds right by the way geometry
01:13:55,080 → 01:13:57,510 Egyptians didn't figure out Geometry
01:13:57,520 → 01:13:59,470 right they figured out putting block on
01:13:59,480 → 01:14:02,830 block baby and they did it a lot big
01:14:02,840 → 01:14:08,510 deal look at number five in Aristotle's
Section 158: 01:14:08,520 – 01:14:50,750
01:14:08,520 → 01:14:12,790 symbolism it is the conjunction of two
01:14:12,800 → 01:14:15,430 terms fantastic fantastic look at number
01:14:15,440 → 01:14:18,870 two medically it's diastasis like for
01:14:18,880 → 01:14:20,229 example in
01:14:20,239 → 01:14:26,470 Bones right oh neat neat okay so um
01:14:26,480 → 01:14:27,910 give me the next
01:14:27,920 → 01:14:31,189 one it's a distinction people it's a
01:14:31,199 → 01:14:34,310 distinction get on it's a contrast gen
01:14:34,320 → 01:14:36,950 on what is that genon this one people
01:14:36,960 → 01:14:38,270 you're gonna have to figure out on your
01:14:38,280 → 01:14:41,270 own because this no I'm serious no I'm
01:14:41,280 → 01:14:44,430 serious yeah because this is just
01:14:44,440 → 01:14:47,629 genus okay this is just genus some Ty
01:14:47,639 → 01:14:50,750 some type of something right some
Section 159: 01:14:50,760 – 01:15:27,709
01:14:50,760 → 01:14:52,910 category excuse me that's better said
01:14:52,920 → 01:14:56,629 some category of something so there is a
01:14:56,639 → 01:14:58,750 type and when you look at the
01:14:58,760 → 01:15:01,510 definitions even the definition of genus
01:15:01,520 → 01:15:03,750 for me is a little bit I'm
01:15:03,760 → 01:15:06,709 like right don't quite okay go to the
01:15:06,719 → 01:15:09,470 next one doesn't quite J people I told
01:15:09,480 → 01:15:11,270 you we'd be the dumb ones in the room I
01:15:11,280 → 01:15:13,590 told you I really hope the musicians are
01:15:13,600 → 01:15:15,229 getting what is
01:15:15,239 → 01:15:18,990 sustos right sustos in
01:15:19,000 → 01:15:21,229 music what does
01:15:21,239 → 01:15:27,709 sustos mean what is that sust
Section 160: 01:15:27,719 – 01:16:01,709
01:15:27,719 → 01:15:30,750 look I can tell even though it's tiny
01:15:30,760 → 01:15:33,149 look at how wait is this a musical term
01:15:33,159 → 01:15:35,709 why is it so complicated why is it so
01:15:35,719 → 01:15:39,709 complicated give it to me sust whole
01:15:39,719 → 01:15:43,070 compounded of several parts or
01:15:43,080 → 01:15:47,229 members a system as you and I would say
01:15:48,520 → 01:15:51,470 composition in the literary sense a
01:15:51,480 → 01:15:53,910 composition oh now I see where it's
01:15:53,920 → 01:15:55,950 going with the medicine I mean with the
01:15:55,960 → 01:15:57,910 music number
01:15:57,920 → 01:16:01,709 two Constitution organized government oh
Section 161: 01:16:01,719 – 01:16:03,430
01:16:01,719 → 01:16:03,430 [\h__\h]
Section 162: 01:16:03,440 – 01:16:35,070
01:16:03,440 → 01:16:05,950 really did you think the musicians were
01:16:05,960 → 01:16:07,430 the ones who came up with all the
01:16:07,440 → 01:16:10,950 goodies of course of course a form of
01:16:10,960 → 01:16:12,270 government right we don't need to worry
01:16:12,280 → 01:16:14,270 about constitutions today right they're
01:16:14,280 → 01:16:16,629 burning it down orange Hitler's going to
01:16:16,639 → 01:16:18,990 wipe his backside with it nobody cares
01:16:19,000 → 01:16:21,350 none of those none of those people care
01:16:21,360 → 01:16:24,510 you know what your ancestors think you
01:16:24,520 → 01:16:25,510 suck
01:16:25,520 → 01:16:27,590 give me the next one especially the
01:16:27,600 → 01:16:29,709 greatest Generation no not the next one
01:16:29,719 → 01:16:31,390 this one oh did you already switch it
01:16:31,400 → 01:16:35,070 blow it up so I can read it quick quick
Section 163: 01:16:35,080 – 01:17:10,629
01:16:35,080 → 01:16:38,790 people boom uh body of soldiers
01:16:38,800 → 01:16:42,070 generally a flocker her colge of priests
01:16:42,080 → 01:16:44,870 a system in music it's a system of
01:16:44,880 → 01:16:47,669 intervals or Tada
01:16:47,679 → 01:16:51,990 scale oh okay you thought you didn't
01:16:52,000 → 01:16:54,950 think that scale you didn't think that
01:16:54,960 → 01:16:59,790 scale was oh part of uh uh government
01:16:59,800 → 01:17:01,910 did you con the way that you constitute
01:17:01,920 → 01:17:03,350 the people I want you to think about
01:17:03,360 → 01:17:05,390 that for a minute the way that you
01:17:05,400 → 01:17:10,629 constitute the people is your
Section 164: 01:17:10,639 – 01:17:41,790
01:17:10,639 → 01:17:12,870 scale I told you the musicians could
01:17:12,880 → 01:17:15,030 rule the world be the only way to go
01:17:15,040 → 01:17:17,470 what is your tonos right what is that
01:17:17,480 → 01:17:19,590 next what is that look at how beautiful
01:17:19,600 → 01:17:21,149 that word is by the way until it
01:17:21,159 → 01:17:23,550 switches right what is
01:17:23,560 → 01:17:25,550 that h
01:17:25,560 → 01:17:27,590 people say oh that's your town right
01:17:27,600 → 01:17:29,950 you're going to tell well let's get it
01:17:29,960 → 01:17:32,149 down let's just not do what the New
01:17:32,159 → 01:17:34,669 Testament Scholars do right let's just
01:17:34,679 → 01:17:36,910 not do this sloppily it's always sloppy
01:17:36,920 → 01:17:38,990 sex with New Testament Scholars you know
01:17:39,000 → 01:17:41,790 what I mean come on people get your act
Section 165: 01:17:41,800 – 01:18:32,590
01:17:41,800 → 01:17:45,350 together get your act together what is
01:17:45,360 → 01:17:49,189 tonos what is tonos look people that by
01:17:49,199 → 01:17:52,189 which a thing is
01:17:52,199 → 01:17:57,149 stretched or that which can self be
01:17:57,159 → 01:18:01,390 stretched yeah okay think of the
01:18:01,400 → 01:18:04,910 stretching stretching thos is from Tano
01:18:04,920 → 01:18:08,270 to stretch remember those Titans those
01:18:08,280 → 01:18:09,430 are
01:18:09,440 → 01:18:14,270 stretchers right oh my God look at in
01:18:14,280 → 01:18:16,870 machines this is Tiny number two a
01:18:16,880 → 01:18:18,870 stretching a tightening do you feel the
01:18:18,880 → 01:18:21,669 strain do you feel the
01:18:21,679 → 01:18:25,310 tension that's what heraclitis said says
01:18:25,320 → 01:18:28,830 is the harmony of the
01:18:28,840 → 01:18:32,590 universe the tension do you know why it
Section 166: 01:18:32,600 – 01:19:13,870
01:18:32,600 → 01:18:34,709 is beautiful chewy thank you for blowing
01:18:34,719 → 01:18:36,350 that up do you know why the tension is
01:18:36,360 → 01:18:39,310 so important you cannot have the climax
01:18:39,320 → 01:18:42,629 of this Cosmos without
01:18:42,639 → 01:18:47,390 tension now since we are all creatures
01:18:48,280 → 01:18:51,629 sexuality you will naturally understand
01:18:51,639 → 01:18:55,229 the tension that builds into the
01:18:55,239 → 01:18:58,910 climax okay it's part of you that
01:18:58,920 → 01:19:00,669 understanding I don't care if you're
01:19:00,679 → 01:19:02,870 fighting it I don't care if you close
01:19:02,880 → 01:19:05,870 your eyes while your pastor husband
01:19:05,880 → 01:19:08,510 mounts and you think about Jesus to get
01:19:08,520 → 01:19:11,189 your mind off of his inadequacies I
01:19:11,199 → 01:19:13,870 don't care stretching tightening
Section 167: 01:19:13,880 – 01:19:23,709
01:19:13,880 → 01:19:16,950 straining of sounds it's the raising of
01:19:16,960 → 01:19:18,470 the
01:19:18,480 → 01:19:23,709 voice hint look people pitch
Section 168: 01:19:23,719 – 01:19:53,310
01:19:23,719 → 01:19:27,590 pitch all right okay now um they say
01:19:27,600 → 01:19:30,470 here including volume okay so oop and
01:19:30,480 → 01:19:34,270 they give a little greek tono F right U
01:19:34,280 → 01:19:37,350 it can be that sharp or it can be baru
01:19:37,360 → 01:19:40,110 right oh God it's great it's pitch your
01:19:40,120 → 01:19:43,310 accent also in just you know um these
01:19:43,320 → 01:19:45,350 accents that we see in the Greek right
01:19:45,360 → 01:19:47,030 you don't realize they're musical until
01:19:47,040 → 01:19:49,830 you see here now in musical writers it
01:19:49,840 → 01:19:53,310 means key it means
Section 169: 01:19:53,320 – 01:20:07,030
01:19:53,320 → 01:19:55,310 key key
01:19:55,320 → 01:19:57,950 and how is
01:19:57,960 → 01:20:00,830 key one's
01:20:00,840 → 01:20:07,030 exertion one's energy is your key
Section 170: 01:20:07,040 – 01:20:22,830
01:20:07,040 → 01:20:09,350 musically does that make sense to any
01:20:09,360 → 01:20:11,750 musicians on there please write to
01:20:11,760 → 01:20:15,470 me or make a note somewhere in the
01:20:15,480 → 01:20:22,830 comments key is that what key
Section 171: 01:20:22,840 – 01:21:04,030
01:20:22,840 → 01:20:25,830 is next one we almost done people
01:20:25,840 → 01:20:29,990 another one just to blow your up to me
01:20:30,000 → 01:20:32,310 been more skirts too you know all these
01:20:32,320 → 01:20:36,310 men by the way HTS Isn't that
01:20:36,320 → 01:20:39,070 cool it's so you can jump over things
01:20:39,080 → 01:20:42,510 easier you know is it metabolis right is
01:20:42,520 → 01:20:45,350 this metabolism yeah it is now what is
01:20:45,360 → 01:20:49,750 the metabolism that is music what is the
01:20:49,760 → 01:20:52,229 metabolism that is music we're almost
01:20:52,239 → 01:20:54,669 through the terms people these are the
01:20:54,679 → 01:20:57,669 basic terms the foundation of
01:20:57,679 → 01:21:00,310 harmonics harmonics you want to get
01:21:00,320 → 01:21:04,030 harmonia you want to be that snake shut
Section 172: 01:21:04,040 – 01:21:28,550
01:21:04,040 → 01:21:10,070 up and listen what is the metabole it is
01:21:10,080 → 01:21:11,590 that
01:21:11,600 → 01:21:14,590 exchange right it's that exchange look
01:21:14,600 → 01:21:16,310 in in one case they say it's a
01:21:16,320 → 01:21:19,870 transition or some kind of change look
01:21:19,880 → 01:21:22,229 at number two underneath number Roman
01:21:22,239 → 01:21:24,669 numer number two eclipses
01:21:24,679 → 01:21:28,550 they refer to as these
Section 173: 01:21:28,560 – 01:22:10,750
01:21:28,560 → 01:21:32,070 transitions right changes of
01:21:32,080 → 01:21:34,550 government
01:21:34,560 → 01:21:39,950 migrations in music what is it in music
01:21:39,960 → 01:21:41,990 modulation and you can apparently
01:21:42,000 → 01:21:44,830 modulate tonos and
01:21:44,840 → 01:21:48,149 Ginos okay tonos and Ginos I still have
01:21:48,159 → 01:21:50,950 no idea it's Chinese to me people it's
01:21:50,960 → 01:21:52,430 total Chinese if you're sitting there
01:21:52,440 → 01:21:55,709 it's Chinese to you too just realize
01:21:55,719 → 01:21:59,390 realize what the gorgeous mother Greek
01:21:59,400 → 01:22:01,629 has given us it just look look you don't
01:22:01,639 → 01:22:04,149 have to be you don't have to be deep you
01:22:04,159 → 01:22:05,790 can be super
01:22:05,800 → 01:22:08,350 superficial and just appreciate her
01:22:08,360 → 01:22:10,750 beauty she doesn't mind she doesn't mind
Section 174: 01:22:10,760 – 01:22:51,709
01:22:10,760 → 01:22:13,189 at all that's the group that I'm sitting
01:22:13,199 → 01:22:16,229 in tonight for all you musicians who are
01:22:16,239 → 01:22:19,510 plugged into it you know okay good for
01:22:19,520 → 01:22:22,470 you good for you good for you I'm glad
01:22:22,480 → 01:22:25,070 give me the next one is it messing
01:22:25,080 → 01:22:27,910 around why does he keep doing that oh
01:22:27,920 → 01:22:30,270 you're adjusting things okay I thought
01:22:30,280 → 01:22:32,189 you were I thought it was giving you a
01:22:32,199 → 01:22:34,070 hard time okay we're almost done people
01:22:34,080 → 01:22:35,590 we've got one
01:22:35,600 → 01:22:38,830 more boom what is our last musical term
01:22:38,840 → 01:22:43,669 I want you to know as we reach out for
01:22:43,679 → 01:22:48,229 that indirect light of Dusk and
01:22:48,239 → 01:22:51,709 Dawn
Section 175: 01:22:51,719 – 01:23:07,810
01:22:51,719 → 01:22:53,870 mopas what is that it's just a
01:22:53,880 → 01:22:57,950 combination of Melos which is a song and
01:22:57,960 → 01:23:00,910 poos which is the
01:23:00,920 → 01:23:04,149 creation what is this creation of song
01:23:04,159 → 01:23:06,550 grammatically what is it give me the
01:23:06,560 → 01:23:07,810 give me the definition
Section 176: 01:23:07,820 – 01:23:12,430
01:23:07,820 → 01:23:12,430 [Music]
Section 177: 01:23:12,440 – 01:23:35,830
01:23:12,440 → 01:23:15,750 B and people by the way that uml over
01:23:15,760 → 01:23:16,950 that second
01:23:16,960 → 01:23:19,709 Yota with an accent over it it's not it
01:23:19,719 → 01:23:21,229 looks like a little dude doesn't it I
01:23:21,239 → 01:23:23,550 just realized that but no it's um to
01:23:23,560 → 01:23:25,669 tell you that that that thing doesn't
01:23:25,679 → 01:23:29,270 become a dongos it doesn't become two
01:23:29,280 → 01:23:32,229 two vowels joined into one right there
01:23:32,239 → 01:23:35,830 is no Harmony there
Section 178: 01:23:35,840 – 01:24:05,709
01:23:35,840 → 01:23:40,229 mop making of Lyric poems or music for
01:23:40,239 → 01:23:41,750 them
01:23:41,760 → 01:23:46,390 generally music now check out number two
01:23:46,400 → 01:23:47,750 musical
01:23:47,760 → 01:23:51,830 composition as opposed to its practice
01:23:51,840 → 01:23:55,030 we're talking about Musical
01:23:55,040 → 01:23:59,390 creation and what does the god
01:23:59,400 → 01:24:05,709 do the god creates via
Section 179: 01:24:05,719 – 01:25:15,990
01:24:05,719 → 01:24:10,669 music okay the god creates via
01:24:10,679 → 01:24:12,990 music let's open up with the last one
01:24:13,000 → 01:24:14,669 those are the basic terms people and he
01:24:14,679 → 01:24:17,110 goes on to define those you'll take each
01:24:17,120 → 01:24:18,709 of those you'll write out his own
01:24:18,719 → 01:24:21,270 definition of them and that's just like
01:24:21,280 → 01:24:24,110 the day one in class in music class look
01:24:24,120 → 01:24:25,510 at the these
01:24:25,520 → 01:24:28,790 people right you you really don't
01:24:28,800 → 01:24:32,550 understand you can follow the success of
01:24:32,560 → 01:24:33,830 our
01:24:33,840 → 01:24:38,110 civilization based upon based upon what
01:24:38,120 → 01:25:15,990 it's doing with its
Section 180: 01:25:16,000 – 01:25:40,590
01:25:16,000 → 01:25:21,470 sorry people we just we just got a we
01:25:21,480 → 01:25:26,270 just got an intercept from a priest of
01:25:26,280 → 01:25:28,709 Apollo and I think it's
01:25:28,719 → 01:25:33,790 relevant modulations are changes of key
01:25:33,800 → 01:25:38,669 in a song or composition right
01:25:38,679 → 01:25:40,590 okay
Section 181: 01:25:40,600 – 01:26:05,950
01:25:40,600 → 01:25:42,750 modulation look what it's doing it's
01:25:42,760 → 01:25:46,270 taking all of that basic um you have one
01:25:46,280 → 01:25:48,510 side over here and another side over
01:25:48,520 → 01:25:51,350 here and these things are opposites or
01:25:51,360 → 01:25:55,870 they're degrees they're proportion
01:25:55,880 → 01:25:57,470 and you take these things and you
01:25:57,480 → 01:26:00,709 combine them and all of a sudden you've
01:26:00,719 → 01:26:05,950 got music and that music
Section 182: 01:26:05,960 – 01:26:28,629
01:26:05,960 → 01:26:09,510 creates and one of its components of of
01:26:09,520 → 01:26:11,990 this creative power is its power of
01:26:12,000 → 01:26:14,590 modulation you're describing a divine
01:26:14,600 → 01:26:18,510 art to a people who have lost their
01:26:18,520 → 01:26:22,430 connection bring us back the
01:26:22,440 → 01:26:25,990 connection bring us the Bridge please
01:26:26,000 → 01:26:28,629 people please
Section 183: 01:26:28,639 – 01:27:13,790
01:26:28,639 → 01:26:32,109 listen there's a place there's a place
01:26:32,119 → 01:26:35,790 that we must go we must be
01:26:35,800 → 01:26:37,629 free we
01:26:37,639 → 01:26:42,310 must have that which is our Birthright
01:26:42,320 → 01:26:46,390 to have as humans as children of Earth
01:26:46,400 → 01:26:49,550 and Sky we must have it I love it bring
01:26:49,560 → 01:26:52,750 it out Bring it right out of the
01:26:52,760 → 01:26:56,709 ground yep chewy we're going to finish
01:26:56,719 → 01:26:58,590 up tonight and we're going to tell the
01:26:58,600 → 01:27:01,189 congregation um please students I've
01:27:01,199 → 01:27:03,510 just gone to Total
01:27:03,520 → 01:27:06,669 sabatical because the resurrection is
01:27:06,679 → 01:27:10,629 coming right I'm full sabatical I won't
01:27:10,639 → 01:27:13,790 be able to spend time in classes anymore
Section 184: 01:27:13,800 – 01:27:52,870
01:27:13,800 → 01:27:15,550 I won't be able
01:27:15,560 → 01:27:19,390 to I need you to keep
01:27:19,400 → 01:27:23,310 going right I'm I'm going to do om andu
01:27:23,320 → 01:27:25,990 for people to be able to do it on their
01:27:26,000 → 01:27:30,590 own but for my personal students okay
01:27:30,600 → 01:27:34,750 you are where you are right realize now
01:27:34,760 → 01:27:37,510 is time to regroup to look at some
01:27:37,520 → 01:27:38,950 things to pull in some ancient
01:27:38,960 → 01:27:42,990 literature and to start diving you sexy
01:27:43,000 → 01:27:45,830 beasts you must start diving take off
01:27:45,840 → 01:27:48,990 your clothes and into the pool of
01:27:49,000 → 01:27:51,270 ancient Greek while I'm on sabatical
01:27:51,280 → 01:27:52,870 because I want to see you when you come
Section 185: 01:27:52,880 – 01:28:33,750
01:27:52,880 → 01:27:54,709 back and you get out of the pool and
01:27:54,719 → 01:27:56,109 there you
01:27:56,119 → 01:27:59,629 are excellent
01:27:59,639 → 01:28:03,430 music mixed martial
01:28:03,440 → 01:28:06,030 arts and
01:28:06,040 → 01:28:09,709 grammar that's what makes
01:28:11,239 → 01:28:14,030 Servants of the Virgin who gave us
01:28:14,040 → 01:28:16,709 democracy oh I love it I love it hail
01:28:16,719 → 01:28:19,030 the music tonight I'm sorry I'm
01:28:19,040 → 01:28:21,189 insufficient I'm really sorry I'm
01:28:21,199 → 01:28:23,910 insufficient to be able to to bring you
01:28:23,920 → 01:28:27,870 that full Revelation but I thank you I
01:28:27,880 → 01:28:30,550 thank you I thank you thank you for
01:28:30,560 → 01:28:33,750 coming tonight hail
Section 186: 01:28:33,760 – 01:29:06,310
01:28:33,760 → 01:28:36,109 Satan but for what they keep doing to
01:28:36,119 → 01:28:39,550 the children she taught me in the craft
01:28:39,560 → 01:28:43,709 Creed of the Assassins chocolate tea
01:28:43,719 → 01:28:48,870 caramel sugar skull maple syrup Beluga
01:28:48,880 → 01:28:53,550 caviar the Venoms flowers from the trees
01:28:53,560 → 01:28:57,070 and purp seash shells for the monsters
01:28:57,080 → 01:28:58,550 in their
01:28:58,560 → 01:29:03,470 dreams in a land with the second sun of
01:29:03,480 → 01:29:06,310 Mordor atlantis's
Section 187: 01:29:06,320 – 01:29:19,740
01:29:06,320 → 01:29:07,870 Rising
01:29:07,880 → 01:29:09,910 Oria
01:29:09,920 → 01:29:12,990 scua met
01:29:13,000 → 01:29:19,740 fly Venus
Section 188: 01:29:19,750 – 01:29:24,149
01:29:19,750 → 01:29:24,149 [Applause]
Section 189: 01:29:24,159 – 01:29:27,189
01:29:24,159 → 01:29:27,189 marus
Section 190: 01:29:27,199 – 01:29:57,040
01:29:27,199 → 01:29:30,350 is of
01:29:30,360 → 01:29:34,470 Venus marus
01:29:34,480 → 01:29:53,030 is of
01:29:53,040 → 01:29:57,040 Venus for